With the rain pouring down, blinding camera flashes going off everywhere, fans screaming for autographs and selfies, security at its tightest, and a happenstance, off-the-cuff comment to hopefully lighten an embarrassing wardrobe malfunction...who would have ever thought it would become such an intense and thought-provoking story of such impact that every fan and stargazer must read? It was not some silly teasing, the 'Lev-ee-ooo-sah' call-outs whenever Emma tried to answer a question asked at the Ivy League U.S. University, that caused her to suddenly break down in tears onboard a plane headed home to London. The reason behind her leaving mid-term had nothing to do with Hollywood calling. It was far more dire and horrifying. Something that would take the right man, the forming of a foundation to help children in Africa suffering from Nodding Disease, an extended trip to Africa, and an undeniable love affair before Emma could finally trust one person enough to reveal the frightening truth.

Stardom is hardly what it's cracked up to be, as John E. Topham makes so poignantly clear in this must-read reveal. In a time of so many revelations coming out about Hollywood and showbiz, it's refreshing to read a book with such honest impact and reality twisted around a love story and an epic quest for human kindness. With the rain pouring down, blinding camera flashes, security at its tightest, fans screaming for autographs, and a happenstance, off-the-cuff comment made to hopefully lighten an embarrassing wardrobe malfunction...who would have thought it would become such an intense and thought-provoking story of such impact that every fan and stargazer must read. From a premiere to an adventure in Africa to a romance and a startling reveal that will send shock waves through every reader.

A teenaged girl’s disappearance brings her community’s most devastating secrets to light in this “compelling and nuanced psychological thriller suffused with small town prejudice and dark family secrets” (Paula Hawkins, New York Times bestselling author) that is perfect for fans of Megan Miranda and Celeste Ng. The town of Whistling Ridge guards its secrets. When seventeen-year-old Abigail Blake disappears after a party, her best friend Emma is left with questions no one else can answer. The police initially believe Abi ran away, but Emma doesn’t believe that her friend would leave without her, and when disturbing evidence is discovered nearby, the festering secrets and longstanding resentment of both Abigail’s family and the people of Whistling Ridge begin to surface with devastating consequences. Among those secrets: Abi’s older brother’s passionate, dangerous love for a handsome Romanian immigrant who has recently made his home in the town’s trailer park; her younger brother’s feeling that he knows information he should tell the police, if only he could put it into words; her father’s mercurial rages and her mother’s silence. Then there is the rest of Whistling Ridge, where a charismatic preacher advocates for God with language that mirrors violence, all under the sway of the powerful businessman who rules the town. But Abi has secrets of her own, and the closer Emma grows to unraveling them, the further she feels from her friend. And in a tinderbox of small-town rage, all it will take is just one spark—the truth of what really happened that night—to change their community forever in this “intricate and compelling thriller, beautifully nuanced and wonderfully claustrophobic” (S.J. Watson, New York Times bestselling author).

The town of Whistling Ridge guards its secrets. When seventeen-year-old Abigail goes missing, her best friend Emma, compelled by the guilt of leaving her alone at a party in the woods, sets out to discover the truth about what happened. The police initially believe Abi ran away, but Emma doesn't believe that her friend would leave without her, and when officers find disturbing evidence in the nearby woods, the festering secrets and longstanding resentment of both Abigail's family and the people of Whistling Ridge, Colorado begin to surface with devastating consequences. Among those secrets: Abi's older brother Noah's passionate, dangerous love for the handsome Rat, a recently arrived Romanian immigrant who has recently made his home in the trailer park in town; her younger brother Jude's feeling that he knows information he should tell the police, if only he could put it into words; Abi's father's mercurial, unpredictable rages and her mother's silence. Then there is the rest of Whistling Ridge, where a charismatic preacher advocates for God's love in language that mirrors violence, under the sway of the powerful businessman who rules the town, insular and wary of outsiders. But Abi had secrets, too, and the closer Emma grows to unravelling the past, the farther she feels from her friend. And in a tinder box of small-town rage, and all it will take is just one spark--the truth of what really happened that night--to change their community forever.

Jane Austen wrote the untitled fragment that was later called The Watsons in 1803-5, and it was published posthumously in 1871. Joan Aiken, well known for her Jane Austen sequels and children's books, finishes the fragment, introducing a new hero and seamlessly continuing where Jane Austen left off to a satisfying ending for all Austen fans. Emma Watson returns home after 14 years spent with a beloved aunt, whose re-marriage has caused a significant change in Emma's circumstances. Used to a life of ease, warmth and intelligence, Emma is thrust back into a home where, with one exception, her sisters are petty and jealous, if not vulgar, her father is ill and weak, and her brothers are not men of fine minds. This is a poignant exploration of a young lady's endurance in the face of reduced circumstances, and in true Jane Austen fashion, there is an admirable hero to make all right in the end.

Heritage and its economies are driven by affective politics and consolidated through emotions such as pride, awe, joy and pain. In the humanities and social sciences, there is a widespread acknowledgement of the limits not only of language and subjectivity, but also of visuality and representation. Social scientists, particularly within cultural geography and cultural studies, have recently attempted to define and understand that which is more-than-representational, through the development of theories of affect, assemblage, post-humanism and actor network theory, to name a few. While there have been some recent attempts to draw these lines of thinking more forcefully into the field of heritage studies, this book focuses for the first time on relating heritage with the politics of affect. The volume argues that our engagements with heritage are almost entirely figured through the politics of affective registers such as pain, loss, joy, nostalgia, pleasure, belonging or anger. It brings together a number of contributions that collectively - and with critical acuity - question how researchers working in the field of heritage might begin to discover and describe affective experiences, especially those that are shaped and expressed in moments and spaces that can be, at times, intensely personal, intimately shared and ultimately social. It explores current theoretical advances that enable heritage to be affected, released from conventional understandings of both ’heritage-as-objects’ and ’objects-as-representations’ by opening it up to a range of new meanings, emergent and formed in moments of encounter. Whilst representational understandings of heritage are by no means made redundant through this agenda, they are destabilized and can thus be judged anew in light of these developments. Each chapter offers a novel and provocative contribution, provided by an interdisciplinary team of researchers who are thinking theoretically about affect through landscapes, practices of commemoration, visitor experience, site interpretation and other heritage work.

The 'visual' has long played a crucial role in forming experiences, associations, expectations and understandings of heritage. Images convey meaning within a range of practices, including tourism, identity construction, the popularization of the past through a variety of media, and the memorialization of events. However, despite the central role of 'the visual' in these contexts, it has been largely neglected in heritage literature. This edited collection is the first to explore the production, use and consumption of visual imagery as an integral part of heritage. Drawing on case studies from around the world, it provides a multidisciplinary analysis of heritage representations, combining complex understandings of the 'visual' from a wide range of disciplines, including heritage studies, sociology and cultural studies perspectives. In doing so, the book provides a comprehensive overview of the theoretical and methodological tools necessary for understanding visual imagery within its cultural context.