Plutarch, who was born at Chæronea in Bœotia, probably about A.D. 50, and was a contemporary of Tacitus and Pliny, has written two works still extant, the well-known Lives, and the less-known Moralia. The Lives have often been translated, and have always been a popular work. Great indeed was their power at the period of the French Revolution. The Moralia, on the other hand, consisting of various Essays on various subjects (only twenty-six of which are directly ethical, though they have given their name to the Moralia), are declared by Mr. Paley "to be practically almost unknown to most persons in Britain, even to those who call themselves scholars."1 Habent etiam sua fata libelli. In older days the Moralia were more valued. Montaigne, who was a great lover of Plutarch, and who observes in one passage of his Essays that "Plutarch and Seneca were the only two books of solid learning he seriously settled himself to read," quotes as much from the Moralia as from the Lives. And in the seventeenth century I cannot but think the Moralia were largely read at our Universities, at least at the University of Cambridge. For, not to mention the wonderful way in which the famous Jeremy Taylor has taken the cream of "Conjugal Precepts" in his Sermon called "The Marriage Ring," or the large and copious use viiihe has made in his "Holy Living" of three other Essays in this volume, namely, those "On Curiosity," "On Restraining Anger," and "On Contentedness of Mind," proving conclusively what a storehouse he found the Moralia, we have evidence that that most delightful poet, Robert Herrick, read the Moralia, too, when at Cambridge, so that one cannot but think it was a work read in the University course generally in those days. For in a letter to his uncle written from Cambridge, asking for books or money for books, he makes the following remark: "How kind Arcisilaus the philosopher was unto Apelles the painter, Plutark in his Morals will tell you."...

A Companion to Plutarch offers a broad survey of the famous historian and biographer; a coherent, comprehensive, and elegant presentation of Plutarch’s thought and influence Constitutes the first survey of its kind, a unified and accessible guide that offers a comprehensive discussion of all major aspects of Plutarch’s oeuvre Provides essential background information on Plutarch’s world, including his own circle of influential friends (Greek and Roman), his travels, his political activity, and his relations with Trajan and other emperors Offers contextualizing background, the literary and cultural details that shed light on some of the fundamental aspects of Plutarch’s thought Surveys the ideologically crucial reception of the Greek Classical Period in Plutarch’s writings Follows the currents of recent serious scholarship, discussing perennial interests, and delving into topics and works not formerly given serious attention

Throughout the early modern period, political theorists in France and England drew on the works of Plutarch to offer advice to kings and princes. Elizabeth I herself translated Plutarch in her later years, while Jacques Amyot's famous translations of Plutarch's The Parallel Lives led to the wide distribution of his work and served as a key resource for Shakespeare in the writing of his Roman plays, through Sir Thomas North's English translations. Rebecca Kingston's new study explores how Plutarch was translated into French and English during the Renaissance and how his works were invoked in political argument from the early modern period into the 18th century, contributing to a tradition she calls 'public humanism'. This book then traces the shifting uses of Plutarch in the Enlightenment, leading to the decline of this tradition of 'public humanism'. Throughout, the importance of Plutarch's work is highlighted as a key cultural reference and for its insight into important aspects of public service.