Spanish villagers tell many folktales that describe in metaphorical language the struggles of young men and women as they emerge from their parental families and join in love. In this book James Taggart presents dozens of orally transmitted tales, including "Snow White," "Cinderella," "Beauty and the Beast," "Blancaflor," and dragonslayer stories, collected from seven villages in the region of CNBceres, and analyzes the differences in male and female approaches to telling them. His study shows how men and women use the tales to grapple with some of the contradictions found in gender relations in their culture, which conditions men to be sexually assertive and to marry virgins and which teaches women to fear the men who court them. Taggart interprets the male-female dialogue voiced through storytelling by linking the content of specific tales to the life experiences and gender of the storyteller. Men and women, he finds, carry out an exchange of ideas by retelling the same stories and altering the plots and characters to express their respective views of courtship. This indirect narrative dialogue conveys an understanding of the opposite sex and establishes a common model of marriage that permits men and women to overcome their fear of each other and bond in heterosexual love.

In her compendious study, [of the folktale of the runaway wife] Leavy argues that the contradictory claims of nature and culture are embodied in the legendary figure of the swan maiden, a woman torn between the human and bestial worlds. --The New York Times Book Review This is a study of the meaning of gender as framed by the swan maiden tale, a story found in the folklore of virtually every culture. The swan maiden is a supernatural woman forced to marry, keep house, and bear children for a mortal man who holds the key to her imprisonment. When she manages to regain this key, she escapes to the otherworld, never to return. These tales have most often been interpreted as depicting exogamous marriages, describing the girl from another tribe trapped in a world where she will always be the outsider. Barbara Fass Leavy believes that, in the societies in which the tale and its variants endured, woman was the other--the outsider trapped in a society that could never be her own. Leavy shows how the tale, though rarely explicitly recognized, is frequently replayed in modern literature. Beautifully written, this book reveals the myriad ways in which the folktales of a society reflect its cultural values, and particularly how folktales are allegories of gender relations. It will interest anyone involved in literary, gender, and cultural studies.

"The Laughing Prince: A Book of Jugoslav Fairy Tales and Folk Tales" is a fascinating collection of fairy tales and folk tales, presented by an American folklorist Parker Fillmore to demonstrate the incredible vigor and the artistic inventiveness of the Jugoslav imagination to the western reader. The tradition of the Hungarian folk tales was greatly influenced by Oriental and Northern as well as Slavic myths, which have made it incredibly rich and exciting to the reader of any time—first published in 1921.