The 1950s were simple times to grow up. For Lewis Grizzard and his buddies, gallivanting meant hanging out at the local store, eating Zagnut candy bars and drinking "Big Orange bellywashers." About the worst thing a kid ever did was smoke rabbit tobacco rolled in paper torn from a brown grocery sack, or maybe slick back his hair into a ducktail and try gyrating his hips like Elvis. But then assassinations, war, civil rights, free love, and drugs rocked the old order. And as they did, Grizzard frequently felt lost and confused. In place of Elvis, the Pied Piper of his generation, Grizzard now found wormy-looking, long-haired English kids who performed either half-naked or dressed like Zasu Pitts. Elvis Is Dead and I Don't Feel So Good Myself is the witty, satiric, nostalgic account of Grizzard's efforts to survive in a changing world. Sex, music, clothes, entertainment, and life itself receive the Grizzard treatment. In this, his sixth book, Grizzard was never funnier or more in tune with his readers. He might not have felt so good himself, but his social commentary and humor can still make the rest of us feel just fine.

They Tore Out My Heart and Stomped That Sucker Flat, first published in 1982, has sold more than 100,000 copies. Without skipping a beat, one of America's favorite humorists, the late Lewis Grizzard, tells of the early stirrings of his wayward heart in the backseat of a '57 Chevy and the ominous murmurings that led him at age thirty-five to major surgery and the real answer to his question, "How much is this going to hurt?" In the process he discovers all the ways a heart can break. Young love. Three marriages. His father's death. And why his entire future suddenly depended on a little pig. He tells the truth—the whole truth—the kind that has readers laughing through their tears. United Press International said, "It makes you feel good to know a person can face the tubes, wires, knives and needles of major heart surgery and make you laugh about it—hilarious!"

Lewis Grizzard always makes us laugh. But this time, when he tells us all about his father—a certified war hero and a shameless passer of bad checks . . . a charmer of men and women and a consummate con artist . . . a man of great courage and an alcoholic destined to drink himself to death—he’s going to make us cry, too. And he’s going to give us a hilarious, moving account of that “tender, spooky territory: that country of the heart inhabited by fathers and sons.”

Lewis Grizzard got his first newspaper job when he was ten years old. Thirty-odd years later (thirty-very-odd years) he's still in the newspaper business--and he's still infuriated by it, still tickled by it, and still very much in love with it. If I Ever Get Back to Georgia, I'm Gonna Nail My Feet to the Ground is all about that anger, that great humor and that even greater passion for something that affects every single one of us: the daily newspaper. Grizzard begins with his first writing job (covering a Boy's Church League team in Newman, Georgia), and continues through his college years in Athens, Georgia, where he learned how to do such things as prepare a front-page headline and layout in case Jesus Christ ever returned to earth. (Headline: HE'S BACK!) He examines the great Atlanta years and the cold Chicago winters--as sports editor of the Sun-Times, during which Grizzard lost his second wife, his cool, and very nearly his sanity, but also learned an awful lot about life, liberty, and the pursuit of happiness. This is Grizzard's funniest--and his best--book yet.

In Chili Dawgs Always Bark at Night, Lewis Grizzard once again confirms his reputation as the "William Faulkner of just plain folks" using colorful storytelling to tackle such Grizzardian subjects as: Fashion: "Don't wear anything that features a picture of a pelican, a pink flamingo, or a beer can." The Future: "I'm predicting the world isn't going to come to an end anytime soon. There's too much unresolved, like whether or not Elvis is still alive, Jimmy Swaggart can stay on television, and if there will be another Rambo sequel." Dating: "Any single white female who has to resort to taking out an ad to find a boyfriend would take a SWM who's into yodeling, Hustler magazine, Ripple, and robbing convenience stores." People Who Cheat in the 12-Items-or-Less Lane: "Previously, I have dog-cussed these people and put curses on them, like, 'May your children grow up to be liberal Democrats.' I'm not going to be that mean-spirited anymore. What I'm going to do is go to the vegetable bin, grab a large cucumber, and beat them about the head and shoulders with it." Lewis Grizzard offers his views on everything from politics, religion, sex, and golf to the largest condom heist in history, wittier and more outrageous than ever. Chili Dawgs Always Bark at Night shows why the South's most popular humorist continues to be America's most popular funny man.

This new edition of Southern Writers assumes its distinguished predecessor's place as the essential reference on literary artists of the American South. Broadly expanded and thoroughly revised, it boasts 604 entries-nearly double the earlier edition's-written by 264 scholars. For every figure major and minor, from the venerable and canonical to the fresh and innovative, a biographical sketch and chronological list of published works provide comprehensive, concise, up-to-date information. Here in one convenient source are the South's novelists and short story writers, poets and dramatists, memoirists and essayists, journalists, scholars, and biographers from the colonial period to the twenty-first century. What constitutes a "southern writer" is always a matter for debate. Editors Joseph M. Flora and Amber Vogel have used a generous definition that turns on having a significant connection to the region, in either a personal or literary sense. New to this volume are younger writers who have emerged in the quarter century since the dictionary's original publication, as well as older talents previously unknown or unacknowledged. For almost every writer found in the previous edition, a new biography has been commissioned. Drawn from the very best minds on southern literature and covering the full spectrum of its practitioners, Southern Writers is an indispensable reference book for anyone intrigued by the subject.