In Émigré Voices Lewkowicz and Grenville present twelve oral history interviews with men and women who came to Britain as Jewish refugees from Germany and Austria in the late 1930s, many of whom known for their enormous contributions to British culture.

Based on years of detailed and extensive interviews, and supplemented by a wide range of archival material, Growing with Canada showcases the men and women who came to Canada and the roles they played in developing the country's musical culture. Paul Helmer shows that émigrés were at the centre of the new musical milieu and uses the lively testimony of those involved to weave together the larger story of post-war Canadian music performance, production, and education. By introducing the sounds and techniques of their homelands, émigré artists were able to overcome the dominating British presence in post-secondary music education - vastly expanding the role music played in universities - while pioneering the performance and production of opera in Canada. From British Columbia to Newfoundland, they served as educators, teachers, and administrators as well as outstanding performers, conductors, composers, music historians, radio and television producers, and benefactors.

This new volume addresses the lasting contribution made by Central European émigré designers to twentieth-century American design and architecture. The contributors examine how oppositional stances in debates concerning consumption and modernism's social agendas taken by designers such as Felix Augenfeld, Joseph Binder, Josef Frank, Paul T. Frankl, Frederick Kiesler, Richard Neutra, and R. M. Schindler in Europe prefigured their later adoption or rejection by American culture. They argue that émigrés and refugees from fascist Europe such as György Kepes, Paul László, Victor Papanek, Bernard Rudofsky, Xanti Schawinsky, and Eva Zeisel drew on the particular experiences of their home countries, and networks of émigré and exiled designers in the United States, to develop a humanist, progressive, and socially inclusive design culture which continues to influence design practice today.

I was born on 28 March 1922 in Thanh-Hóa where my grand parents emigrated in 1897, fleeing the catastrophic flood of the Red River. I was a student at the faculty of sciences of the University of Hanoi when the Japanese putsch of 9 March1945 effectively put an end to my student life with the successive political events after that date. I went head on in patriotic activities for the independence of my country and decided to rally to the south in 1948. In 1952 I was drafted and sent to the French Air Academy in Salon de Provence to become aeronautic engineer. I became Commissioner of Supply in the military government of South Vietnam confronting the economic blockade of Saigon in 1965. Retired in 1974 I went into business. I got out of Saigon on 28 April 1975 before the bombardment of its airfield by communist artillery. I found my family in the refugee camp of Fort Chaffee before being sponsored by Saint Timothy Lutheran Church of Monterey to a humbly new start. I became owner of two 7-Eleven stores which I sold in October 1997 to retire at 75 after 20 years in business.

The Bolshevik takeover of Russia created an alternative Russia in exile that never laid down its arms. For two decades, expelled White Russians sought ways to retaliate against the Soviet Union and return home. Their irreconcilability was galvanized by a superstructure, the dominant military organization, the Russian All-Military Union (ROVS). Eventually, militant anti-Bolshevism led the exiled Russians into alliance with Nazi Germany, despite the latter’s anti-Slavic stance. For Russia with Hitler tells the story of how thousands of White Russian émigrés joined the German invasion of the Soviet Union as soldiers, translators, and civilian workers. Oleg Beyda investigates and contextualizes émigré collaboration with National Socialist Germany, explaining how it was possible for Russians to fight against the Russians. The book reveals that the exiles, although united ideologically by Russian nationalism in a general sense, did not establish one single, clear-cut political solution for a future “liberated Russia.” Drawing on wide archival material, For Russia with Hitler details the background and ideological framework of the émigrés, how they rationalized their support for Nazism, and what they did on the Eastern Front, including their reactions to life in occupation, war crimes, and the Holocaust.

Growing up in Union of Soviet Socialist Republics (USSR) in the 1950-60s, a period defined by Soviet leaders as time of “developed socialism", Svetlana believed in the greatness of socialism: fairness, equality and the benevolence of the communist leaders managing society’s march toward progress. Gradually, disillusion set in as historical and contemporary events exposed the true reality behind the veil of empty words. The decision to immigrate wasn’t easy. Parents, relatives, and friends were left behind. Then, in 1980, came the unexpected discovery of a new life in capitalist USA. This unusually personal story that starts in the Soviet Union and ends in the United States draws parallels between two economic and political systems and provides a missing perspective and commentary on parallels to life in the USA. In this book Svetlana makes the case for how a free market economy in the USA leads to a dramatically better life for a common person, than that of powerful centralized government as she experienced living in both the USA and the former USSR. Many articles that the author published in the Investor’s Business Daily under “IBD Exclusive Commentary Series: Perspectives of a Russian Immigrant” are poignantly relevant today. They are included in the book with IBD’s permission.