Korean American Catholics are celebrating their jubilee after having been officially recognized by the Archdiocese of San Francisco in 1966. This occasion affords the flourishing Korean American Catholic community to take stock of their identity, celebrate this milestone, and prepare for the future. What does it mean to be a Korean American Catholic? What are their particular challenges and hopes? The works contained in this book, articles written by leading Korean American scholars, theologians, and priests, serve to answer those questions and pose new ones, and lay down a marker that will surely one day be recognized as another significant one in the history of this growing voice in the United States religious landscape.

Bill Brandt, the greatest of British photographers, who visually defined the English identity in the mid-twentieth century, was an enigma. Indeed, despite his assertions to the contrary, he was not in fact English at all. His life, like much of his work, was an elaborate construction. England was his adopted homeland and the English were his chosen subject. The England in which Brandt arrived in the Thirties was deeply polarized. He photographed both upstairs and downstairs, and recorded the industrial north as well as the society rounds of the affluent south. Although much of his work was for the new illustrated magazines, it was frequently influenced by surrealism and an eye for the slightly strange. The subjects of his portraits include the greatest creative figures of his age, and his English landscapes were sublime. His radical treatment of the female body forms a landmark in the history of the photography. Paul Delany ambitiously traces the details of Brandt’s life and reveals how the biographical facts and the fantasies that accompanied them deeply affected Brandt’s work. The biography is richly illustrated with duotone reproductions of his masterpieces and a number of unpublished private photographs.

A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.

From Michelangelo to Rubens, Degas and Picasso, erotic art has attracted many great masters, who created works that captivate the beholder like few others. In spite of, or maybe even because of, this attraction, erotic art has never failed to evoke controversy, and regularly had to defend itself from charges of pornography. This book guides readers from early portrayals of erotic scenes produced in the 16th and 17th centuries, to contemporary highlights such as Picasso’s sketchbook drawings, encompassing a large variety of styles and techniques.

An International Bestseller! Named a Best Romance of 2023 by Amazon · Goodreads · BookPage A romance novel-obsessed social media influencer revisits her exes on her hunt for true love in this romantic comedy from the author of Set On You. Romance book connoisseur Tara Chen has had her heart broken ten times by ten different men—all of whom dumped her because of her “stage-five clinger” tendencies. Nevertheless, Tara is determined to find The One. The only problem? Classic meet-cutes are dead, thanks to modern dating apps. So Tara decides to revisit her exes in hopes of securing her very own trope-worthy second-chance romance. Boston firefighter Trevor Metcalfe will be the first to rush into a burning building but the last to rush into a relationship. Love just isn’t his thing. When his new roommate Tara enlists him to help her reconnect with her exes, he reluctantly agrees. But Tara’s journey is leading him to discover his own new chapter. The more time they spend together, the more Tara realizes Trevor seems to be the only one who appreciates her authentic, dramatic self. To claim their happily ever after, can Tara and Trevor read between the lines of their growing connection?