Emerson's Sublime Science explores relationships among Emerson's poetics, theory of the sublime, and engagement with electromagnetism. The book illustrates how Davy's chemistry and Faraday's physics revealed to Emerson a sublime universe in which matter is boundless electrical force. It argues that Emerson translated this discovery into a sublime writing style crafted to galvanize readers with the insight that matter is energy. In illuminating Emerson's project, this study also uncovers connections among British Romanticism, American Romanticism, and nineteenth-century science.

"Examines Emersonian naturalism from the standpoint of nonlinearity, offering new ways of reading and thinking about Emerson's stance toward nature and the influence of science on his thought. Windolph breaks new ground by exploring how considerations of shape and the act of seeing underpin all of Emerson's theories about nature"--Provided by publisher.

Eric Wilson reveals a neglected yet powerful current in several major Romantic figures: the affirmation of - not escape from - turbulence. Romantic Turbulence unearths the chaotic undercurrents of European Romanticism found in Goethe s science and Schelling s philosophy, and demonstrates how these tendencies agitate the texts of Emerson, Fuller, Melville, Thoreau, and Whitman. These writers see the universe not as a reflection of transcendent harmony or a system of predictable laws but rather as a convergence of chaos and order, a polarized field. Detailing this undulatory cosmos, Wilson shows how these American Romantics participate in its unsettling rhythms by practicing an ecological poetics, translating the energies of their habitat into living compositions.

He wished to galvanize his readers, to shock them into an awareness of nature's animating energies. Offering new perspectives on Emerson's Romanticism, the study also uncovers provocative connections among science, aesthetics, and poetics.

Ralph Waldo Emerson has traditionally been cast as a dreamer and a mystic, concerned with the ideals of transcendentalism rather than the realities of contemporary science and technology. In Laura Dassow Walls's view Emerson was a leader of the secular avant-garde in his day. He helped to establish science as the popular norm of truth in America and to modernize American popular thought. In addition, he became a hero to a post-Darwinian generation of Victorian Dissenters, exemplifying the strong connection between transcendentalism and later nineteenth-century science.In his early years as a minister, Emerson read widely in natural philosophy (or physics), chemistry, geology, botany, and comparative anatomy. When he left the church, it was to seek the truths written in the book of nature rather than in books of scripture. While visiting the Paris Museum of Natural History during his first European tour, Emerson experienced a revelation so intense that he declared, "I will be a naturalist." Once he was back in the United States, his first step in realizing this ambition was to deliver a series of lectures on natural science. These lectures formed the basis for his first publication, Nature (1836), and his writings ever after reflected his intense and continuing interest in science.Walls finds that Emerson matured just as the concept of "the two cultures" emerged, when the disciplines of literature and science were divorcing each other even as he called repeatedly for their marriage. Consequently, Walls writes, half of Emerson's thought has been invisible to us: science was central to Emerson, to his language, to the basic organization of his career. In Emerson's Life in Science, she makes the case that no study of literary history can be complete without embracing science as part of literature. Conversely, she maintains, no history of science is complete unless we consider the role played by writers of literature who helped to install science in the popular imagination.

Henry David Thoreau was a naturalist, transcendentalist, philosopher, and essayist. His views on civil disobedience and nature have become a part of the American character. This updated volume of the Bloom's Modern Critical Views series is a keenly detailed chronicle of the great thinker who will forever be known for his experiment in simple living documented in his work Walden.