A sweeping historical analysis of the complex relationship between social criticism and built form, EMANCIPATING SPACE argues that those concerned with urban design and social change should make their contribution to bringing about a better world by designing spaces based in utopian or emancipatory theories. Author Ross King examines significant political, economic and social changes from the Enlightenment to the present day, tracing accompanying shifts in the ways that space, time, nature and difference have been experienced and represented in architectural discourse. Integrating architecture, urban design, geography, and social criticism to elucidate new questions facing concerned planners and architects, this richly illustrated volume provides an innovative framework from which to explore the meanings and the possibilities of urban space in the postmodern era.

There is a growing discussion on the cultural meaning and politics of urban commons, and Stavrides uses examples from Europe and Latin America to support the view that a world of mutual support and urban solidarity emerges today in, against, and beyond existing societies of inequality.

There is a growing discussion on the cultural meaning and politics of urban commons, and Stavrides uses examples from Europe and Latin America to support the view that a world of mutual support and urban solidarity emerges today in, against, and beyond existing societies of inequality.

Through an exploration of emancipation in recent processes of capitalist urbanization, this book argues the political is enacted through the everyday practices of publics producing space. This suggests democracy is a spatial practice rather than an abstract professional field organized by institutions, politicians and movements. Public Space Unbound brings together a cross-disciplinary group of scholars to examine spaces, conditions and circumstances in which emancipatory practices impact the everyday life of citizens. We ask: How do emancipatory practices relate with public space under ‘post-political conditions’? In a time when democracy, solidarity and utopias are in crisis, we argue that productive emancipatory claims already exist in the lived space of everyday life rather than in the expectation of urban revolution and future progress.

The contributors in this edited collection scrutinize the changing dynamics of space and place in relation to current political, social, and environmental urgencies across the globe. The discussions provide a cohesive study for disclosing latent understandings of multiple phenomena characterizing the world in which we live.

As students of the Civil War have long known, emancipation was not merely a product of Lincoln's proclamation or of Confederate defeat in April 1865. It was a process that required more than legal or military action. With enslaved people fully engaged as actors, emancipation necessitated a fundamental reordering of a way of life whose implications stretched well beyond the former slave states. Slavery did not die quietly or quickly, nor did freedom fulfill every dream of the enslaved or their allies. The process unfolded unevenly. In this sweeping reappraisal of slavery's end during the Civil War era, Joseph P. Reidy employs the lenses of time, space, and individuals' sense of personal and social belonging to understand how participants and witnesses coped with drastic change, its erratic pace, and its unforeseeable consequences. Emancipation disrupted everyday habits, causing sensations of disorientation that sometimes intensified the experience of reality and sometimes muddled it. While these illusions of emancipation often mixed disappointment with hope, through periods of even intense frustration they sustained the promise that the struggle for freedom would result in victory.

This book focuses on the pivotal role which space and spatiality assume in plot and narrative discourse of contemporary U.S.-American literary narratives. Embarking from a new, spatialized approach to cultural history and particularly narrative theory that might also prove useful for neighboring philologies, Marcel Thoene hypothesizes that the canon of novels selected represents a dialectic of simultaneous affirmation and subversion of the American space myth. This results in an integrative and emancipatory function of space reflecting the current dynamic toward a more transcultural, diverse and conflictive post-national U.S.-American society.