The present work has three principal objectives: (1) to fix the chronology of the development of the pre-Euclidean theory of incommensurable magnitudes beginning from the first discoveries by fifth-century Pythago reans, advancing through the achievements of Theodorus of Cyrene, Theaetetus, Archytas and Eudoxus, and culminating in the formal theory of Elements X; (2) to correlate the stages of this developing theory with the evolution of the Elements as a whole; and (3) to establish that the high standards of rigor characteristic of this evolution were intrinsic to the mathematicians' work. In this third point, we wish to counterbalance a prevalent thesis that the impulse toward mathematical rigor was purely a response to the dialecticians' critique of foundations; on the contrary, we shall see that not until Eudoxus does there appear work which may be described as purely foundational in its intent. Through the examination of these problems, the present work will either alter or set in a new light virtually every standard thesis about the fourth-century Greek geometry. I. THE PRE-EUCLIDEAN THEORY OF INCOMMENSURABLE MAGNITUDES The Euclidean theory of incommensurable magnitudes, as preserved in Book X of the Elements, is a synthetic masterwork. Yet there are detect able seams in its structure, seams revealed both through terminology and through the historical clues provided by the neo-Platonist commentator Proclus.

This fascinating survey takes chemistry as the central science of all materials at the molecular level, and brings together both organic and inorganic aspects in a clear account of the development of ideas of chemical evolution.

This book is written for researchers and students interested in the function and role of chemical elements in biological or environmental systems. Experts have long known that the Periodic System of Elements (PSE) provides only an inadequate chemical description of elements of biological, environmental or medicinal importance. This book explores the notion of a Biological System of the Elements (BSE) established on accurate and precise multi-element data, including evolutionary aspects, representative sampling procedures, inter-element relationships, the physiological function of elements and uptake mechanisms. The book further explores the concept Stoichiometric Network Analysis (SNA) to analyze the biological roles of chemical species. Also discussed is the idea of ecotoxicological identity cards which give a first-hand description of properties relevant for biological and toxicological features of a certain chemical element and its geo biochemically plausible speciation form. The focus of this book goes beyond both classical bioinorganic chemistry and toxicology.

Elements & Evolution: The Spiritual Landscape of Astrology. This groundbreaking, innovative book explores how the 4 elements structure and catalyze spiritual evolution from a number of angles. It explores Cyclical Evolution (the great cycle through the zodiac), and Progressive Evolution (the development of consciousness), and offers commentary on the evolutionary purpose of every facet of astrology. This is not a book about chart interpretation, rather, it aims to reveal the underlying workings of astrology itself. The thought-provoking information may inform anyone s approach to charts by adding layers of nuance, clarifying how the various aspects relate to soul growth, and understanding the relationship of astrology and consciousness. It is already being considered a major contribution by many leaders in the field. Contributions include a new classification of the elements: Water & Fire are discussed as being charged, and Earth & Air are neutral. Progressive evolution discusses how our soul growth occurs at 4 Elemental Levels the physical (Earth), emotional (Water), mental (Air), and soul (Fire). In great detail, this book clarifies the process of spiritual awakening as seen through astrology and the 4 Elements which compose its spiritual landscape.

"To many evolutionary biologists, the central challenge of their discipline is to explain adaptation, the appearance of design in the living world. With the theory of evolution by natural selection, Charles Darwin elegantly showed how a purely mechanistic process can achieve this striking feature of nature. Since then, the way many biologists have thought about evolution and natural selection is as a theory about individual organisms. Over a century later, a subtle but radical shift in perspective emerged with the gene's-eye view of evolution in which natural selection was conceptualized as a struggle between genes for replication and transmission to the next generation. This viewpoint culminated with the publication of The Selfish Gene by Richard Dawkins (Oxford University Press, 1976) and is now commonly referred to as selfish gene thinking. The gene's-eye view has subsequently played a central role in evolutionary biology, although it continues to attract controversy. The central aim of this accessible book is to show how the gene's-eye view differs from the traditional organismal account of evolution, trace its historical origins, clarify typical misunderstandings and, by using examples from contemporary experimental work, show why so many evolutionary biologists still consider it an indispensable heuristic. The book concludes by discussing how selfish gene thinking fits into ongoing debates in evolutionary biology, and what they tell us about the future of the gene's-eye view of evolution."--

For many designers, creating things by hand is a reaction to too much computer-based design. Since the first Fingerprint was published, ideas that were once on the fringe have begun to thrive in the mainstream. From typography and illustration to book-making and film titles, elements of handcraft have soaked into everyday life. Fingerprint No. 2 reflects the evolution of those ideas. In this second volume, you’ll still find plenty of projects created entirely without the aid of computer technology. But you’ll also discover how designers are beginning to incorporate the two aesthetics—handmade and digital—in order to best communicate their message. A third, hybrid aesthetic is emerging, one that marries the technologies of the past and future into a vibrant, exciting present. Look inside to discover 133 projects and exclusive visual essays from leading designers, including Robynne Raye, Stefan Bucher and Christian Helms. These pieces of work prove that handmade elements are not only vital to excellent design, but often result in exceptional design. Listen for the pulse, which cannot be faked, forged, or falsified. Look for the finger print. It is the key to design’s success.

Covering all species from yeast to humans, this is the first book to tell the story of selfish genetic elements that act narrowly to advance their own replication at the expense of the larger organism.