Enchanted Revolution moves religion and gender to center stage in the Chinese Communist revolution, examining the mobilizational dynamics of anti-superstition propaganda in support of the Communist Party's rise from rural backwaters to national dominance. Xiaofei Kang argues that religion was not merely adversary for the revolutionaries-it also served as a model for the ways in which the Party mobilized support and constructed legitimacy. In this parallel and often paradoxical process, the Party attacked "superstitions" that had long supported the foundations of Chinese religious life. At the same time, Party propaganda co-opted these same religious resources for its own political ends. Kang demonstrates that the persuasive power of Party propaganda relied heavily on recasting the cosmic forces of yin and yang that sustained the traditional gender hierarchy and ritual order. Moreover, revolutionary art and literature revamped old narratives of female ghosts and ritual exorcism to inject the people with a new masculinist vision of the Party-state endowed with both scientific potency and the heavenly mandate. Gendered language and symbolism in Chinese religion thus remained central to inspiring pathos, ethos, and logos for the revolution. Enchanted Revolution sheds light on the contemporary significance of the Maoist legacy in China through a deft exploration of the complex interplay of religion, gender, and revolution.

The history of East Asia can be most productively studied through a transnational, translingual, and transcultural approach to the region. In The Sinosphere and Beyond, twenty-six leading and emerging scholars use such approaches in rich clusters of essays on Historiography, Sino-Japanese Encounters, Law and Justice, Politics, Art, Literature, and Translation. Each essay builds on the legacy of Joshua Fogel, whose scholarship defined the contours of the Sinosphere in the Western world and beyond. The collection will be of interest to scholars and students with specific research concerns within these broader rubrics: from the towering progenitors of Japanese Sinology to gendered, diplomatic, and cultural dimensions of Sino-Japanese encounters; from Sinitic poetry to legal culture and revolutionary life; from art commerce and levels of literary expression to the quandaries of translation. In addition to offering a broad range of case studies, the volume is testimony to the methodological importance of a dynamic intra- and transregional approach for an understanding of the layered history of East Asia.

Based on two years of ethnographic research in Beirut, this book demonstrates that Islam and modernity are not merely compatible, but actually go hand-in-hand. This portrayal of an Islamic community articulates how an alternative modernity may be constructed by Shi'I Muslims who consider themselves simultaneously deeply modern, cosmopolitan, and pious. In this depiction of a Shi'I Muslim community in Beirut, Deeb examines the ways that individual and collective expressions and understandings of piety have been debated, contested, and reformulated. Women take center stage in this process, a result of their visibility both within the community, and in relation to Western ideas that link the status of women to modernity.

Margarita is a girl from two worlds. Her heart lies in Cuba, her mother s tropical island country, a place so lush with vibrant life that it seems like a fairy tale kingdom. But most of the time she lives in Los Angeles, lonely in the noisy city and dreaming of the summers when she can take a plane through the enchanted air to her beloved island. Words and images are her constant companions, friendly and comforting when the children at school are not.

In the Palace of Versailles there is a fabulous golden clock, made for Louis XV by the king’s engineer, Claude-Siméon Passemant. The astronomical clock shows the phases of the moon and the movements of the planets, and it will tell time—hours, minutes, seconds, and even sixtieths of seconds—until the year 9999. Passemant’s clock brings the nature of time into sharp focus in Julia Kristeva’s intricate, poetic novel The Enchanted Clock. Nivi Delisle, a psychoanalyst and magazine editor, nearly drowns while swimming off the Île de Ré; the astrophysicist Theo Passemant fishes her out of the water. They become lovers. While Theo wonders if he is descended from the clockmaker Passemant, Nivi’s son Stan, who suffers from occasional comas, develops a passion for the remarkable clock at Versailles. Soon Nivi is fixated on its maker. But then the clock is stolen, and when a young writer for Nivi’s magazine mysteriously dies, the clock is found near his body. The Enchanted Clock combines past and present, jumping back and forth between points of view and across eras from eighteenth-century Versailles to the present day. Its stylistically inventive narrative voices bring both immediacy and depth to our understanding of consciousness. Nivi’s life resembles her creator’s in many respects, coloring Kristeva’s customary erudition with autobiographical poignancy. Part detective mystery, part historical fiction, The Enchanted Clock is a philosophically and linguistically multifaceted novel, full of poetic ruminations on memory, love, and the transcendence of linear time. It is one of the most illuminating works of one of France’s great writers and thinkers.

"Reality Check is Guy Kawasaki's all-In-one guide for starting and operating great organizations - ones that stand the test of time and ignore any passing fads in business theory. This volume collects, updates, and expands the best entries from his popular blog and features his inimitable take on everything from effective e-mailing to sucking up to preventing "bozo explosions.""--BOOK JACKET.

A fantastical field guide to the hidden history of New York's magical past Manhattan has a pervasive quality of glamour—a heightened sense of personality generated by a place whose cinematic, literary, and commercial celebrity lends an aura of the fantastic to even its most commonplace locales. Enchanted New York chronicles an alternate history of this magical isle. It offers a tour along Broadway, focusing on times and places that illuminate a forgotten and sometimes hidden history of New York through site-specific stories of wizards, illuminati, fortune tellers, magicians, and more. Progressing up New York’s central thoroughfare, this guidebook to magical Manhattan offers a history you won’t find in your Lonely Planet or Fodor’s guide, tracing the arc of American technological alchemies—from Samuel Morse and Robert Fulton to the Manhattan Project—to Mesmeric physicians, to wonder–working Madame Blavatsky, and seers Helena Roerich and Alice Bailey. Harry Houdini appears and disappears, as the world’s premier stage magician’s feats of prestidigitation fade away to reveal a much more mysterious—and meaningful—marquee of magic. Unlike old-world cities, New York has no ancient monuments to mark its magical adolescence. There is no local memory embedded in the landscape of celebrated witches, warlocks, gods, or goddesses—no myths of magical metamorphoses. As we follow Kevin Dann in geographical and chronological progression up Broadway from Battery Park to Inwood, each chapter provides a surprising picture of a city whose ever-changing fortunes have always been founded on magical activity.