The main aim of this book is to provide a comprehensive reference work of products and their uses in the area of furnishing textiles, interior furnishings and floorcoverings used in domestic interiors. The emphasis is on British and American domestic textiles and furnishings, and the consumption of them over the period 1200-1950.

Many historic houses that open to the public in England and Wales - particularly those owned by the National Trust - preserve their contents rather than restore them to a particular period. The former owners of these houses often retained objects from various periods and this layering of history produces interiors that look aged and patinated. Although the reason for this preservation and lack of fashionable renewable can be attributed to declining economic fortunes in the twentieth century, there are many examples of families practising this method of homemaking over a much longer period. Taking National Trust properties as its central focus, this book examines three interlocking themes to examine the role of historic textiles. Firstly it looks at houses with preserved contents together with the reasons for individual families choosing this lifestyle; secondly the role of the National Trust as both guardian and interpreter of these houses and their collections; and finally, and most importantly, the influence of textiles to contribute to the appearance of interiors, and their physical attributes that carry historical resonances of the past. The importance of preserved textiles in establishing the visual character of historic houses is a neglected area and therefore the prominence given to textiles in this project constitutes an original contribution to the study of these houses. Drawing upon a range of primary sources, including literature produced by the National Trust for their sites, and documentary sources for the families and their houses (such as diaries, letters and household accounts), the study takes a broad approach that will be of interest to all those with an interest in material culture, heritage, collecting studies and cultural history.

This book provides an overview of the types of textiles used within the interior textile sector and key technological developments and safety issues affecting the industry. An understanding of these topics enables the designer or manufacturer to select the most appropriate fabrics for interior applications.The first group of chapters reviews types and selection of materials for interior textiles, including natural and synthetic fibres as well as knitted, woven and nonwoven fabrics. Further chapters review surface design of interior textiles and the use of textiles in carpets and floor coverings. The second part of the book discuses developments in such areas as joining furniture fabrics, the use of sustainable and recycled textiles in interior applications, using interior textiles to minimise indoor environmental pollution, flame retardant materials and innovative textiles for seating.Interior textiles: design and developments is an important text for manufacturers, designers and buyers of interior textiles as well as being a valuable resource for students and academics studying interior design and materials. - Provides a comprehensive review of the type of textiles used within the interior textile sector - Considers environmental issues in interior textiles assessing different types of sustainable and recycled textiles - Explores the important issues of surface design and flammability testing

The Winterthur Museum’s richly illustrated history of British and American fabrics made or used from 1700–1850 is a visual reference for designers and a definitive contribution to textile studies. From slipcovers that belonged to George Washington, to bedhangings described by Harriet Beecher Stowe, Delaware’s Winterthur Museum holds some of the finest cotton and linen textiles made or used in America and Britain between 1700 and 1850. One of the fastest growing and potentially most lucrative trades in the eighteenth and early nineteenth centuries, on the forefront of developments in science and engineering, chemistry and technology, the textile industry is a fascinating lens into international trade relations and cultural exchange over nearly two centuries. Printed Textiles is a major update to the classic text published by Winterthur in 1970—a sourcebook compiled by celebrated curator Florence Montgomery that detailed all aspects of the fabrics’ lifespan, from their design and method of manufacture to their use and exchange value. Linda Eaton, Director of Collections and Senior Curator of Textiles, updates the classic with a particular focus on furnishing fabrics—referred to as “furnitures.” Building on research that has come to light since 1970 and benefiting from the technical and scientific expertise of the conservators and scientists at Winterthur, Eaton presents a thorough and sweeping study enriched by the diverse approaches to material culture today. With hundreds of beautifully photographed samples—engagingly contextualized with iconic figures in American history including Betsy Ross and Benjamin Franklin—this significant addition to textile scholarship allows for a full appreciation of these fascinating fabrics. Printed Textiles is destined to become an essential reference for interior designers, fashion and textile design students, conservators, collectors, and anyone with an interest in the textile industry.

Charles Darwin did not deliberately set out to be the “destroyer of mythical beliefs,” some of which, in his early days as a young Christian, he had previously espoused. He was a modest man who liked to avoid controversy of any kind, yet paradoxically, he was to be the cause of the greatest controversy in the history of science and religion. When Darwin embarked on the HMS Beagle in late December 1831, bound for the southern hemisphere, he could not have imagined that the experience would lead him to formulate a theory which would totally revolutionize the way in which we viewed the natural world. He did not come to his conclusions about the origin and evolution of all life on Earth quickly, though, for just as the living organisms to which his theory applied had evolved over millions of years, so his thinking evolved as his own life progressed. How did this thoughtful, methodical scientist come to have such an impact on his time—and on ours? These questions and more are what Andrew Norman seeks to answer in this biography of the author of The Origin of Species. Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.

This familiar guide to information resources in the humanities and the arts, organized by subjects and emphasizing electronic resources, enables librarians, teachers, and students to quickly find the best resources for their diverse needs. Authoritative, trusted, and timely, Information Resources in the Humanities and the Arts: Sixth Edition introduces new librarians to the breadth of humanities collections, experienced librarians to the nature of humanities scholarship, and the scholars themselves to a wealth of information they might otherwise have missed. This new version of a classic resource—the first update in over a decade—has been refreshed to account for the myriad of digital resources that have rewritten the rules of the reference and research world, and been expanded to include significantly increased coverage of world literature and languages. This book is invaluable for a wide variety of users: librarians in academic, public, school, and special library settings; researchers in religion, philosophy, literature, and the performing and visual arts; graduate students in library and information science; and teachers and students in humanities, the arts, and interdisciplinary degree programs.

An annual publication forging a link between social history, American studies, and the decorative arts.