This is Daphne du Maurier's personal memoir, the story of how enchanted Cornwall formed her as a writer -- how the spirit of Cornwall awakened in her a response so imaginative that it transformed ordinary perception into the inspired perception of a master story-teller. Enchanted, mysterious, unexplored, this is Cornwall as seen through the eyes of the best-selling author of Rebecca, Frenchman's Creek and Jamaica Inn -- tales which have passed into Cornish folk-lore. In Frenchman's Creek, it is the Helford river and the primaeval enchantment of the creek itself which inspires her; in Jamaica Inn, the hard, diabolic "beauty" of Bodmin Moor. In Castle Dor, landscape speaks to her of ancient Cornish myths and legends -- an extraordinary perception, source of that sinister otherworldliness that held spellbound millions who read The Birds and Don't Look Now. Completed shortly before Dame du Maurier's death in 1989, Enchanted Cornwall is the story of a magical relationship between a person and the spirit of a place. It will have special significance for millions who have enjoyed her books and want to know more about this very private writer. But it is a book for everyone to enjoy: her readers, those who have enjoyed her films, and travellers to Cornwall -- whether making their journey in person or just in mind. - Jacket flap.

The untold story behind Peter Pan: The shocking account of J. M. Barrie's abuse and exploitation of the du Maurier family. In his revelatory Neverland, Piers Dudgeon tells the tragic story of J. M. Barrie and the Du Maurier family. Driven by a need to fill the vacuum left by sexual impotence, Barrie sought out George du Maurier, Daphne du Maurier’s grandfather (author of the famed Trilby), who specialized in hypnosis. Barrie’s fascination and obsession with the Du Maurier family is a shocking study of greed and psychological abuse, as we observe Barrie as he applies these lessons in mind control to captivate George’s daughter Sylvia, his son Gerald, as well as their children—who became the inspiration for the Darling family in Barrie’s immortal Peter Pan. Barrie later altered Sylvia’s will after her death so that he could become the boys’ legal guardian, while pushing several members of the family to nervous breakdown and suicide. Barrie’s compulsion to dominate was so apparent to those around him that D. H. Lawrence once wrote: J. M Barrie has a fatal touch for those he loves. They die.

Focussing on written and visual culture that is made in or made about Cornwall, this book argues that Cornwall and the Scilly Isles (known as ‘Kernow’ in the Cornish language) have a special relationship with Gothic, one that has been overlooked in the literature on regional Gothic.

For over a hundred years stories about photographs and photography have reflected the profound uncertainties and inconclusive endings of the modern world. For many writers, photography, supposedly the most realistic of the arts, turns out to be the most ambiguous. As Jane Rabb observes in her introduction, a number of the stories in this collection involve mysteries, perhaps because photography has a capacity for both documentary reality and moral and psychological ambiguity. Many nineteenth-century writers represented here, including Thomas Hardy and Sir Arthur Conan Doyle, helped make short fiction as respectable as the novel. Some of them were even serious photographers themselves. The twentieth century is arguably a golden age for both the short story and photography. This collection includes examples from a worldly group of writer--Eugène Ionesco, Julio Cortá¡zar, Michel Tournier, and Italo Calvino, as well as the Chinese writer Bing Xin and John Updike, Cynthia Ozick, and Raymond Carver. In this wide range of stories, varying from sentimental to obsessive, to sinister, to tragic and even fatal, the reader will find provocative examples of the confluence of the short story and photography, both once considered the bastard stepchildren of literature and art.

A scholar, a goblin, and a gnome, among others, pursue the secrets of a vanished ancient race through a wasteland of dark magic in this enthralling fantasy quest adventure On an Earth that is different from ours, the young scholar Mark Cornwall becomes a target of the Inquisition, and specifically its most evil and obsessed agent, Beckett. Damned for asking questions, Mark is forced to escape over the border into the Wastelands, a magical realm that is home to all manner of flesh-devouring monsters. Luckily he will not have to make his journey alone. He is accompanied by a cadre of stalwart companions, including the rafter goblin Oliver, Snively the gnome, and secretive Mary from one of three parallel planes. Somewhere beyond the vengeful, blood-hungry Hellhounds, somewhere past the horrific legacy of the now-destroyed Chaos Beast, the mysteries of the Old Ones are waiting to be revealed—and only those with the courage to seek them will be able to alter the destiny of their worlds. In Enchanted Pilgrimage, Clifford D. Simak ingeniously blends elements of science fiction into a savory fantasy stew. The award-winning Grand Master of science fiction spreads his wings and takes glorious flight into a bold new realm of magic and adventure, demonstrating why he remains one of the most acclaimed storytellers in the literature of the remarkable.

Samuel Harvey was born in Kenwyn, Cornwall in about 1688. He married Temperance Williams in about 1690 in St. Agnes. They had four children. Descendants and relatives lived in Cornwall, London, Australia and elsewhere.