Was the "first" UFO abduction the result of a genuine alien encounter or the product of some well-primed imaginations? September 1961: Near Indian Head, New Hampshire, Betty and Barney Hill have a disturbing encounter with a UFO while driving home from a short vacation. Later, under hypnosis, the couple recall having been abducted by aliens. October 1966: John Fuller's book, "The Interrupted Journey," based on the Hills' story, is published and becomes an immediate best seller. October 1975: NBC airs the story in a made-for-TV movie titled "The UFO Incident." James Earl Jones portrays Barney Hill, and Estelle Parsons plays Betty. September 2000: Nearly 40 years after the original incident, a symposium of seasoned, independent UFO researchers is held at Indian Head, New Hampshire, to re-evaluate this classic UFO abduction case. Among the participants are Hilary Evans and Peter Brookesmith from the U.K., with Thomas 'Ed' Bullard, Karl Pflock, Dennis Stacy, and Robert Scheaffer from the U.S. Sociologist and veteran anomalist Marcello Truzzi chairs the meeting. Betty Hill joins the group for an evening's entertainment and a morning tour of the sites where, she says, she and Barney encountered aliens. What the participants concluded is recorded here, along with additional commentaries written especially for this book by the Hills' first investigator, Walter N. Webb, and critical analyst Martin Kottmeyer. The result of this unique meeting of minds was more than an exercise in diverse interpretations: it became a common quest to establish, as far as humanly possible, what actually happened to the Hills so many years ago.

New Hampshire couple Betty and Barney Hill provided Americans with what is essentially the original alien abduction story. Since their story became public in the early 1960s, many thousands of Americans have likewise come forward with similar stories of traumatic experiences. Sometimes the abductee has little conscious recollection of these events, but through nightmares, dreams, flashbacks and hypnosis they eventually learn more. Sometimes the participants are bewildered. To get a better understanding of the opposing viewpoints of skeptic and believer, the Betty and Barney Hill case is used to examine the wider context of such encounters, their historical origins, media influences and the latest extraterrestrial, psychological, paranormal, conspiracy and sociological theories that surround them.

In a single source, this comprehensive two-volume work provides the entire history of American Indians, as told by Indians themselves. Voices of the American Indian Experience provides unique insights into American Indian history by focusing on Indian accounts instead of on relying on other sources. As a result, their voices are clearer, and readers learn more about Indians directly from Indians, rather than through accounts that are filtered, diluted, and possibly even misinterpreted by an outsider's perspective. The volumes comprise a vast and fascinating variety of sources that span creation stories from Native American prehistory, to Indians who met the earliest Europeans to visit the Americas, all the way through to American Indians who served in recent foreign conflicts in the U.S. Armed Forces. This work provides information that is essential to fully understanding the history of the United States, and will be a valuable resource for advanced high school students and college students as well as general audiences with an interest in history or Native American culture.

How do images circulating in Pacific cultures and exchanged between them and their many visitors transform meanings for all involved? This fascinating collection explores how through mimesis, wayfarers and locales alike borrow images from one another to expand their cultural repertoire of meanings or borrow images from their own past to validate their identities.

“An essential book for courses on Native film, indigenous media, not to mention more general courses . . . A very impressive and useful collection.” —Randolph Lewis, author of Navajo Talking Picture The film industry and mainstream popular culture are notorious for promoting stereotypical images of Native Americans: the noble and ignoble savage, the pronoun-challenged sidekick, the ruthless warrior, the female drudge, the princess, the sexualized maiden, the drunk, and others. Over the years, Indigenous filmmakers have both challenged these representations and moved past them, offering their own distinct forms of cinematic expression. Native Americans on Film draws inspiration from the Indigenous film movement, bringing filmmakers into an intertextual conversation with academics from a variety of disciplines. The resulting dialogue opens a myriad of possibilities for engaging students with ongoing debates: What is Indigenous film? Who is an Indigenous filmmaker? What are Native filmmakers saying about Indigenous film and their own work? This thought-provoking text offers theoretical approaches to understanding Native cinema, includes pedagogical strategies for teaching particular films, and validates the different voices, approaches, and worldviews that emerge across the movement. “Accomplished scholars in the emerging field of Native film studies, Marubbio and Buffalohead . . . focus clearly on the needs of this field. They do scholars and students of Native film a great service by reprinting four seminal and provocative essays.” —James Ruppert, author of Meditation in Contemporary Native American Literature “Succeed[s] in depicting the complexities in study, teaching, and creating Native film . . . Regardless of an individual’s level of knowledge and expertise in Native film, Native Americans on Film is a valuable read for anyone interested in this topic.” —Studies in American Indian Literatures

"How literary portraits of Indian-white encounters shaped nineteenth-century disputes over Native rights. An old Indian woman comforts two young white children she finds lost in the woods and lovingly carries them back to their eager parents. A frontiersman sheds tears over the grave of a Mohican youth, holding hands with the mourning father. According to Laura L. Mielke, such emotionally charged scenes between whites and Indians paradoxically flourished in American literature from 1820 to 1850, a time when the United States government developed and applied a policy of Indian removal. Although these “moving encounters,” as Mielke terms them, often promoted the possibility of mutual sympathy between Native Americans and Euro-Americans, they also suggested that these emotional links were inherently unstable, potentially dangerous, and ultimately doomed.

'What does all this stuff about flying saucers amount to? What can it mean? What is the truth?' Winston Churchill, prime minister's personal minute, 28th July 1952 The UFO Files tells the story of over 100 years of UFO sightings, drawing on formerly secret government documents at the National Archives in London. Alongside extraordinary reports by ordinary people, it reveals details of official interest and investigations stretching back more than 80 years. In this remarkable book, fully updated for this second edition, David Clarke reveals an array of startling stories from possible UFO reports hidden among Met Office investigations of aerial phenomena in the 1920s to the conclusions of Project Condign, the secret British Intelligence UFO study completed in 2000. As well as covering Roswell and Britain's own Rendlesham Forest mystery, Clarke raids the records for dramatic stories of abductions and close encounters, ghost aircraft and crop circles, and UFO reports by both civilian aircrew and military personnel. Dramatic witness statements and interviews combine with rarely seen photographs, drawings and newly available documents to offer a unique guide to one of our most intriguing mysteries.