Twelve-year-old Emily is flying with her parents to China to adopt and bring home a new baby sister. She’s excited but nervous to travel across the world and very aware that this trip will change her entire life. And the cracks are already starting to show the moment they reach the hotel—her parents are all about the new baby, and have no interest in exploring. In the adoption trip group, Emily meets Katherine, a Chinese-American girl whose family has returned to China to adopt a second child. The girls eventually become friends and Katherine reveals a secret: she’s determined to find her birth mother, and she wants Emily’s help. New country, new family, new responsibilities—it’s all a lot to handle, and Emily has never felt more alone. From the author of Extraordinary and Call Me Sunflower, Emily Out of Focus is a warm and winning exploration of the complexity of family, friendship, and identity that readers will love.

Queen Victoria's reign was an era of breathtaking social change, but it did little to create a platform for women to express themselves. But not so within the social sphere of the séance--a mysterious, lamp-lit world on both sides of the Atlantic, in which women who craved a public voice could hold their own. Out of the Shadows tells the stories of the enterprising women whose supposedly clairvoyant gifts granted them fame, fortune, and most important, influence as they crossed rigid boundaries of gender and class as easily as they passed between the realms of the living and the dead. The Fox sisters inspired some of the era’s best-known political activists and set off a transatlantic séance craze. While in the throes of a trance, Emma Hardinge Britten delivered powerful speeches to crowds of thousands. Victoria Woodhull claimed guidance from the spirit world as she took on the millionaires of Wall Street before becoming America’s first female presidential candidate. And Georgina Weldon narrowly escaped the asylum before becoming a celebrity campaigner against archaic lunacy laws. Drawing on diaries, letters, and rarely seen memoirs and texts, Emily Midorikawa illuminates a radical history of female influence that has been confined to the dark until now.

Gutenberg’s invention of movable type in the fifteenth century introduced an era of mass communication that permanently altered the structure of society. While publishing has been buffeted by persistent upheaval and transformation ever since, the current combination of technological developments, market pressures, and changing reading habits has led to an unprecedented paradigm shift in the world of books. Bringing together a wide range of perspectives—industry veterans and provocateurs, writers, editors, and digital mavericks—this invaluable collection reflects on the current situation of literary publishing, and provides a road map for the shifting geography of its future: How do editors and publishers adapt to this rapidly changing world? How are vibrant public communities in the Digital Age created and engaged? How can an industry traditionally dominated by white men become more diverse and inclusive? Mindful of the stakes of the ongoing transformation, Literary Publishing in the 21st Century goes beyond the usual discussion of 'print vs. digital' to uncover the complex, contradictory, and increasingly vibrant personalities that will define the future of the book.

A young mother's life is forever changed and her faith in God is broken when her son in diagnosed with complex physical disabilities. Restore and grow your faith as you read about Hilary Yancey's personal journey back to God. Three months into her pregnancy with her first child, Hilary Yancey received a phone call that changed everything. As she learned the diagnosis-cleft lip and palate, a missing right eye, possible breathing complications-Hilary began to pray in earnest. Even in the midst of these findings, she prayed that God would heal her son. God could do a miracle unlike anything she had seen. Only when Hilary held her baby, Jack, in her arms for the first time did she realize God had given her something drastically different than what she had demanded. Hilary struggled to talk to God as she sat for six weeks beside Jack's crib in the NICU. She consented to surgeries and learned to care for a breathing tube and gastronomy button. In her experience with motherhood Hilary had become more familiar with the sound of her son's heart monitor than the sound of his heartbeat. Later, during surgeries and emergency trips back to the hospital with her crying, breathless boy, Hilary reproached the stranger God had become. Jack was different. Hilary was not the mother she once imagined. God was not who Hilary knew before. But she could not let go of one certainty-she could see the image of Christ in Jack's face. Slowly, through long nights of wrestling and longer nights of silence, Hilary cut a path through her old, familiar faith to the God behind it. She discovered that it is by walking out onto the water, where the firm ground gives way, that we can find him. And meeting Jesus, who rises with his scars to proclaim new life, is never what you once imagined.

One of us is in the dark. One of us is a bully. One of us wants to be understood. One of us loves a girl who loves another. One of us remembers the past as if it just happened. One of us believes they’ve drawn the future. But we’re all on the same map, looking for the same thing. Year Ten begins with a jolt for best friends and neighbours Wren and Milo. Along with Hari, Juliet, Ben and Adie, they tell a story of friendship, family, wild crushes, bitter feuds, and the power of a portrait. As their lives interwine, images could bring them together, and tear them apart. FROM THE AUTHOR OF THE OTHER SIDE OF SUMMER

NOW INCLUDING A BRAND-NEW EPILOGUE! There are some things you can't leave behind... In If You Find Me by Emily Murdoch, a broken-down camper hidden deep in a national forest is the only home fifteen year-old Carey can remember. The trees keep guard over her threadbare existence; the one bright spot is Carey's younger sister, Jenessa, who depends on Carey for her very survival. All they have is each other, as their mentally ill mother comes and goes with greater frequency. Until that one fateful day their mother disappears for good, and two strangers arrive. Suddenly, the girls are taken from the woods and thrust into a bright and perplexing new world of high school, clothes and boys. Now, Carey must face the truth of why her mother abducted her ten years ago, while haunted by a past that won't let her go... a dark past that hides many a secret, including the reason Jenessa hasn't spoken a word in over a year. Carey knows she must keep her sister close, and her secrets even closer, or risk watching her new life come crashing down.

Playing on our universal fascination with reality TV, Emily Whitson’s Beneath the Marigolds is the Bachelor(ette) gone terribly wrong. Reese Marigold saved Ann Stone from a life of addiction by introducing Ann to AA and serving as her sponsor in recovery. Despite their differences—Reese is a hopeless romantic, while Ann is a no-nonsense attorney—the women remain close ten years later. So when Reese goes missing after attending Last Chance, an exclusive singles’ retreat off the coast of Hawaii, Ann infiltrates the retreat. Quickly, Ann realizes there’s more to Last Chance than meets the eye. With its extravagant clothes, never-ending interviews, and bizarre dates, Ann begins to suspect the retreat is a front for a reality dating show. Could Reese be safe and sound, keeping a low profile until the premier, or did something more sinister occur? As Ann traces Reese’s last known movements, partakes in the unusual “journey,” and meets the other attendees who all have something to hide, she jeopardizes her career, her sanity, and her life to find her missing friend. Told from the perspective of both Ann and Reese, Beneath the Marigolds is a fast-paced thriller that explores friendship, women in recovery, and the traditional marriage path idealized by today’s numerous dating and relationship reality shows.