Elves and elf-belief during the Anglo-Saxon period are reassessed in this lively and provocative study. Anglo-Saxon elves [Old English ælfe] are one of the best attested non-Christian beliefs in early medieval Europe, but current interpretations of the evidence derive directly from outdated nineteenth- and early twentieth-century scholarship. Integrating linguistic and textual approaches into an anthropologically-inspired framework, this book reassesses the full range of evidence. It traces continuities and changes in medieval non-Christian beliefs with a new degree of reliability, from pre-conversion times to the eleventh century and beyond, and uses comparative material from medieval Ireland and Scandinavia to argue for a dynamic relationship between beliefs and society. Inparticular, it interprets the cultural significance of elves as a cause of illness in medical texts, and provides new insights into the much-discussed Scandinavian magic of seidr. Elf-beliefs, moreover, were connected withAnglo-Saxon constructions of sex and gender; their changing nature provides a rare insight into a fascinating area of early medieval European culture. Shortlisted for the Katharine Briggs Folklore Award 2007 ALARIC HALL is a fellow of the Helsinki Collegium for Advanced Studies.

In tenth- and eleventh-century England, Anglo-Saxon Christians retained an old folk belief in elves as extremely dangerous creatures capable of harming unwary humans. To ward off the afflictions caused by these invisible beings, Christian priests modified traditional elf charms by adding liturgical chants to herbal remedies. In Popular Religion in Late Saxon England, Karen Jolly traces this cultural intermingling of Christian liturgy and indigenous Germanic customs and argues that elf charms and similar practices represent the successful Christianization of native folklore. Jolly describes a dual process of conversion in which Anglo-Saxon culture became Christianized but at the same time left its own distinct imprint on Christianity. Illuminating the creative aspects of this dynamic relationship, she identifies liturgical folk medicine as a middle ground between popular and elite, pagan and Christian, magic and miracle. Her analysis, drawing on the model of popular religion to redefine folklore and magic, reveals the richness and diversity of late Saxon Christianity.

An exciting historical fantasy featuring a young man whose shadowed destiny leads him to the past...where he could change our world forever. On Halloween eve, a frightening encounter with mysterious creatures transports twenty-year old Thomas McCadden to an unknown and ancient world—7thcentury Britain. How did he get there? What does he do now? The answers to these questions change his life forever, revealing secrets that have long been hidden, and a truth that he would rather not know. As he tries to survive this long-ago time, Thomas encounters the unknown and the otherworldly; an exiled warrior, holy men, tribal kings, and something far more sinister shadowing them all. Is he a tool for the dark forces of this land? Or the liberator sent to save them all? His strange journey forces these and even more important questions: Can he make it back home? Does he even want to return? Wildingis the first book of The Traveller’s Path, a meticulously researched historical fantasy series set in Northumbria, AD 642. It introduces a long-ago world, and a young man whose choices could have disastrous ramifications for it—and ours. “L.A. Smith cleverly weaves history and fantasy together into an intriguing tale of Dark Ages religion and magic.”- Matthew Harffy, author of A Time for Swords. “Wildingis, for the reader, as immersive and intriguing a journey into 7th-century Britain as it is for the time-travelling hero of the story.” – Edoardo Albert, author of Warrior: A Life of War in Anglo-Saxon Britain.

"With the arrival of Christianity in England there was a convergence of the new religion with the old. Many of the heathen customs, superstitions, and festivals were adopted to the needs of the Church, which sought, where it could, to preserve continuity with the past. Communities came together to celebrate seasonal festivals in much the same way as before but the meaning of the events and customs was given a Christian gloss. So, while many heathen practices were outlawed, others were absorbed into Christian tradition and preserved. Thus Yuletide, Easter and harvest festivals are still with us." --book jacket.

Winner of the Best First Monograph from the International Society for the Study of Early Medieval England (ISSEME) 2021. An examination of the Old English medical collections, arguing that these texts are products of a learned intellectual culture.

Tolkien's enduring vision of Middle Earth was largely inspired by the worldview of ancient Saxon Pagans. In this pagan guidebook, Alaric Albertsson presents a complete introduction to Anglo-Saxon cosmology, deities, spirits, and rituals. Travels Through Middle Earth offers practical information about the Saxon Pagan path, including many ways to incorporate Saxon rituals into contemporary spiritual life. Discover the húsel, a basic ritual for honoring personal ancestors, the Gods, and dwarves and elves. Learn how to set up a wéofod, the Saxon altar, to connect with the Gods. Also covered in this handbook: the concept of wyrd and how it shapes your destiny, the holy tides and how to celebrate them, rites of passage, worship, magic, and even instructions for making mead.

A wide-ranging study of the significance of swords throughout the whole Anglo-Saxon period, offering valuable insights into the meaning of and attitude towards swords. Swords were special in Anglo-Saxon England. Their names, deeds and pedigrees were enshrined in writing. Many were curated for generations, revealed by their worn and mended condition. Few ended their lives as casual discards, placed instead in graves, hoards and watercourses as part of ritualised acts. Contemporary sources leave no doubt that complex social meanings surrounded these weapons, transcending their use on the battlefield; but they have yet to transcend the traditional view that their primary social function was as status symbols. Even now, half a century after the first major study of Anglo-Saxon swords, their wider significance within their world has yet to be fully articulated. This book sets out to meet the challenge. Eschewing modern value judgements, it focuses instead on contemporary perceptions - exploring how those who made, used and experienced swords really felt about them. It takes a multidisciplinary and holistic approach, bringing together insights from art, archaeology and literature. Comparison with Scandinavia adds further nuance, revealing what was (and was not) distinctive of Anglo-Saxon views of these weapons. Far from elite baubles, swords are revealed to have been dynamic "living" artefacts with their own identities, histories and places in social networks - ideas fuelled by their adaptability, durability and unique rolein bloodshed. Sue Brunning is Curator of European Early Medieval Collections at The British Museum.