The best-selling author of the No. 1 Ladies’ Detective Agency series deftly escorts Jane Austen’s beloved, meddlesome heroine into the twenty-first century in this delightfully inventive retelling. The summer after university, Emma Woodhouse returns home to live with her widowed father and launch her interior design business. Apart from cultivating grand career plans and managing her father’s hypochondria, Emma busies herself with the two things she does best: matchmaking and offering advice on everything from texting etiquette to first date destinations. Happily, this summer presents abundant opportunities for both, as old and new friends are drawn into the sphere of Emma’s counsel: George Knightley, her principled brother-in-law; Frank Churchill, the attractive stepson of her former governess; Harriet Smith, a naïve but enchanting young teacher’s assistant at the local language school; and the perfect (and perfectly vexing) Jane Fairfax. Carriages have been replaced by Mini Coopers and cups of tea by cappuccinos, but Alexander McCall Smith’s sparkling satire and cozy sensibility are the perfect match for Jane Austen’s beloved tale.

NEW YORK TIMES BESTSELLER • Wonderfully tender and hilariously funny, Eligible tackles gender, class, courtship, and family as Curtis Sittenfeld reaffirms herself as one of the most dazzling authors writing today. NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND THE TIMES (UK) This version of the Bennet family—and Mr. Darcy—is one that you have and haven’t met before: Liz is a magazine writer in her late thirties who, like her yoga instructor older sister, Jane, lives in New York City. When their father has a health scare, they return to their childhood home in Cincinnati to help—and discover that the sprawling Tudor they grew up in is crumbling and the family is in disarray. Youngest sisters Kitty and Lydia are too busy with their CrossFit workouts and Paleo diets to get jobs. Mary, the middle sister, is earning her third online master’s degree and barely leaves her room, except for those mysterious Tuesday-night outings she won’t discuss. And Mrs. Bennet has one thing on her mind: how to marry off her daughters, especially as Jane’s fortieth birthday fast approaches. Enter Chip Bingley, a handsome new-in-town doctor who recently appeared on the juggernaut reality TV dating show Eligible. At a Fourth of July barbecue, Chip takes an immediate interest in Jane, but Chip’s friend neurosurgeon Fitzwilliam Darcy reveals himself to Liz to be much less charming. . . . And yet, first impressions can be deceiving. Praise for Eligible “Even the most ardent Austenite will soon find herself seduced.”—O: The Oprah Magazine “Blissful . . . Sittenfeld modernizes the classic in such a stylish, witty way you’d guess even Jane Austen would be pleased.”—People (book of the week) “[A] sparkling, fresh contemporary retelling.”—Entertainment Weekly “[Sittenfeld] is the ideal modern-day reinterpreter. Her special skill lies not just in her clear, clean writing, but in her general amusement about the world, her arch, pithy, dropped-mike observations about behavior, character and motivation. She can spot hypocrisy, cant, self-contradiction and absurdity ten miles away. She’s the one you want to leave the party with, so she can explain what really happened. . . . Not since Clueless, which transported Emma to Beverly Hills, has Austen been so delightedly interpreted. . . . Sittenfeld writes so well—her sentences are so good and her story so satisfying. . . . As a reader, let me just say: Three cheers for Curtis Sittenfeld and her astute, sharp and ebullient anthropological interest in the human condition.”—Sarah Lyall, The New York Times Book Review “A clever, uproarious evolution of Austen’s story.”—The Denver Post “If there exists a more perfect pairing than Curtis Sittenfeld and Jane Austen, we dare you to find it. . . . Sittenfeld makes an already irresistible story even more beguiling and charming.”—Elle “A playful, wickedly smart retelling of Jane Austen’s Pride and Prejudice.”—BuzzFeed “Sittenfeld is an obvious choice to re-create Jane Austen’s comedy of manners. [She] is a master at dissecting social norms to reveal the truths of human nature underneath.”—The Millions “A hugely entertaining and surprisingly unpredictable book, bursting with wit and charm.”—The Irish Times “An unputdownable retelling of the beloved classic.”—PopSugar

"A hilarious, heartfelt, and realistic coming-of-age story." —Buzzfeed "Hilarious and heartwarming." —Popsugar “A laugh-out-loud and vulnerable coming-of-age story.” —The Nerd Daily [Movie trailer narrator voice]: In a world, where humanity has crumbled—wait, no, wrong story. Sorry! Let’s try that again. [YA movie trailer narrator voice:] Some students enter their freshman year of college knowing exactly what they want to do with their lives. Elliot McHugh isn’t one of those people. But picking a major is the last thing on Elliot’s mind when she’s too busy experiencing all that college has to offer—from dancing all night at off-campus parties to testing her RA Rose’s patience to making new friends to having the best sex one can have on a twin-size dorm-room bed. But she may not be ready for the fallout when reality hits. When the sex she’s having isn’t that great. When finals creep up and smack her right in the face. Or when her roommate’s boyfriend turns out to be the biggest a-hole. Elliot may make epic mistakes, but if she’s honest with herself (and with you, dear reader), she may just find the person she wants to be. And maybe even fall in love in the process . . . Well, maybe. We’re not promising anything. We can’t give everything away ahead of time.

