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A Multi-Disciplinary Volume With An Exceptionally Wide Sweep, Has Contributions Covering Polity, Economy And Society In The Mughal Punjab, State-Formation, Economy, Society And Literature Under Sikh Rule, Religion And Art In The Hills, Pahari Painting; Political, Economic And Socio-Cultural Developments, Urban Society And Politics, Communitarian, Secular And National Consciousness, Agrarian And Urban Economy, Demographic And Social Change, Punjabi Literature And Gender Relations During Colonial Rule; And Political Economy, Agricultural Growth, Punjabi Speaking State Movement In Post Independence Period.

This book offers the first social history of music in undivided Punjab (1800-1947), beginning at the Lahore court of Maharaja Ranjit Singh and concluding at the Patiala royal darbar. It unearths new evidence for the centrality of female performers and classical music in a region primarily viewed as a folk music centre, featuring a range of musicians and dancers -from 'mirasis' (bards) and 'kalawants' (elite musicians), to 'kanjris' (subaltern female performers) and 'tawaifs' (courtesans). A central theme is the rise of new musical publics shaped by the anglicized Punjabi middle classes, and British colonialists' response to Punjab's performing communities. The book reveals a diverse connoisseurship for music with insights from history, ethnomusicology, and geography on an activity that still unites a region now divided between India and Pakistan.

This timely and significant study explores the reasons behind the rise in Sikh militancy over the 1970s and 1980s. It also evaluates the violent response of the Indian State in fuelling and suppressing the Sikh separatist movement, resulting in a tragic sequence of events which has included the raiding of the Golden Temple at Amritsar and the assassination of Prime Minister Indira Gandhi. The book reveals the role in this movement of a section of young semi-literate Sikh peasantry who were disaffected by the Green Revolution and the commercialisation of agriculture in Punjab. Drawing on a wide range of sources, Deol examines the role of popular mass media in the revitalisation of religion during this period, and the subsequent emergence of sharper religious boundaries.