Cixtisis, the empress of Tchitchinie, kidnaps all of the men from Agalaia’s kingdom to castrate them and make them her slaves. Anger grows amongst the female residents of Suffragette City―they want their husbands back. Will Aglaia be able to avert war and bring peace once again to the region? Anne Simon showcases a deft touch in this allegorical fantasy graphic novel brimming with subversive twists and comical turns.

Aglaia is a simple sea nymph. One day, a Merman seduces Aglaia, forever altering her life’s course. She is cast out of Oceanid by her chauvinistic father, forcing her to wander many days and nights, until one day she finds herself at the benefit of one Mr. Kite, whose traveling circus welcomes her (including the star attraction, a waltzing Horse named Henry) and once again alters her fate, sending her down many more unexpected paths. The Song of Aglaia is the first solo graphic novel by cartoonist Anne Simon, presenting a beautifully crafted female spin on the classic heroic myths of Greek literature, tracing the journey of a victimized and then almighty woman with a graceful understanding of human relationships and loving nods to the Bronte sisters, David Bowie, and the Beatles.

Boris, the round-headed child, reigns like a despot in the little house he lives in with his mother. His mother, Bulle, formerly known as Aglaia, was once the all-powerful queen of the country Marylene. Since Marylene's fall, residents have lived in peace thanks to a self-governing system they have adopted. But when Boris meets Sabine, a warrior French fry thirsty for revenge, nothing will ever be the same ...The final book in Anne Simon's "Tales of Marylene '' graphic novel trilogy (after The Song of Aglaia and Empress Cixtisis), Boris the Potato Child delivers a bitter critique of our consumerist impulses and abuses. Mixing literature and pop culture (such as mashing Simone de Beauvoir with the Beatles), Simon has created in Marylene a world as abundant in visual imagination as Oz or Narnia, but crafted with a Swiftian pen that's mightier than any man's sword.

For over 20 years now, Jim Woodring has delighted, touched, and puzzled readers around the world with his lush, wordless tales of “Frank.” Weathercraft is Woodring’s first full-length graphic novel set in this world—indeed, Woodring’s first graphic novel, period!—and it features the same hypnotically gorgeous linework and mystical iconography. As it happens, Frank has only a brief supporting appearance in Weathercraft, which actually stars Manhog, Woodring’s pathetic, brutish everyman (or everyhog), who had previously made several appearances in “Frank” stories (as well as a stunning solo turn in the short story “Gentlemanhog”). After enduring 32 pages of almost incomprehensible suffering, Manhog embarks upon a transformative journey and attains enlightenment. He wants to go to celestial realms but instead altruistically returns to the unifactor to undo a wrong he has inadvertently brought about: The transformation of the evil politician Whim into a mind-destroying plant-demon who distorts and enslaves Frank and his friends. The new and metaphysically expanded Manhog sets out for a final battle with Whim... Weathercraft also co-stars Frank’s cast of beloved supporting characters, including Frank’s Faux Pa and the diminutive, mailbox-like Pupshaw and Pushpaw; it is both a fully independent story that is a great introduction to Woodring’s world, and a sublime addition to, and extension of, the Frank stories.

"In 1870, Leopold von Sacher-Masoch publishes 'Venus in Furs, ' an erotic novel revealing the author's desire to be dominated by a woman. After the success of the novel, a woman turns up at his doorstep and offers to take on the role of the dominant woman. He submits to her completely and they get married. Years later, Leopold has remarried and lives a quiet life, far removed from the sexual escapades of his first marriage. This is when he learns that his surname is being used, to his detriment, to describe a new sexual perversion: masochism."

Owl is gone, Werewolf Jones has moved in, and everything as Megg and Mogg know it begins to fall apart. Hanselmann’s comic premise of his previous graphic novels ― eternally stoned, slacker roommates ― stretches at the seams as his characters reflect the psychological toll that their years of unsustainable, determined insouciance and self-medication has inflicted.

This ninth issue of Now is anchored by the longest story featured in the magazine to date: "Misguided Love," a 40-page autobiographical tour de force by Texas artist Raquelle Jac. Ping-ponging among relationships, hospitalizations, internet "fame," international travel, sex, romance, and trauma, Jac's dense, obsessive pages read like a manifesto, announcing the arrival of a remarkable new voice in comics. This issue also features Now debuts from Hartley Lin (Young Frances), James Harvey (Masterplasty), and Emil Friis Ernst (Doctor Murder), as well as work from Now regulars Keren Katz (The Academic Hour) and Noah Van Sciver, who homages Basil Wolverton’s cult favorite, science-fiction hero, Spacehawk.