One of Maximilian's most important legacies is the work created in his honor by some of the greatest artists of his time, most notably Albrecht Dürer. Today many of these works reside in the Albertina Museum in Vienna, and they are featured in this elegant volume. In addition to works by Dürer, the book includes reproductions of the extraordinary Triumphal Procession of Albrecht Altdorfer and his workshop, and the monumental woodcut Arch of Honor. This book explores the artistic culture of Maximilian's era, with numerous examples from the Albertina's own collection as well as painted portraits, exquisite illuminated manuscripts, precious sculptures, and splendid tapestries from some of the world's leading museums. Brought together in this elegant volume, these works offer valuable insight into Maximilian's public relations machinery. The book also features scholarly articles devoted to Maximilian's complex artistic projects that will become key to the literature on Emperor Maximilian and the art of his time.

Maximilian I (1459–1519) skillfully crafted a public persona and personal mythology that eventually earned him the romantic sobriquet “Last Knight.” From the time he became duke of Burgundy at the age of eighteen until his death, his passion for the trappings and ideals of knighthood served his worldly ambitions, imaginative strategies, and resolute efforts to forge a legacy. A master of self-promotion, he ordered exceptional armor from the most celebrated armorers in Europe, as well as heroic autobiographical epics and lavish designs for prints. Indeed, Maximilian’s quest to secure his memory and expand his sphere of influence, despite chronic shortages of funds that left many of his most ambitious projects unfinished, was indomitable. Coinciding with the 500th anniversary of Maximilian’s death, this catalogue is the first to examine the masterworks that he commissioned, revealing how art and armor contributed to the construction of Maximilian’s identity and aspirations, and to the politics of Europe at the dawn of the Renaissance. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

Rediscover the drawings of Albrecht Dürer, one of the most prominent Renaissance artists, known as an incomparable painter and draughtsman with a keen eye for the natural world. During his lifetime, Dürer found tremendous success as a painter and printmaker, taking commissions from prominent figures such as Frederick the Wise and Holy Roman Emperor Maximilian I. His drawings and studies reveal his interest in human proportions, anatomy, and perspective. Featured in this book are Dürer's drawings from the Albertina Museum's preeminent collection including family portraits, studies of animals and plants, and studies of the human body. This book showcases more than 100 of Dürer's drawings including Hare, Self Portrait at the Age of 13, and Melencolia I, along with paintings and prints. Featuring scholarly essays and beautifully reproduced works, this book shows the reader not only how important Dürer's drawings are to his own oeuvre, but also how he helped drawing become an appreciated medium in its own right.

The painter and printmaker Albrecht Dürer is one of the most important figures of the German Renaissance. This book accompanies the first major exhibition of the Whitworth art gallery’s outstanding Dürer collection in over half a century. It offers a new perspective on Dürer as an intense observer of the worlds of manufacture, design and trade that fill his graphic art. Artworks and artefacts examined here expose understudied aspects of Dürer’s art and practice, including his attentive examination of objects of daily domestic use, his involvement in economies of local manufacture and exchange, the microarchitectures of local craft and, finally, his attention to cultures of natural and philosophical inquiry and learning.

One of Maximilian's most important legacies is the work created in his honour by some of the greatest artists of his time, most notably Albrecht Dürer. Today many of these works reside in the Albertina Museum in Vienna, and they are featured in this elegant volume. In addition to works by Dürer, the book includes reproductions of the extraordinary Triumphal Procession of Albrecht Altdorfer and his workshop, and the monumental woodcut Triumphal Arch. This book explores the artistic culture of Maximilian's era, with numerous examples from the Albertina's own collection as well as painted portraits, exquisite illuminated manuscripts, precious sculptures and splendid tapestries from some of the world's leading museums. Brought together in this elegant volume, these works offer valuable insight into Maximilian's public relations "machinery." Exhibition: Albertina, Vienna, Austria (14.9.2012-6.1.2013).

An illustrated selection of highlights from The Albertina's world-renowned collection of prints, drawings and paintings, featuring works from Old Masters as well as modern artists. The largest of the Hapsburg residential palaces, The Albertina in Vienna provides a stunning home to one of the largest and most important print rooms in the world. Named after its founder, passionate art collector Duke Albert of Saxe-Teschen (1738-1822), the priceless collection comprises 50,000 drawings and watercolours and some 900,000 prints ranging from the late Gothic period to contemporary art. Here visitors can see world-famous works by da Vinci, Michelangelo and Raphael as well as Dürer, Rubens, Rembrandt and Cézanne. The modern collection contains a vibrant array of works from a diverse range of artists: from Schiele, Klimt, Picasso and Pollock to Warhol, Katz, Baselitz and Kiefer. An extraordinary treasure trove of visual knowledge, The Albertina has also been gathering photographs since the mid-19th century, and holds around 50,000 plans, sketches and models in its Architecture Collection. This small volume showcases the highlights from this vast collection, as chosen by its Director. Follow @AlbertinaMuseum on Twitter (7350 followers).

- 2020 marks the 500th anniversary of Albrecht Dürer's year-long journey to the Low Countries from 1520 to 1521 - Dürer is one of the most important artists of the Northern Renaissance - Stunningly large close-up details reveal his paintings, drawings and graphic work as never before Albrecht Dürer (1471-1528) is one of the most important and influential artists of the Northern Renaissance. He was a painter, printmaker and theorist and knew the major Italian artists of his time, such as Raphael, Bellini and Leonardo da Vinci. His enormous talent and skills as a draughtsman revealed themselves at a very young age: they can already be seen in the silverpoint Self-Portrait made in 1484 when he was barely 13 years old. Patronized from 1512 by the Emperor Maximilian I, Dürer realized numerous engravings, altarpieces, portrait and self-portraits, watercolors and books. His introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, secured his reputation as the most important figure of German Renaissance. Dürer in Detail reveals the work of the German master as never before, in breathtaking, full-page details. Till-Holger Borchert, German art historian and director of the Bruges Museums, describes Dürer's paintings, drawings and graphic masterpieces detail by detail, while offering original insights in clear and accessible language. The book is organized thematically and includes a biography, an annotated list of works and a suggested reading list.