This volume brings together 79 sacred tunes by two Connecticut composers: Eliakim Doolittle, who wrote psalm and fuging tunes in an unpretentious, familiar idiom, and Timothy Olmsted, who wrote psalm tunes in a more sophisticated, florid musical style. This final edition in the Music of the New American Nation series includes a comprehensive index of tune names and first lines for all fifteen volumes.

Jacob French, a student of William Billings, was one of the most talented postrevolutionary composers of Protestant sacred music in New England. He compiled most of his music in three printed tunebooks, comprising choral pieces of great rhythmic and contrapuntal variety. He felt many excellently crafted, expressive compositions that should find interest among today's choral directors and singers.

Samuel Babcock was an active Boston-area composer who made a significant contribution to the repertory of American psalmody. Best known for his tunebook, Middlesex Harmony, Babcock composed extended and plain psalm tunes, set pieces, fuging tunes, and anthems, and frequently used three-part vocal textures. He uniquely combined elements of both traditional and newer Methodist styles of psalmody. This edition includes 75 works known to be by Babcock, plus six of unknown attribution.

First Published in 1997. This series presents the music of early American composers of sacred music—psalmody, as it was called—in collected critical editions. Each volume has been prepared by a scholar who has studied the musical history of the period and the stylistic qualities of the composer. The purpose of the series is to present the music of important early American com posers in accurate editions for both performance and study. This volume presents the music of three composers who were active and influential in northwestern Connecticut during the 1780s and 1790s: Oliver Brownson, Alexander Gillet, and Solomon Chandler.

This series presents the music of early American composers of sacred music・psalmody, as it was called・in collected critical editions. Each volume has been prepared by a scholar who has studied the musical history of the period and the stylistic qualities of the composer. The purpose of the series is to present the music of important early American composers in accurate editions for both performance and study. This volume presents representative compositions by two American psalmodists, Samuel Holyoke and Jacob Kimball, who were actively engaged in the reform of American psalmody during the 1790s and early 1800s. American compositions were often criticized for two features: their failure to conform to the harmonic norms of European art music and their often vigorous, animated musical style, which was sometimes considered lacking in a reverent spirit appropriate for use in public worship

Daniel Belknap was a farmer, mechanic, and singing-master in Framingham, Massachusetts, who compiled four sacred and one secular tunebooks. These featured his own sacred compositions as well as those by other New England composers. While Belknap was not as flamboyant, prolific, nor as innovative as his contemporaries, he nevertheless provided fitting and eloquent religious and social music for his own and neighboring communities.