A beloved and internationally bestselling author’s contemporary retelling of Jane Austen’s classic novel of love, money and two very different sisters. When their father unexpectedly dies, the three Dashwood girls—Elinor, Marianne and Margaret—must face the harsh reality of a life where they no longer have the home or the financial security that they have always taken for granted. As they come to terms with life without the comforts of either their country house or an inheritance, Elinor, a sensible architecture student, and Marianne, a passionate, musical free spirit, are also confronted by a world where their choices are abruptly limited by their new and alarming circumstances. With her trademark insight and wit, Joanna Trollope has brought Austen’s characters and their story into the 21st century. In the timeless spirit of their creator, she casts a clever, gently satirical eye on Elinor and Marianne as they are forced to navigate the modern world and the search for love. The results are both heartbreaking and hilarious, but always, in the hands of consummate storyteller Trollope, hugely entertaining and achingly true to life. Reimagining Sense and Sensibility in a fresh and contemporary light, Trollope recasts this beloved coming-of-age story as a perfect tale for our times.

It-girl Emma Worth appears to have it all. But despite her designer outfits and glitzy New York lifestyle, something's missing . . . Follow Emma as she finds her purpose, self-worth and ultimately love in this romantic comedy about how blind we can be to our own faults and how sometimes everything we've ever wanted is right before our eyes.

Samantha's only friends were characters in books, but her real life takes an extraordinary turn when a mysterious "Mr. Knightley" offers her a full journalism scholarship—on the condition that she write to him regularly. Will their long-distance friendship unlock her heart? Sam is, to say the least, bookish. An English major of the highest order, her diet has always been Austen, Dickens, and Shakespeare. The problem is that both her prose and conversation tend to be more Elizabeth Bennet than Samantha Moore. But life for the twenty-three-year-old orphan is about to get stranger than fiction. An anonymous, Dickensian benefactor calling himself Mr. Knightley offers to put Sam through Northwestern University’s prestigious Medill School of Journalism. There is only one catch: Sam must write frequent letters to the mysterious donor, detailing her progress. Sam’s letters to Mr. Knightley become increasingly confessional as she begins to share everything from her painful childhood memories to her growing feelings for eligible novelist Alex Powell. While Alex draws Sam into a world of warmth and literature that feels like it’s straight out of a book, old secrets are drawn to light. And as Sam learns to love and trust Alex and herself, she learns once again how quickly trust can be broken. Reminding us all that our own true character is not meant to be hidden, Katherine Reay’s debut novel follows a young woman’s journey as she sheds her protective persona and embraces the person she was meant to become. Praise for Dear Mr. Knightley: “Katherine Reay’s Dear Mr. Knightley kept me up until 2:00 a.m.; I simply couldn’t put it down.”—Eloisa James, New York Times bestselling author of Once Upon a Tower “Sprinkled with classic literary references and filled with poignant characterizations, Katherine Reay’s modern retelling of Jean Webster’s Daddy-Long-Legs is both reverently crafted and delightfully surprising.”—Lauren Ann Nattress, Austenprose.com “Katherine Reay’s touching debut novel made me cry in all the right places. For joy.”—Laurie Viera Rigler, author of Rude Awakenings of a Jane Austen Addict Sweet, stand-alone contemporary romance Includes discussion questions for book clubs, a Q&A with the author, and Sam’s reading list

In this contemporary romcom retelling of Jane Austen’s Emma by USA TODAY bestselling author Jillian Cantor, there’s nothing more complex—or unpredictable—than love. When math genius Emma and her coding club co-president, George, are tasked with brainstorming a new project, The Code for Love is born. George disapproves of Emma’s idea of creating a matchmaking app, accusing her of meddling in people’s lives. But all the happy new couples at school are proof that the app works. At least at first. Emma’s code is flawless. So why is it that perfectly matched couples start breaking up, the wrong people keep falling for each other, and Emma’s own feelings defy any algorithm?