In the riveting final installment, Emilia's shattered heart won't allow her to stray from the ghost of Aiden. The whisper of his existence surrounds, torments, and drives her. Locked away in a safe house, she discovers truths that will change her world. Under the fierce protection of a new bodyguard she embarks on a daring journey to save the one she loves. The question lingers: Is there anyone left for her to save?

'A spicy work of biographical conjecture ... It's also a rousing reminder of the countless creative women who have been written out of history or have had to fight relentlessly to make themselves heard.' EVENING STANDARD 'The great virtue of Lloyd Malcolm's speculative history lies in its passion and anger: it ends with a blazing address to the audience that is virtually a call to arms. It is throughout, however, a highly theatrical piece ... In rescuing Emilia from the shades, [the play] gives her dramatic life and polemical potency.' GUARDIAN The little we know of Emilia Bassano Lanier (1569 - 1645) is that she may have been the Dark Lady of Shakespeare's Sonnets, mistress of Lord Chamberlain, one of the first English female poets to be published, a mother, teacher who founded a school for women, and radical feminist with North African ancestry. Living at a time when women had such limited opportunities, Emilia Lanier is therefore a fascinating subject for this speculative history. In telling her story, Morgan Lloyd Malcolm represents the stories of women everywhere whose narratives have been written out of history. Originally commissioned for Shakespeare's Globe with an all-female cast, Emilia is published here as a Methuen Drama Student Edition with commentary and notes by Elizabeth Schafer, Professor of Drama at Royal Holloway, University of London, UK.

Emilia, 29, has left the suburbs and a dead-end job to make a fresh start in London. Recently qualified as an archivist, she is getting over her past relationships and freeing her mind from her obsession with New Age thinking.

Emilia's Justice Poor little Emilia who is unwanted from her birth. Her family treats her very badly and unfairly. She suffers terrible anguish when her parents and siblings make her feel unwanted and loathed. One day after school, Emilia accidentally meets Sam, who is also mistreated by his family. He will not settle for it and from him, she learns about his justice. Sam's justice is to kill those who treat him so badly. After she learns what he's done, he gives her the matchbox he used a match out of, to burn down the family's camper. At first, she hesitates to use it herself. She thinks it feels a little wrong. After all, she likes the house she lives in. It takes a while before Emilia has decided that she, too, should have her own justice! Now she had put up with too much! Now she actually thinks she is right to take help from her own justice. It seems to be the only way. Her justice is also mortal in many different ways. It is many times that she has to depend on the help that she gets from her justice. No one around her even suspects her. Emilia learns quickly that it is a great way to escape the worst tormentors. She gets good help from her justice while growing up and it takes a long time before she learns that it is wrong. Everything seems so simple to her because she thinks it's still right. She uses her justice without any feelings of guilt or any remorse whatsoever. A lot happens in her life and everything changes almost constantly around her. Until she one day falls in love and most unfortunately she has to kill her beloved to defend herself from the truth.