Ellwood’s Odyssey is a unique historical fiction drama centered around people and families who face oppression and overcome it with success. The book begins with a man, Ellwood Washington, growing up in Los Angeles. Inspired by his father, he seeks greatness. His skills on the baseball field take him to the battlefield of the Korean War. His talents are required by his commanders to lead a perilous mission and capture a South Korean spy. These life events eventually lead to another hero that must overcome his uncertainties. His travels take him across the globe as he tries to answer questions about his family and capabilities. As it turns out, his odyssey of self-discovery is just beginning.

Essays on Literature brings together ten of the most important literary reviews and essays written by the acclaimed Victorian philosopher, social critic, and essayist Thomas Carlyle. Spanning his writing career, the essays allow the reader to track Carlyle's development as a reviewer and stylist, the evolution of his perennial themes, and the tremendous impact of his writing on the development of British and American literature. In keeping with the Norman and Charlotte Strouse Edition of the Writings of Thomas Carlyle, these essays are accompanied by a thorough historical introduction to the material, extensive notes providing historical and cultural context while expanding on references and allusions, and a textual apparatus that carefully details and explains the editorial decisions made in reconciling the many editions of each essay.

We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future. The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays. As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science.

Odysseys of Recognition claims that interpersonal recognition is constituted by performance, and brings performance theory into dialogue with poetics, politics, and philosophy. By observing Odysseus figures from Homer to Kleist, Ellwood Wiggins offers an alternative to conventional intellectual histories that situate the invention of the interior self in modernity.