Christopher Award–winning author Jerdine Nolen imagines a young woman’s journey from slavery to freedom in this intimate and powerful novel that was named an ALA/YALSA Best Fiction for Young Adults nominee. It is 1854 in Alexandria, Virginia. Eliza’s mother has been sold away and Eliza is left as a slave on a Virginia farm. It is Abbey, the cook, who looks after Eliza, when she isn’t taking care of the Mistress. Eliza has only the quilt her mother left her and the stories her mother told to keep her mother’s memory close. When the Mistress’s health begins to fail and Eliza overhears the Master talk of the Slave sale auction and of Eliza being traded, she takes to the night. She follows the path and the words of the farmhand Old Joe: “Travel the night. Sleep the day…Go east. Keep your back to the setting of the sun. Come to the safe house with a candlelight in the window…That gal, Harriet, she’ll take you.” All the while, Eliza recites the stories her mother taught her as she travels along her freedom road from Mary’s Land to Pennsylvania to Freedom’s Gate in St. Catharines, Canada, where she finds not only her freedom but also more than she could have hoped for.

This is a sample book created using QuarkXPress

"'As I walked up the giant stairs, the hallway seemed to get brighter and brighter. I emerged onto the balcony. The sunlight was so blinding to my eyes that had been locked closed from insanity and pain or the weight of the Seroquel that I did not take in the whole scene at first. I looked at the sky. It was blue with small hints of grey, and the breeze was still while the clouds were large and puffy. The sky was calm and peaceful and gorgeous. My eyes squinted from brightness and slight nausea; I looked down from the second floor of the raised old house and realized the streets had morphed into rivers. I looked on with both disbelief and amazement.' As the whispers of Hurricane Katrina swirled through New Orleans, I did not even consider evacuating. The reason is simple. I did not have enough heroin to make it very far out of the city, without facing the impending doom of dope sickness. This is my story of the storm of the century. Follow me, sloshing through the storm's flood waters, searching for my next fix, with the slow realization that things will never be the same again. Eliza Player spent nearly ten years living in New Orleans, soaking up all the dirt and grime that the streets and her addiction had to offer, until Hurricane Katrina threatened that way of life forever. Since she came to her recovery, she graduated from the University of North Carolina at Charlotte, became a proud mother and wife, and has been writing about her past experiences in hopes to shed some light into places some feel are too dark."--P. [4] of cover.

For too long, women have been told to confine themselves-physically, socially, and emotionally. Eliza VanCort says now is the time for women to stand tall, raise their voices, and claim their space. Women fight the pressure to make themselves small in private, professional, and public spaces. VanCort, a teacher, consultant, and speaker, provides the necessary tools for women to rewrite the rules and create the stories of their choosing safely and without apology. VanCort identifies the five key behaviors of all Space-Claiming Queens: use your voice and posture to project confidence and power, end self-sabotage, forge connections, neutralize unsafe spaces, and unite across differences. Through personal narrative, research, and actionable strategies, VanCort provides how-tos on combating challenges, such as antimentors and microaggressions, and gives advice for building up your old girls club, asking for what you're worth, and owning your space without apology. Bold, fun, and enlightening, this book is birthed from VanCort's incredible story. Having a mother with schizophrenia forced VanCort to learn to be small and invisible at an early age, and suffering a traumatic brain injury as an adult required her to rethink communication from the ground up. Drawing on these experiences, and those of real women everywhere, VanCort empowers women to claim space for themselves and for their sisters with courage, empathy, and conviction because when we rise together, we rise so much higher.

'A wonderful connecting of two women writers' stories more than a century apart.' Julia Kuehn, The University of Hong Kong The first-ever biography of the pioneering female journalist who fought to bring Japanese cherry trees to Washington, DC Every age has strong, independent women who defy the gender conventions of their era to follow their hearts and minds. Eliza Scidmore was one such maverick. Born on the American frontier just before the Civil War, she rose from modest beginnings to become a journalist who roamed far and wide writing about distant places for readers back home. By her mid-20s she had visited more places than most people would see in a lifetime. By the end of the nineteenth century, her travels were so legendary she was introduced at a meeting in London as "Miss Scidmore, of everywhere." In what has become her best-known legacy, Scidmore carried home from Japan a big idea that helped shape the face of modern Washington: she urged the city's park officials to plant Japanese cherry trees on a reclaimed mud bank-today's Potomac Park. Though they rebuffed her suggestion several times, she finally got her way nearly three decades later thanks to the support of First Lady Helen Taft. Scidmore was a "Forrest Gump" of her day who bore witness to many important events and rubbed elbows with famous people, from John Muir and Alexander Graham Bell to U.S presidents and Japanese leaders. She helped popularize Alaska tourism during the birth of the cruise industry, and educated readers about Japan and other places in the Far East at a time of expanding U.S. interests across the Pacific. At the early National Geographic, she made a lasting mark as the first woman to serve on its board and to publish photographs in the magazine. Around the same time, she also played an activist role in the burgeoning U.S. conservation movement. Her published work includes books on Alaska, Japan, Java, China, and India; a novel based on the Russo-Japanese War; and about 800 articles in U.S. newspapers and magazines. Deeply researched and briskly written, this first-ever biography of Scidmore draws heavily on her own writings to follow major events of a half-century as seen through the eyes of a remarkable woman who was far ahead of her time.