The king of rock-and-roll's #1 hit song "Love Me Tender" is now an endearing picture book Adapted from the unforgettable classic song, Elvis Presley's Love MeTender is a heartwarming ode to the special bond between children and the adults who love and care for them--be they parents, grandparents, adoptive parents, aunts, uncles, or guardians. With its simple, timeless message, Elvis Presley's Love Me Tender is destined to join Guess How Much I Love You as a baby shower staple. And the sweet, inclusive illustrations make it a book every family will treasure "all through the years, 'till the end of time."

Elvis Presley is the single biggest personality in American popular culture. Over three decades after his death in August 1977, he remains the undisputed king of rock'n'roll. Featuring a wealth of first-hand interviews, Elvis combines Jerry Hopkins's two previous classic bestselling Elvis biographies - Elvis: A Biography and Elvis: The Final Years - with all-new material to give the definitive detailed account of Presley's fantastic life

Celebrate Christmas with the King of Rock n' Roll! For Elvis, Christmas at Graceland was a time for family and friends, a respite from the road and the recording studio. It was a time to sing gospel songs around the piano and give out extravagant gifts. In this spirit, Christmas with Elvis is designed like a Christmas party Elvis himself would have liked. It’s a behind-the-scenes look at the iconic music and songs Elvis sang and recorded for his bestselling holiday albums, alongside favorite stories, trivia, and Yuletide cocktails and munchies—all wrapped up with a merry Christmas twist fit for the King of Rock ’n’ Roll. ELVIS™ and ELVIS PRESLEY™ are trademarks of ABG EPE IP LLC Rights of Publicity and Persona Rights: Elvis Presley Enterprises, LLC © 2021 ABG EPE IP LLC elvis.com

The Elvis Machine is a book of poems inspired by living, loving, and hate-fucking in Memphis, Tennessee--a city still kissed with the 1950s. Forged in a dumpster fire of toxic Elvises, these poems are pornographic bad romances, psychedelic love dirges, and threnodies for sex, drugs, and rock'n'roll. They'll make you laugh off the pain as much as you'll cry, cringe, and feel exposed in this 'No Boys Allowed' clubhouse of feminine rage and healing. "Kim Vodicka is the sexier Stephen Wright of poetry, with incisive one-liners so sharp and mind-blowingly funny that you forget how hard you were laughing before you started crying, then started laughing again." -John Skipp, author of The Art of Horrible People "Vodicka's poetry is a seasick-sweet treasure trove of marvel. Her verses leave you yearning for the kind of love and life you know is bad for you, but you can't stop reading." -Elle Nash, author of Animals Eat Each Other "Here is the uncanny valley girl, the B-movie queen, Kim Vodicka, delivering a prize fight of the sexes in poetry where every line is a punch line. This book is the seminal display of misogyny's trauma, an unflinching exposé of toxic relationships, and an exquisitely honest portrayal of a woman's most intimate bits. Vodicka peels us to the core. This is what raw feels like." -Jeanette Powers, author of Dandylion Riot and founder of Stubborn Mule Press "The Elvis Machine is foaming at the mouth all over your pillow. Vodicka takes our balls and wears them like a teething necklace. Her wordplay is as bloody as it is brilliant. This is a love story dissected and displayed of its most vulnerable parts. Once again, she has managed to rock all my sensibilities." -Kelsey Marie Harris, author of The Jolly Queef

Put on your blue suede shoes and get ready for another addition to the Who Was…? series! The King could not have come from humbler origins: Born in Tupelo, Mississippi, during the Depression, he grew up with the blues music of the rural South, the gospel music of local churches, and the country-western classics. But he forged a sound all his own—and a look that was all his own, too. With curled lip, swiveling hips, and greased pompadour, Elvis changed popular music forever, ushering in the age of rock and roll. Geoff Edgers’s fascinating biography of this icon of American pop culture includes black and- white illustrations on nearly every spread.

'For a dead man, Elvis Presley is awfully noisy. His body may have failed him in 1977, but today his spirit, his image, and his myths do more than live on: they flourish, they thrive, they multiply.' Why is Elvis Presley so ubiquitous a presence in US culture? Why does he continue to enjoy a cultural prominence that would be the envy of the most heavily publicized living celebrities? In Elvis after Elvis Gil Rodman traces the myriad manifestations of The King in popular and not-so-popular culture. He asks why Elvis continues to defy our expectations of how dead stars are supposed to behave: Elvis not only refuses to go away, he keeps showing up in places where he seemingly doesn't belong. Rodman draws upon an extensive and eclectic body of Elvis 'sightings', from Elvis's appearances at the heart of the 1992 Presidential campaign to the debate over his worthiness as a subject for a postage stamp, and from Elvis's central role in furious debates about racism and the appropriation of African-American music to the world of Elvis impersonators and the importance of Graceland as a place of pilgrimage for Elvis fans and followers. Rodman shows how Elvis has become inseparable from many of the defining myths of US culture, enmeshed with the American dream and the very idea of the 'United States', caught up in debates about race, gender and sexuality and in the wars over what constitutes a national culture.

When the U.S. Army drafted Elvis Presley in 1958, it quickly set about transforming the King of Rock and Roll from a rebellious teen idol into a clean-cut GI. Trading in his gold-trimmed jacket for standard-issue fatigues, Elvis became a model soldier in an army facing the unprecedented challenge of building a fighting force for the Atomic Age. In an era that threatened Soviet-American thermonuclear annihilation, the army declared it could limit atomic warfare to the battlefield. It not only adopted a radically new way of fighting but also revamped its equipment, organization, concepts, and training practices. From massive garrisons in Germany and Korea to nuclear tests to portable atomic weapons, the army reinvented itself. Its revolution in warfare required an equal revolution in personnel: the new army needed young officers and soldiers who were highly motivated, well trained, and technologically adept. Drafting Elvis demonstrated that even this icon of youth culture was not too cool to wear the army’s uniform. The army of the 1950s was America’s most racially and economically egalitarian institution, providing millions with education, technical skills, athletics, and other opportunities. With the cooperation of both the army and the media, military service became a common theme in television, music, and movies, and part of this generation’s identity. Brian Linn traces the origins, evolution, and ultimate failure of the army’s attempt to transform itself for atomic warfare, revealing not only the army’s vital role in creating Cold War America but also the experiences of its forgotten soldiers.