Emma Paterson was a pioneer of trade unionism for women. In her short life, she set up a League dedicated to that cause, edited a newspaper to publicise it and travelled the UK working for it. Her spoken and written work addressed issues still with us today, from the gender pay gap to domestic labour, and those thankfully consigned to history, such as whether women should be able to vote or find clothes appropriate to industrial work. Emma Paterson, Trade Unionist and Feminist, In Her Own Words brings together the major works that comprise Emma Paterson’s written output, offering a unique insight into the struggles and concerns of women working in the workshops, factories, shops and homes of Britain’s Industrial Revolution. This book includes a long biographical chapter from the editor, a preface from Frances O’Grady, first woman general secretary of the Trades Union Congress, and then an annotated selection of Emma Paterson’s most important works, from her time as a young activist to her last days as an overworked editor and union leader. This book will appeal to scholars and students of the history of Britain, of its women workers, of industrial, labour and publishing history. It addresses broader questions of class and gender, the interconnections that exist between them and the silences that often accompany them.

Originally published in 1977, this book brings together what is known about liberal feminist and socialist movements for the emancipation of women all over the world in the nineteenth and early twentieth centuries. It deals not only with Britain and the United States but also with Australia, New Zealand, France, Germany, Russia, Austria-Hungary and the Scandinavian countries. The chapters trace the origins, development, and eventual collapse of these movements in relation to the changing social formations and political structures of Europe, America and Australasia in the era of bourgeois liberalism. The first part of the book discusses the origins of feminist movements and advances a model or 'ideal type' description of their development. The second part then takes a number of case studies of individual feminist movements to illustrate the main varieties of organised feminism and the differences from country to country. The third part looks at socialist women's movements and includes a study of the Socialist Women's International. A final part touches on the reason for the eclipse of women's emancipation movements in the half-century following the end of the First World War, before a general conclusion pulls together some of the arguments advanced in earlier chapters and attempts a comparison between these feminist movements of 1840-1920 and the Women's Liberation Movement.

Emma Paterson, Trade Unionist and Feminist, In Her Own Words brings together the major works that comprise Emma Paterson's written output, offering a unique insight into the struggles and concerns of women working in the workshops, factories, shops and homes of Britain's Industrial Revolution.

Introduction: Genres of Life-Writing 1. One Not Being an Orphan 2. Pictures and Lessons 3. Making a Marriage 4. Bodies: Marriage, Adultery, and Death 5. The Resources of Style 6. French Vices 7. Renaissances Notes Identified Works of E. F. S. Pattison/Dilke.

Using original research and focusing on occupational ill-health in relation to women workers, this book presents a perspective for the analysis of both gender and work and work and ill-health. The author gives a critique of traditional theoretical accounts of gender relations, state intervention and industrial ill-health. The chapters examine the extent to which feminist activists got involved in debates about health and industrial work, and show how activists went beyond the concerns of suffrage.; The book presents a historical period which was marked by a change in the role of the state with respect to intervention in industrial conditions, and analyses the coincidence of this with three other significant developments: the growth of expertise in industrial disease; the employment of women in the factory to take on responsibilities in relation to other women; and changes in the direction of feminist activism. In light of this analysis, the author suggests that some theoretical approaches to both gender relations and health and safety requirements require modification.

A cultural icon of the fin de siècle , the New Woman was not one figure, but several. In the guise of a bicycling, cigarette-smoking Amazon, the New Woman romped through the pages of Punch and popular fiction; as a neurasthenic victim of social oppression, she suffered in the pages of New Woman novels such as Sarah Grand's hugely successful The Heavenly Twins . The New Woman in Fiction and Fact marks a radically new departure in nineteenth-century scholarship to explore the polyvocal nature of the late Victorian debates around gender, motherhood, class, race and imperialism which converged in the name of the New Woman.