"This book introduces foundations of vocal examined emotions and the vocal expressions of affective states are included. Theoretical aspects of emotions in the human voice are, incorporating both historical perspectives as well as new theoretical approaches. Vocal aspects of affective states are approached from many points of view and linked with affective dimensions and categories. Discussed among the nonverbal cues is the role of pitch, loudness, spectrum and speech rate. Findings are linked to the many fields that study emotions. The volume also discusses what constitutes an emotion, the function of the emotions in our life, and what is vocally transmitted to comprehend these states."--pub. desc. v.1.

The handbook Language and Emotion is intended to give a historical and systematic profile of the area. It will aim to connect contemporary and historical theories, approaches, and applications and to cover eastern and western perspectives of language, communication, and emotion. It will present all relevant aspects of language and emotion and thus contribute significantly to research in the field of linguistics and semiotics of emotion.

"This book introduces foundations of vocal examined emotions and the vocal expressions of affective states are included. Theoretical aspects of emotions in the human voice are, incorporating both historical perspectives as well as new theoretical approaches. Vocal aspects of affective states are approached from many points of view and linked with affective dimensions and categories. Discussed among the nonverbal cues is the role of pitch, loudness, spectrum and speech rate. Findings are linked to the many fields that study emotions. The volume also discusses what constitutes an emotion, the function of the emotions in our life, and what is vocally transmitted to comprehend these states."--pub. desc. v.1.

Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true for the role of imagination in sonic events and artifacts. Many existing works on sonic imagination tend to discuss musical imagination through terms like compositional creativity or performance technique. In this two-volume Handbook, contributors shift the focus of imagination away from the visual by addressing the topic of sonic imagination and expanding the field beyond musical compositional creativity and performance technique into other aural arenas where the imagination holds similar power. Topics covered include auditory imagery and the neurology of sonic imagination; aural hallucination and illusion; use of metaphor in the recording studio; the projection of acoustic imagination in architectural design; and the design of sound artifacts for cinema and computer games.