"Elizabeth "Lisl" Scheu Close (1912-2011) was the first female modern architect in Minnesota. Over her 60-year career, she designed more than 150 residences in the state, which were stylistically rooted in Austrian and other European modern movements of the 1920s and 30s. The work of architect Adolf Loos was a primary influence -Close grew up in the 1912 Loos-designed Scheu House, a seminal early modern house in Vienna, Austria. In 1938 with her husband Winston Close, she cofounded the first practice in Minnesota dedicated to modern architecture. The book traces Lisl's life, education, and career from pre-World War I Vienna, to MIT, to Minnesota. Lisl was in the vanguard of professionally-trained women architects. Not only was she perceived as a "woman in a man's field" when she launched her career, she was also committed to a design aesthetic then not widely adopted by the public or the profession. Modernism, to Lisl, meant the design of buildings that "fit the modern style of living," or those that were practical, efficient, durable, and of their time"--

Architect, artist, furniture designer, and educator, Ralph Rapson has played a leading role in the development and practice of modern architecture and design, both nationally and internationally.

Anna and the French Kiss meets To All the Boys I've Loved Before in this dazzling and swoon worthy YA romance set in Tokyo. Sophia has seven days left in Tokyo before she moves back to the US with her family. Seven days to say goodbye to the electric city, her wild best friend, and the boy she has harbored a crush on for the past four years. Seven perfect days...that is, until Jamie Foster-Collins moves back to Japan and ruins everything. Jamie and Sophia have a history of heartbreak, and the last thing Sophia wants is for him to steal her leaving-thunder with his stupid arriving-thunder. Yet as the week counts down, Sophia is forced to admit she may have misjudged Jamie. But can their seven short days left in Tokyo end in anything but goodbye? A funny and poignant debut novel filled with first kisses and second chances.

Powerhouse is the first book on the singular life and career of American architect Judith Chafee (1932-1998). Chafee was an unrepentant modernist on the forefront of sustainable design. Her architecture shows great sensitivity to place, especially the desert landscapes of Arizona. Chafee was also a social justice advocate and a highly respected woman in a male-dominated profession. After graduating from the Yale University Architecture School, where her advisor was Paul Rudolph, she went on to work in the offices of legends including Rudolph, Walter Gropius, Eero Saarinen, and Edward Larrabee Barnes. In addition to her architectural legacy, her decades of teaching helped shape a generation of architects. Chafee's drawings and archival images of her work are complemented by stunning photography by Ezra Stoller and Bill Timmerman.

This updated second edition of Acute Ischemic Stroke: Imaging and Intervention provides a comprehensive account of the state of the art in the diagnosis and treatment of acute ischemic stroke. The basic format of the first edition has been retained, with sections on fundamentals such as pathophysiology and causes, imaging techniques and interventions. However, each chapter has been revised to reflect the important recent progress in advanced neuroimaging and the use of interventional tools. In addition, a new chapter is included on the classification instruments for ischemic stroke and their use in predicting outcomes and therapeutic triage. All of the authors are internationally recognized experts and members of the interdisciplinary stroke team at the Massachusetts General Hospital and Harvard Medical School. The text is supported by numerous informative illustrations, and ease of reference is ensured through the inclusion of suitable tables. This book will serve as a unique source of up-to-date information for neurologists, emergency physicians, radiologists and other health care providers who care for the patient with acute ischemic stroke.

This Shirley Jackson Award–winning novel is “a true surreal phantasmagoria . . . [a] gothic supernatural” horror story set in the decadent world of British rock (Chelsea Quinn Yarbro). When the young members of a British acid-folk band are compelled by their manager to record their unique music, they hole up at Wylding Hall, an ancient country house with dark secrets. There they create the album that will make their reputation, but at a terrifying cost: Julian Blake, the group’s lead singer, disappears within the mansion and is never seen or heard from again. Now, years later, the surviving musicians, along with their friends and lovers—including a psychic, a photographer, and the band’s manager—meet with a young documentary filmmaker to tell their own versions of what happened that summer. But whose story is true? And what really happened to Julian Blake?

In 1932 nineteen-year-old John H. Howe arrived at Taliesin as a charter member of Frank Lloyd Wright's Taliesin Fellowship. There he would remain for the next thirty-two years, earning a reputation as "the pencil in Wright's hand" before establishing his own architectural practice in Minnesota. This is the first book to tell Howe's story and also the first full account of his place in the history of modern architecture--as chief draftsman and valued interpreter of Wright's designs and as a prolific architect in his own right. Illustrated throughout with Howe's sublime drawings, this biography is a testament to the underappreciated architect's extraordinary design and rendering skills. Influenced by Wright's principles of organic architecture, Howe operated under the conviction that "the land is the beginning of architecture." Architectural historians Jane King Hession and Tim Quigley show how this belief worked especially well for Howe in Minnesota, where his buildings appear to have grown naturally and organically from the landscape. Also remarkable are the visionary architectural schemes Howe created while serving time in prison during World War II as a conscientious objector--futuristic visions that anticipated Eero Saarinen's later designs for airports and Victor Gruen's for America's first indoor shopping mall. An enlightening look at an exemplary life in architecture, this book finally brings the accomplishment--and significance--of John H. Howe to the fore and at the same time illuminates a fascinating chapter in American architectural history.