Third in the highly-acclaimed nineteenth-century 'Cathedral' mystery series When Mr Lye, an elderly partner at Tom Ansell's law firm, drops dead at his desk, Tom is dispatched to Ely to search for Mr Lye's will at Phoenix House, the home of his brother, Ernest. At the same time, Tom's wife Helen has been commissioned by New Moon magazine to write a piece on a town with 'inner beauty' - and what better place than Ely? But shortly after they arrive at Phoenix House, their host is arrested for murder -; and Tom and Helen find themselves at the centre of an ever-deepening mystery.

Adam and Eve in Scripture, Theology, and Literature: Sin, Compassion, and Forgiveness is an extended consideration of the narrative of Adam and Eve, first seen in the Hebrew Bible but given new life by St. Paul in the New Testament. Paul’s treatment of Adam and Eve, especially his designation of Christ as a second Adam, has had an enormous influence in Christianity. Peter Ely follows this rich narrative as it develops in history, providing the basis of the doctrine of original sin in Christianity, giving rise in modern times to theological speculation, and entering thematically into mysticism and literature. The power of the adamic narrative can only be realized if one treats it as a true but non-historical myth. The “truth” of the myth lies in its ability to stimulate thinking and so reveal the depths of human experience. Augustine understood that, so did Julian of Norwich, and even the Belgian author of mystery stories, Georges Simenon, who had a deep sense of the universality of human weakness and the possibilities of redeeming what was lost. Simenon’s detective Maigret saw himself as a “mender of destinies.” The doctrine of original sin, the notion that human beings share a common vulnerability, can open the way to compassion and forgiveness. As Shakespeare illustrates in Measure for Measure, the awareness of weakness in ourselves should move us to compassion for others. The recognition of a kind of “democracy of sin” can keep us from considering ourselves better than others, unlike them in their weakness, and entitled to stand in judgment of them. Thus, compassion opens the door to forgiveness. The progress from sin to compassion to forgiveness forms the heart of this work.

This painstaking study of the New Testament helps bring clarity to one of the great ethical dilemmas of the modern church--the moral status of wealth and possessions in relation to Christian faith.

Excerpt from Ely Lectures on the Revised Version of the the New Testament: With an Appendix Containing the Chief Textual Changes If these things do not assure anti-revisers that the work was wanted, let them read and weigh the paper of Dr. Ezra Abbot, the learned American (me, which I reprint in my second Appendix. In this able summary they will find proof, ample and irresistible, that revision was indeed sorely needed that the means were provided, and the time was ripe; the hour had struck, and the men were ready. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

"A masterpiece of contemporary Bible translation and commentary."—Los Angeles Times Book Review, Best Books of 1999 Acclaimed for its masterful new translation and insightful commentary, The David Story is a fresh, vivid rendition of one of the great works in Western literature. Robert Alter's brilliant translation gives us David, the beautiful, musical hero who slays Goliath and, through his struggles with Saul, advances to the kingship of Israel. But this David is also fully human: an ambitious, calculating man who navigates his life's course with a flawed moral vision. The consequences for him, his family, and his nation are tragic and bloody. Historical personage and full-blooded imagining, David is the creation of a literary artist comparable to the Shakespeare of the history plays.

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