Based on an episode in Henry James's life, the captivating story of a young heroine with ambitions and desires beyond her time. By the start of the Civil War, Emily Hudson has lost her entire family to consumption. Wholly dependent upon her puritanical uncle, Emily forms a close bond with her ailing cousin, William, an ambitious young writer. When a promising engagement is broken, William, obsessed by Emily's spirit and beauty, becomes her patron and takes her to England-only to manipulate and neglect her for the sake of his own creativity. There, Emily finally spurns her cousin's rules and sets out alone to pursue an artist's life in the eternal city of Rome. Reminiscent of the novels of Edith Wharton and the films of Merchant Ivory, Emily Hudson will resonate with anyone who has ever sought to be true to herself.

This book explores the relationship between ethics, aesthetics, and religion in classical Indian literature and literary theory by focusing on one of the most celebrated and enigmatic texts to emerge from the Sanskrit epic tradition, the Mahabharata. This text, which is widely acknowledged to be one of the most important sources for the study of South Asian religious, social, and political thought, is a foundational text of the Hindu tradition(s) and considered to be a major transmitter of dharma (moral, social, and religious duty), perhaps the single most important concept in the history of Indian religions. However, in spite of two centuries of Euro-American scholarship on the epic, basic questions concerning precisely how the epic is communicating its ideas about dharma and precisely what it is saying about it are still being explored. Disorienting Dharma brings to bear a variety of interpretive lenses (Sanskrit literary theory, reader-response theory, and narrative ethics) to examine these issues. One of the first book-length studies to explore the subject from the lens of Indian aesthetics, it argues that such a perspective yields startling new insights into the nature of the depiction of dharma in the epic through bringing to light one of the principle narrative tensions of the epic: the vexed relationship between dharma and suffering. In addition, it seeks to make the Mahabharata interesting and accessible to a wider audience by demonstrating how reading the Mahabharata, perhaps the most harrowing story in world literature, is a fascinating, disorienting, and ultimately transformative experience.

Dear Mr Cornford, It is with regret that I begin the task of writing to you about your niece, Emily. Her recent behaviour, which I have outlined to you in previous letters, compels me to request that she be formally removed from the school and returned to your care with immediate effect . . .' And so Emily Hudson, niece and ward, is dispatched into the care of her distant and cold uncle, to take residence at the family's Newport beach house at the outbreak of the Civil War. She is an orphan, the sole member of her family not claimed by consumption. In that first lonely summer, it is Emily's cousin William - himself an outsider - who is her saviour. Her spirit and vibrancy are at odds with the stilted climate of American society: a woman should be a paragon of virtue, definitely not an aspiring painter with no fortune to speak of. William's friendship offers Emily the chance to escape to London to pursue her dreams, but his patronage soon turns darker and more controlling. And as Emily's health falters, she turns to some rather unsuitable means to find the release she craves . . .

After the start of the Civil War, orphaned Emily Hudson must go to live in Newport, Rhode Island with her puritanical uncle, who attempts to marry her off, only to have Emily journey to London with her cousin, William, who soon becomes her controlling patron.

THE STORY OF A YOUNG GIRL IN ENGLAND WHO IS TRANSPORTED TO VAN DIEMENS LAND AS A CONVICT FOR A CRIME SHE DID NOT COMMIT. A STORY OF HARDSHIP, POVERTY, INJUSTICE, LOVE & SORROW, CRUELTY & KINDNESS, HOPE JOY & HAPPINESS. A BOOK THAT IS HARD TO PUT DOWN. A STORY YOU WILL NEVER FORGET.

An imposing, life-size oil painting dominates the main meeting room at the RSPB’s base in the heart of England: ‘the man above the fireplace’ – always present, rarely mentioned. Curious about the person in the portrait, the author began a quest to rediscover William Henry Hudson (1841–1922). It became a mission of restoration: stitching back together the faded tapestry of Hudson’s life, re-colouring it in places and adding new threads from the testaments of his closest friends. This book traces the unassuming field naturalist’s path through a dramatic and turbulent era: from Hudson’s journey to Britain from Argentina in 1874 to the unveiling by the prime minister of a monument and bird sanctuary in his honour 50 years later, in the heart of Hyde Park – a place where the young immigrant had, for a time, slept rough. At its core, this extraordinary story reveals Hudson’s deep influence on the creation of his beloved Bird Society by its founding women, and the rise of the conservation movement. It reveals the strange magnetism of this mysterious man from the Pampas – unschooled, battle-scarred and once penniless – that made his achievements possible, and left such a profound impression on those who knew him. By the end of his life, Hudson had Hollywood studios bidding for his work. He was a household name through his luminous and seminal nature writing, and the Bird Society had at last reached the climax of a 30-year campaign, working to create the first global alliance of bird protectionists. A century after Hudson’s death, this is a long-overdue tribute to perhaps our most significant – and most neglected – writer-naturalist and wildlife campaigner.