Here rendered into English for the first time, these chapters provide important insights into the worlds of palace women and court politics, while revealing much about the lives of upper-class women in general at the close of the third century."--BOOK JACKET.

This volume completes Keith McMahon’s acclaimed history of imperial wives and royal polygamy in China. Avoiding the stereotype of the emperor’s plural wives as mere victims or playthings, the book considers empresses and concubines as full-fledged participants in palace life, whether as mothers, wives, or go-betweens in the emperor’s relations with others in the palace. Although restrictions on women’s participation in politics increased dramatically after Empress Wu in the Tang, the author follows the strong and active women, of both high and low rank, who continued to appear. They counseled emperors, ghostwrote for them, oversaw succession when they died, and dominated them when they were weak. They influenced the emperor’s relationships with other women and enhanced their aura and that of the royal house with their acts of artistic and religious patronage. Dynastic history ended in China when the prohibition that women should not rule was defied for the final time by Dowager Cixi, the last great monarch before China’s transformation into a republic.

"Empresses of China's Forbidden City: 1644-1912 accompanies the exhibition of the same title organized by the Peabody Essex Museum in Salem, Massachusetts, the Freer]Sackler, Smithsonian Institution, in Washington, DC, and the Palace Museum, Beijing, China."

Chinese emperors guaranteed male successors by taking multiple wives, in some cases hundreds and even thousands. Women Shall Not Rule offers a fascinating history of imperial wives and concubines, especially in light of the greatest challenges to polygamous harmony—rivalry between women and their attempts to engage in politics. Besides ambitious empresses and concubines, these vivid stories of the imperial polygamous family are also populated with prolific emperors, wanton women, libertine men, cunning eunuchs, and bizarre cases of intrigue and scandal among rival wives. Keith McMahon, a leading expert on the history of gender in China, draws upon decades of research to describe the values and ideals of imperial polygamy and the ways in which it worked and did not work in real life. His rich sources are both historical and fictional, including poetic accounts and sensational stories told in pornographic detail. Displaying rare historical breadth, his lively and fascinating study will be invaluable as a comprehensive and authoritative resource for all readers interested in the domestic life of royal palaces across the world.

From the beloved, internationally bestselling author of Wild Swans, and co-author of the bestselling Mao: The Unknown Story, the dramatic, epic biography of the unusual woman who ruled China for 50 years, from concubine to Empress, overturning centuries of traditions and formalities to bring China into the modern world. A woman, an Empress of immense wealth who was largely a prisoner within the compound walls of her palaces, a mother, a ruthless enemy, and a brilliant strategist: Chang makes a compelling case that Cixi was one of the most formidable and enlightened rulers of any nation. Cixi led an intense and singular life. Chosen at the age of 12 to be a concubine by the Emperor Xianfeng, she gave birth to his only male heir who at four was designated Emperor when his father died in 1861. In a brilliant move, the young woman enlisted the help of the Emperor's widow and the two women orchestrated a coup that ousted the regents and made Cixi sole Regent. Untrained and untaught, the two studied history and politics together, ruling the huge nation from behind a curtain. When her boy died, Cixi designated a young nephew as Emperor, continuing her reign till her death in 1908. Chang gives us a complex, riveting portrait of Cixi through a reign as long as that of her fellow Empress, Victoria, whom she longed to meet: her ruthlessness in fighting off rivals; her curiosity to learn; her reliance on Westerners who she placed in key positions; and her sensitivity and desire to preserve the distinctiveness of China's past while overturning traditions (she, as Chang reveals--not Mao, as he claimed--banned footbinding) and exposing its culture to western ideas and technology.

Eight case studies focus on a specific group of European Empress consorts and Queen regnants from the 17th to the 20th century and their relationship to the media, using a unique, comparative, cross-media, and cross-period approach.