"This is an engaging and insightful study. Highly polished and well argued, it affords a deeply researched and welcome perspective on Gaskell's short stories as an oblique and creative critique of 19th century society - and of Gaskell as literary stylist." -Felicity James, Associate Professor in Eighteenth and Nineteenth Century Literature, University of Leicester "For its illuminating close readings of Gaskell's lesser-known short pieces, for its reappraisal of Gaskell as a more passionate and angrier writer than has previously be acknowledged, and for its knowledgeable exposition of her creative and professional processes, not to mention her personal and religious motivations, this is an important contribution to Gaskell studies that will also be of interest to scholars of Victorian publishing, popular fiction, and women's writing." -Helena Ifill, Lecturer in English Studies, School of Language, Literature, Music and Visual Culture, University of Aberdeen This book re-locates Elizabeth Gaskell's 'smaller stories' in the literary and cultural context of the nineteenth century. While Gaskell is recognised as one of the major novelists of her time, the short stories that make up a large proportion of her published work have not yet received the critical attention they deserve. This study re-claims them as an indispensable part of her literary output that enables us to better contextualize and assess her achievement holistically as a highly-skilled woman of letters. The periodicals in which Gaskell's shorter pieces were published offer a microcosm of nineteenth-century society, and Gaskell took full advantage of the medium to apply a consistent and barbed challenge to cultural and gendered constructs of roles and social behaviour. Although her eminently readable prose still flows easily in her short stories, it is less likely to elide the sharp corners of domestic violence, the disabling experiences of women, the pain of death and loss, and the complications of family life. Carolyn Lambert is the author of The Meanings of Home in Elizabeth Gaskell's Fiction (2013), co-editor with Marion Shaw of For Better, For Worse: Marriage in Victorian Novels by Women (2018) and the author of Frances Trollope (2020).

Contains six of her finest stories that have been selected to demonstrate the variety and accomplishment of her shorter fiction, and to trace the development of her art.

The Squire's Story Elizabeth Gaskell The squire's story by Elizabeth Gaskell Elizabeth Cleghorn Gaskell, often referred to as Mrs Gaskell, was an English novelist, biographer, and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society, including the very poor, and are of interest to social historians as well as lovers of literature. Her first novel, Mary Barton, was published in 1848. Gaskell's The Life of Charlotte Brontë, published in 1857, was the first biography of Brontë. In this biography, she only wrote the moral, sophisticated things in Brontë's life, the rest she left out, deciding that certain, more salacious aspects of her life were better kept hidden. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

This book re-locates Elizabeth Gaskell’s ‘smaller stories’ in the literary and cultural context of the nineteenth century. While Gaskell is recognised as one of the major novelists of her time, the short stories that make up a large proportion of her published work have not yet received the critical attention they deserve. This study re-claims them as an indispensable part of her literary output that enables us to better contextualize and assess her achievement holistically as a highly-skilled woman of letters. The periodicals in which Gaskell’s shorter pieces were published offer a microcosm of nineteenth-century society, and Gaskell took full advantage of the medium to apply a consistent and barbed challenge to cultural and gendered constructs of roles and social behaviour. Although her eminently readable prose still flows easily in her short stories, it is less likely to elide the sharp corners of domestic violence, the disabling experiences of women, the pain of death and loss, and the complications of family life.

The Old Nurse's Story is a ghost tale by Elizabeth Gaskell. Little Miss Rosamond her loving nurse move into an old mansion. Very soon it becomes clear that there are secrets to be discovered, strange nocturnal sounds and spooky shapes moving about.

Looking for an engaging and emotionally resonant read from a novelist who was inspired by the works of both Charles Dickens and Charlotte Bronte? Elizabeth Gaskell's 1850 short novel The Moorland Cottage offers up a unflinching slice of nineteenth-century family life, with a particular focus on family dynamics in an era where sons were openly favored.