Five years ago, she had fallen from the sky and landed on a pretty boy.Five years later, he set up the largest mysterious organization in the capital with his son.A certain little girl said, "Mother, Prince An has come to propose and grant you the position of wangfei."A certain woman painted her nails as she waved her hand, saying, "If you want to marry me, first sell yourself to me."A certain little girl said, "Mother, Prince Chibang has come to propose marriage, allowing you half a mountain."The woman took a bite of her grape, her face expressionless.

Among the most exciting developments in the study of Japanese religion over the past two decades has been the discovery of tens of thousands of ritual vessels, implements, and scapegoat dolls (hitogata) from the Nara (710-784) and early Heian (794-1185) periods. Because inscriptions on many of the items are clearly derived from Chinese rites of spirit pacification, it is now evident that previous scholarship has mischaracterized the role of Buddhism in early Japanese religion. Weaving and Binding makes a compelling argument that both the Japanese royal system and the Japanese Buddhist tradition owe much to continental rituals centered on the manipulation of yin and yang, animal sacrifice, and spirit quelling. Building on these recent archaeological discoveries, Michael Como charts an epochal transformation in the religious culture of the Japanese islands, tracing the transmission and development of fundamental paradigms of religious practice to immigrant lineages and deities from the Korean peninsula. In addition to archaeological materials, Como makes extensive use of a wide range of textual sources from across Asia, including court chronicles, poetry collections, gazetteers, temple records, and divinatory texts. As he investigates the influence of myths, legends, and rites of the ancient Chinese festival calendar on religious practice across the Japanese islands, Como shows how the ability of immigrant lineages to propitiate hostile deities led to the creation of elaborate networks of temple-shrine complexes that shaped later sectarian Shinto as well as popular understandings of the relationship between the buddhas and the gods of Japan. For much of the book, this process is examined through rites and legends from the Chinese calendar that were related to weaving, sericulture, and medicine—technologies that to a large degree were controlled by lineages with roots in the Korean peninsula and that claimed female deities and weaving maidens as founding ancestors. Como’s examination of a series of ancient Japanese legends of female immortals, weaving maidens, and shamanesses reveals that female deities played a key role in the moving of technologies and ritual practices from peripheral regions in Kyushu and elsewhere into central Japan and the heart of the imperial cult. As a result, some of the most important building blocks of the purportedly native Shinto tradition were to a remarkable degree shaped by the ancestral cults of immigrant lineages and popular Korean and Chinese religious practices. This is a provocative and innovative work that upsets the standard interpretation of early historical religion in Japan, revealing a complex picture of continental cultic practice both at court and in the countryside.

"The "lively" (The New York Times) Agents of the Crown series continues with this thriller about Queen Elizabeth I's advisor John Dee in a race to save the Empire with the help of a mysterious manuscript that offers global power. With rumors of the end times swirling, philosopher and astronomer John Dee travels to Prague in an effort to prevent one of Catherine de Medici's seductive ladies-in-waiting from luring the Holy Roman Emperor into a crusade against England. To convince the famously occult-loving Emperor to join his side, Dee entices him with the esoteric Book of Secrets, a volume that, if decoded, could provide the chance to control the levers of heaven and earth. But Dee faces enemies at every turn, including a female codebreaker who could be the undoing of Dee and the British Empire"--