As increasing quantities of health and biological information are generated, the need for us all to consider the human impacts of its ubiquity becomes more urgent than ever. This book explains the ethical imperative to take seriously the potential impacts on our identities of encountering bioinformation about ourselves.

Increasing quantities of information about our health, bodies, and biological relationships are being generated by health technologies, research, and surveillance. This escalation presents challenges to us all when it comes to deciding how to manage this information and what should be disclosed to the very people it describes. This book establishes the ethical imperative to take seriously the potential impacts on our identities of encountering bioinformation about ourselves. Emily Postan argues that identity interests in accessing personal bioinformation are currently under-protected in law and often linked to problematic bio-essentialist assumptions. Drawing on a picture of identity constructed through embodied self-narratives, and examples of people's encounters with diverse kinds of information, Postan addresses these gaps. This book provides a robust account of the source, scope, and ethical significance of our identity-related interests in accessing – and not accessing – bioinformation about ourselves, and the need for disclosure practices to respond appropriately. This title is also available as Open Access on Cambridge Core.

Featuring contributions from leading scholars in the field, The Handbook of Narrative Analysis is the first comprehensive collection of sociolinguistic scholarship on narrative analysis to be published. Organized thematically to provide an accessible guide for how to engage with narrative without prescribing a rigid analytic framework Represents established modes of narrative analysis juxtaposed with innovative new methods for conducting narrative research Includes coverage of the latest advances in narrative analysis, from work on social media to small stories research Introduces and exemplifies a practice-based approach to narrative analysis that separates narrative from text so as to broaden the field beyond the printed page

Comics and other graphic narratives powerfully represent embodied experiences that are difficult to express in language. A group of authors from various countries and disciplines explore the unique capacity of graphic narratives to represent human embodiment as well as the relation of human bodies to the worlds they inhabit. Using works from illustrated scientific texts to contemporary comics across national traditions, we discover how the graphic narrative can shed new light on everyday experiences. Essays examine topics that are easily recognized as anchored in the body as well as experiences like migration and concepts like environmental degradation and compassion that emanate from or impact on our embodied states. Graphic Embodiments is of interest to scholars and students across various interdisciplinary fields including comics studies, gender and sexuality studies, visual and cultural studies, disability studies and health and medical humanities.

Architecture is increasingly understood as a field of practice that is inextricably embedded in ecologies and energy systems, and yet embodied energy-the various forms of energy required to ex- tract raw matter, to produce and transport building materials, and to assemble a given building- remains largely under-explored in its ramifications for both design and environment. As operational energy has declined as a proportion of buildings' total energy consumption, embodied energy has become an essential site for further speculation and innovation. 'Embodied Energy and Design: Making Architecture between Metrics and Narratives' asks questions about the varying scales, methods of analysis, and opportunities through which we might reconsider the making of architecture in the context of global flows of energy and resources. 120 illustrations

Draws on recent cognitive and neuroscientific research and wide-ranging works from antiquity to the present to explore the embodied dimension of reading literary narrative.

This book derives from an intense collaboration among colleagues from various countries under the auspices of the European Society for Research on the Education of Adults (ESREA) Biography and Life History Network. As is described in the opening chapter, the Network has been meeting over many years, with an especial focus on processes of adult and lifelong learning, interrogated through the lens of auto/biographical and narrative studies. The Network brings together researchers from many and diverse countries across Europe - North, South, East and West - and the wider world, as evidenced in this present collection. Auto/biographical and nar-rative methods, we suggest, generate rich and deep insights into the lived experience of learners, and encourage many and varied connections in thinking about and interpreting them. This includes an interdisciplinary imagination, and challenge to an overly cognitivist, disembodied, and dis-connected view of learners and learning. This is the third publication emanating from the Network, alongside many and diverse research collaborations. What is so important about the work is how different language communities and academic traditions combine together to challenge the solipsism and isolationism that can too often bedevil academic writing, especially when English has become the dominant language of exchange and debate; and where writing can draw on a relatively narrow, Anglo-Saxon dominated literature. This book, and ESREA more generally, is a challenge to what easily confines the intellectual imagination. There are a number of people we would like to thank in helping us with the project and the 'challenging' processes of editing: not least Helen Reynolds who has been a tower of strength in working through, with us, various draft chapters and sensitively and carefully negotiating with particular authors around questions of meaning and English usage. And there is Roselina Peneva, who helped with the formatting alongside countless others who have assisted with the organisation of various conferences, of which this work is an important expression.