Despite being neglected by the emperor, the little nightingale revives the dying ruler with its beautiful song.

Though the Emperor neglects the nightingale in preference for a jeweled mechanical imitation, the little bird returns to revive the dying ruler with its beautiful song.

Though the Emperor neglects the nightingale in preference for a jeweled mechanical imitation, the little bird returns to revive the dying ruler with its beautiful song.

From a story by Hans Christian Andersen In ancient China, young emperor Wu is kept a virtual prisoner in his palace by his devious guardian, Li Si. Wu believes the world outside the Forbidden City is an evil and dangerous place. But when Xiao, a young servant girl, tells him of the most beautiful sound on earth – the song of the nightingale – it’s too much to resist. The two embark on an adventure that will take them across mountain tops and waterfalls, past chattering monkeys and magical dragons to the far reaches of his kingdom. When Wu returns with the nightingale, and starts to overturn the old palace customs, Li Si plots to restore things to the way they were before. Featuring puppetry, music and all the colour, movement and spectacle of Chinese theatre, this joyful adaptation of Hans Christian Andersen’s fairy tale is a feast for the senses that will delight the whole family. Neil Duffield has written more than fifty plays and adaptations which have been staged extensively throughout Britain and abroad. In 2006, he won the Arts Council England Children's Award for Small Fry 'for work which displays excellence, inspiration and innovation in children's theatre.' Neil lives in Bolton with his wife, theatre director Eileen Murphy. Reviews of Plays for Youth Theatres and Large Casts “Neil Duffield is a highly successful writer of plays for children and young people, with over fifty productions under his belt, many of these commissioned by leading UK theatres and touring companies... Having worked closely with Neil during my career as a theatre director, I can vouch for his understanding of young audiences by the spellbound silences (and roars of laughter) that greet his productions.” — David Farmer, Drama Resource