The Christian image in the process of modern globalisation Drawing on original research covering different periods and spaces, this book sets out to appreciate the specific place of images in the history of evangelisation in the long modern period. How can we reconceptualise the functions of the visual mediation of the gospel message, both in terms of the production and reception of this message and in terms of its effective mediators, artists, religious, and cultural ambassadors? The contributions in this book offer multiple geographical and historical insights regarding the circulation of the image on the global scale of the Christianised world or the world in the process of being Christianised, from China to Iberia. Combining the contribution of historians and art historians, the authors highlight the points of intercultural encounter and tension around preaching, catechesis, devotional practices and the propagandistic use of images. Through its aesthetic and social study of the image, and by examining the inner and outer borders of Europe and the mission lands, Eloquent Images contributes significantly to the history of evangelisation, one of the major dynamics of the first European globalisation.

Essays on the enduring complex relationship between word and image, from hieroglyphics to new media.

Catalogue produced to accompany the exhibition at the Canadian Museum of Contemporary Photography in Ottawa from December 20, 1996 to April 6, 1997 and at the Maison de la culture Côte-des-Neiges in Montréal from September 4 to October 5, 1997 on the occasion of le Mois de la Photo à Montréal - Édition 1997.

The vast literature on Our Lady of Guadalupe dominates the study of shrines and religious practices in Mexico. But there is much more to the story of shrines and images in Mexico’s religious history than Guadalupe and Marian devotion. In this book a distinguished historian brings together his new and recent essays on previously unstudied or reconsidered places, themes, patterns, and episodes in Mexican religious history during the seventeenth, eighteenth, and nineteenth centuries. William Taylor explores the use of local and regional shrines as well as devotion to images of Christ and Mary, including Our Lady of Guadalupe, to get to the heart of the politics and practices of faith in Mexico before the Reforma. Each of these essays touches on methodological and conceptual matters that open out to processes and paradoxes of change and continuity, exposing the symbolic complexity behind the material representations.

A new "textual studies" and archival approach to the investigation of works of new media and electronic literature that applies techniques of computer forensics to conduct media-specific readings of William Gibson's electronic poem "Agrippa," Michael Joyce's Afternoon, and the interactive game Mystery House.

Picturing the Language of Images is a collection of thirty-three previously unpublished essays that explore the complex and ever-evolving interaction between the verbal and the visual. The uniqueness of this volume lies in its bringing together scholars from around the world to provide a broad synchronic and diachronic exploration of the relationship between text and image, as well as a reflection on the limits of representation through a re-thinking of the very acts of reading and viewing. While covering a variety of media—such as literature, painting, photography, film and comics—across time—from the 18th century to the 21st century—this collection also provides a special focus on the work of particular authors, such as A. S. Byatt, W. G. Sebald, and Art Spiegelman.

Bringing together a fascinatingly diverse yet closely related group of subjects, Where Words and Images Meet asks us to rethink what we know about words and images and how they interact. From 19th-century frontispieces to Soviet photo albums, from the relationships between portraits and biographies to museum labels, the book's richly illustrated chapters open up historically specific connections between word and image to collective examination and fruitful analysis. Written by both established and emerging scholars in a range of interrelated fields, the chapters deliberately foreground previously overlooked topics as well as unfamiliar disciplinary approaches, to offer a stimulating and carefully developed framework for looking at these ubiquitous phenomena afresh. Where Words and Images Meet opens up for analysis and reflection the forms of attention, practices, skills and assumptions that underlie visual interpretation and meaning-making in the writing of history. By bringing the features of the materials we read and look at into focus, we can grasp more effectively the complex interrelationships involved, and enhance our practice and understanding.