First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Presents a two-volume A to Z reference on English authors from the sixteenth, seventeenth and eighteenth centuries, providing information about major figures, key schools and genres, biographical information, author publications and some critical analyses.

Individual chapters treat the poetry Ewart contributed to various "little magazines" during the 1930s and 1940s; references in Ewart's poems to poetic craft, audience, and tradition; and his handling of characteristic themes including place, the world of work, marriage and children, and death. A full chapter is devoted to the erotically charged poetry for which Ewart was probably best known; the author argues that the richness of this poetry arises from the dynamic interplay of two contrasting poetical personae."--BOOK JACKET.

Capture the spirit of an industrial, social and cultural revolution through this invigorating collection of historical portraits from the dawn of the industrialised world!Though it feels like an era marooned almost irretrievably in the distant past, the 1840s &ndash a decade of blistering social and cultural change – is only two lifetimes removed from the present day. There are, in other words, people alive today who knew and associated with people for whom the Gold Rush and the Great Famine were living memories.Having grown up in an Irish country house built that year, 1847 has long proven the source of inspiration and fascination for historian Turtle Bunbury. And in a bid to once more grasp the spirit of the age, he has over the years assembled an archive of the most remarkable stories from those twelve momentous months.Bristling with all manner of human life and endeavour, from American pioneers and German entrepreneurs to circus charlatans and down-and-out songwriters, 1847 is a collection of his most remarkable discoveries to date and a stirring portrait of a chaotic world surging towards the modern. By turns poignant, outlandish, curious and provocative, this is history at its most invigorating – as panorama, as epic.Praise for The Glorious Madness:'An absolutely brilliant book.'Patrick Geoghegan, Associate Professor in History at Trinity College, Dublin'Turtle Bunbury's open-handed, clear-sighted and finely written book comes fresh and, I might almost say, redeemed out of the moil and storm of controversy that surrounded the topic of the war, in a thousand different guises in the decades since its end. Turtle holds out his hand in the present, seeking the lost hands of the past, in darkness, in darkness, but also suddenly in the clear light of kindness – in the upshot acknowledging their imperilled existence with a brilliant flourish, a veritable banner, of wonderful stories.'Sebastian Barry, author of The Secret Scripture'Turtle continues the wonderful listening and yarn-spinning he has honed in the Vanishing Ireland series, applying it to veterans of the First World War. The stories he recreates are poignant, whimsical and bleakly funny, bringing back into the light the lives of people who found themselves on the wrong side of history after the struggle for Irish independence. This is my kind of micro-history.'John Grenham, The Irish TimesPraise for Vanishing Ireland:'A perfect symbiosis between text and images – both similarity affectionate, respectful, humorous, slightly melancholic but never sentimental or nostalgic. This is invaluable social history.'Cara Magazine'This is a beautiful and remarkably simple book that will melt the hardest of hearts. Bunbury has a light writing style that lets his interviewees, elderly folk from around the country, tell their stories without interference. It's neither patronising nor overly romantic about the past; just narrating moving tales – The portraits by Fennell are striking, warm and dignified, with a feeling of being invited into people's lives.'The Sunday Times

Examines the screenplays of the master British dramatist and screenwriter Harold Pinter.

Correspondence is vol. ix in the ten-volume Collected Works of Walter Pater. Among Victorian writers, Pater (1839-1894) challenged academic and religious orthodoxies, defended 'the love of art for own sake', developed a new genre of prose fiction (the 'imaginary portrait'), set new standards for intermedial and cross-disciplinary criticism, and made 'style' the watchword for creativity and life. For the first time, all the known correspondence of Walter Pater has been assembled and fully annotated, including letters exchanged with his main publisher, the Macmillans, for more than two decades. Pertinent letters written after his death by his sisters Clara and Hester Pater are also included. The Correspondence provides a richer, much more complete overview of Pater's academic, professional, and personal lives and demonstrates how vigorously he participated in some of the most important literary and cultural networks of the Victorian era.

This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies