This study explores the relations of T.S. Eliot and James Joyce with certain antecedents, such as Dante, Flaubert and Baudelaire; with contemporaries including Pound and Yeats; and with their readers, in order to illuminate the authors' historic mutual venture in English literature.

Great Shakespeareans offers a systematic account of thosefigures who have had the greatest influence on the interpretation,understanding and cultural reception of Shakespeare, both nationally andinternationally. In this volume, leading scholars assess the contribution ofJames Joyce, T.S. Eliot, W.H. Auden and Samuel Beckett to the afterlife andreception of Shakespeare and his works.Each essay assesses the double impact of Shakespeare on the figurecovered and of that figure on the understanding, interpretation andappreciation of Shakespeare, providing a sketch of its subject's intellectualand professional biography and an account of the wider cultural context.

A Lambda Literary Awards Finalist Named one of the best books of 2017 by NPR's Book Concierge A revelatory narrative of the intersecting lives and works of revered authors Virginia Woolf, T. S. Eliot, E. M. Forster and D. H. Lawrence during 1922, the birth year of modernism The World Broke in Two tells the fascinating story of the intellectual and personal journeys four legendary writers, Virginia Woolf, T. S. Eliot, E. M. Forster, and D. H. Lawrence, make over the course of one pivotal year. As 1922 begins, all four are literally at a loss for words, confronting an uncertain creative future despite success in the past. The literary ground is shifting, as Ulysses is published in February and Proust’s In Search of Lost Time begins to be published in England in the autumn. Yet, dismal as their prospects seemed in January, by the end of the year Woolf has started Mrs. Dalloway, Forster has, for the first time in nearly a decade, returned to work on the novel that will become A Passage to India, Lawrence has written Kangaroo, his unjustly neglected and most autobiographical novel, and Eliot has finished—and published to acclaim—“The Waste Land." As Willa Cather put it, “The world broke in two in 1922 or thereabouts,” and what these writers were struggling with that year was in fact the invention of modernism. Based on original research, Bill Goldstein's The World Broke in Two captures both the literary breakthroughs and the intense personal dramas of these beloved writers as they strive for greatness.

The focal point of this study is one of the masterpieces of Anglo-American poetry, T.S. Eliot’s The Waste Land, tackled from the perspective of translation. In this particular case, translation is deemed to be not only an intra- and inter-linguistic transfer, but also a form of intercultural contact. The book centres on a comparative study of the poem with five of its Romanian translations within the framework of Romanian letters. Thus, it also presents a thorough analysis of the target literary and cultural context of the various moments of the translation production, with particular consideration being given to reception-related issues. Due to this complex approach, this study sketches the most comprehensive contextualisation of Eliot’s poem in Romanian culture. It analyses the source poem as the topos of intercultural exchanges which encourage cultural reconciliation and dialogue. The wide range of cultural references which are recontextualised and reinterpreted in Eliot’s poem suggest the opportunity of seeing The Waste Land as a master work of translation in itself, which accommodates various inter-systemic relations and transfers of meaning. Finally, this study reveals the poet’s activity as a translator guided by the main tenets of modernist production practice. Due to its inter-disciplinary approach and its focus on intercultural dialogue, this book will appeal to a wide range of researchers in the field of Humanities.

Thornton takes a fresh look at important psychological and cultural issues in this novel, arguing that although it may be a classic text of literary modernism, it is a fundamentally antimodernist work. This comprehensive and thoughtful book provides readers with a new cultural critique and intellectual history of 'Portrait', which promises to become one of the major discussions of the novel.