Wu Zetian was an intelligent and ambitious woman. She married Emperor Gaizong of the Tang Dynasty and became Empress. But Wu wasn’t satisfied. She wanted to rule in her own right. She was determined to become Emperor of China and killed anyone who stood in her way – even her own children. Find out more about this legendary ruler in this 15-minute children's biography. Ages 10 and up. Reading Level: 6.8 Learning Island believes in the value of children practicing reading for 15 minutes every day. Our 15-Minute Books give children lots of fun, exciting choices to read, from classic stories, to mysteries, to books of knowledge. Many books are appropriate for hi-lo readers. Open the world of reading to a child by having them read for 15 minutes a day.

Wu Zhao (624–705), better known as Wu Zetian or Empress Wu, is the only woman to have ruled China as emperor over the course of its 5,000-year history. How did she—in a predominantly patriarchal and androcentric society—ascend the dragon throne? Exploring a mystery that has confounded scholars for centuries, this multifaceted history suggests that China's rich pantheon of female divinities and eminent women played an integral part in the construction of Wu Zhao's sovereignty. Wu Zhao deftly deployed language, symbol, and ideology to harness the cultural resonance, maternal force, divine energy, and historical weight of Buddhist devis, Confucian exemplars, Daoist immortals, and mythic goddesses, establishing legitimacy within and beyond the confines of Confucian ideology. Tapping into powerful subterranean reservoirs of female power, Wu Zhao built a pantheon of female divinities carefully calibrated to meet her needs at court. Her pageant was promoted in scripted rhetoric, reinforced through poetry, celebrated in theatrical productions, and inscribed on steles. Rendered with deft political acumen and aesthetic flair, these affiliations significantly enhanced Wu Zhao's authority and cast her as the human vessel through which the pantheon's divine energy flowed. Her strategy is a model of political brilliance and proof that medieval Chinese women enjoyed a more complex social status than previously known.

In the dynastic history of China, Wu Zetian was the one woman who attained the status of emperor in her own right. A stone tablet marking her mausoleum was left blank, reportedly at her request because she wanted the future world to assess her. And her rise in the patriarchal system supported by Confucianism did later inspire many novelists and playwrights. Dien's slim study looks at the rise and achievements of the historical empress, her influence in the form of defiant woman who appear in legend and fiction, and (very briefly) the state of urban gender equality today. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).

In the great dynasties of China there are many tales of corruption, espionage, and intrigue, but perhaps no tale is more intriguing than the rise of China’s first and only female Emperor, Wu Zetian (624-705) . In the hierarchies of Imperial China, there are many who call themselves empress, and there are many who held sway over their weak-minded emperor husbands, but only Wu Zetian reached the pinnacle when at the age of 65 she usurped her son and became the undisputed Empress of Tang Dynasty China. Empress Wu Zetian was the only female emperor in Chinese history, honored as the Holy and Divine Emperor of Wu Zhou ( 武周圣神皇帝) . Her original name was Wu Mei Niang, and she changed her name to Wu Zhao( 武瞾) after ascending the throne. She entered the palace as a concubine of Emperor Taizong of Tang, but she had a close relationship with the future Emperor Gaozong, Li Chih. After Emperor Taizong's death, she entered the Gan Ye Temple and became a nun. The power struggle in the harem brought her back to the palace, where she successfully eliminated her rivals and was made Empress in 655. She participated in politics and was known as the "Two Saints" along with Emperor Gaozong. After Emperor Gaozong's death, she controlled the government. In 690, she ascended to the throne and proclaimed herself the Holy Emperor, changing Luoyang to the Divine Capital and the country's name to Zhou. This period is known as the Southern Zhou or Wu Zhou in history. This book starts its plot from the time when Wu Zetian was constrained in Gan Ye Temple after the former Emperor (Taizong) was deceased and how the new Emperor (Gaozong) brought her to the court again. Later, she gradually realized her dream of becoming the most powerful woman in the palace through bloody struggles and bold strategies. She had outstanding abilities in governing the country, but in the power struggle within the palace, she showed an extremely cruelty, being ruthless and killing innocent people. In order to clear obstacles and eliminate political enemies in the struggle for imperial power, she carried out bloody killings time and time again, not even sparing her own descendants.

Such is the voice of Shan Sa's unforgettable heroine in her latest literary masterpiece, Empress. Empress Wu, one of China's most controversial figures, was its first and only female emperor, who emerged in the seventh century during the great Tang Dynasty and ushered in a golden age. Throughout history, her name has been defamed and her story distorted by those taking vengeance on a woman who dared to become emperor. But now, for the first time in thirteen centuries, Empress Wu (or Heavenlight, as we come to know her) flings open the gates of the Forbidden City and tells her own astonishing tale—revealing a fascinating, complex figure who in many ways remains modern to this day. Writing with epic assurance, poetry, and vivid historic detail, Shan Sa plumbs the psychological and philosophical depths of what it means to be a striving mortal in a tumultuous, power-hungry world. Empress is a great literary feat and a revelation for the ages.