Z and Ana meet in flesh and blood at the Acropolis of Athens and fall irresistibly in love. During 19 days in love, they experience highs and lows being attracted magically and pulled apart by gender love interests. Their love for poetry and Z's research for his book on love will draw Ana, Renie, Jo, and Nefeli into a close passionate togetherness. Through the nineteen days of passionate loving, Ana could hide her preconditioned illness, but how come, Nefeli is blessed by her to become the new woman in Z's life? Does a prenuptial party reveal all secrets and show a way forward to all close friends, Muses, Nymphs, and Sybils?

When the poet experienced Aphrodite's personified sexual desires as a 'Dancing Eros' in Book I, he will also appear as a sweet 'Winged Child' throwing his arrows with a deadly aim, making no difference where or on what continent he'll show up, or which gender he chooses at random. But parties in full swing are his preferred spots to mingle, where the young and the young at heart gather with an expectation for a good time, a sensual flirt, or perhaps with good luck finding a matching partner in love.

The poet wishes to thank all the women who met him in a virtual and real life, being good listeners and also outstanding friends, sharing their time and interests, especially in times of sorrow and when he suffered a severe depression after the death of his poetry-partner and teacher of literature, who considered him as a friend and equal partner sharing interests in literature, poetry, and the arts. The poet will thank them all for he'll publish his work, now as the ink has dried, and it reflects their mature relationship, be it virtual or in tactile reality, the precious times of happiness, when they saved him spiritually and physically, returning from the dark abyss of a mental breakdown and suicidal thoughts. These thanks include everybody, who had contact with the poet especially during the critical years of '04 and '05, when the poet had to return mentally and physically to the world of the living, so that he could process his emotional world into poetry and publish it to the interested reader. Perhaps some people may have had a similar experience with a soul-mate, love partner, twin flame, and a close friend. Viva all mature women!

The poet had been waking to fine experiences of his conscious being, whereby the transition area, between the subconscious and the conscious levels, opened up a garden of earthly and spiritual delights, as a designed stage upon a stage by one of his favourite Muses, he calls his 'A-Muse'. So, waking in love seemed to fit the description. Into this garden, he'd commute daily and would meet and communicate with artists of fame and also with talented contemporaries, while his Muses danced in a traditional sensual roundabout in and out of his room, high above the rooftops of Vienna,

In MUSES IV, 'Magic Unisons', as the title indicates, the word magic explains best those moments, when during the process of composing word sequences that gradually become verses and stanzas, and could lead to a whole cycle of compositions, like in the 'Chants of a Traveling Bard'. For love, in 'Magic Unisons', transferred into many shades of enjoyment and happy feelings, one's Muses certainly stimulate the poet with their sensual impulses: This cannot be stored like goods, but the traces of those happy moments are still embedded in the poet's soul and the souls of all people engaged in creative work. Fascinating are the times one spends looking through one's creative output of one year that usually happens at the end of it when the mood is influenced by dark ominous cloud formations, snowfall that reflects the dusky light, fine stringing rain, unexpected storms, and foggy mystical mornings. Indeed, magical unisons are unique.

Love & Art is about a poet's creative workshop, where a poem follows a drawing or a drawing turns into a poem in an artistic cross-pollination. The poet offers these songs and the enclosed art in a series of volumes to all art lovers of this specific genre, he poet also calls ballads, as he often sang them, following his favourite interpreters and songwriters, together with one of his friends or muses, while he kept creative contacts with these 'birds of a feather' worldwide, celebrating with sweet 'Songs of Passion' in the heydays of happiness, but also with bitter tasting ballads of 'Ten Passion Songs' of life's darker moments. The poet, who is on a journey with an extended form of the traditional ballad, describes his life with a group of fellow poets and artists who partook in his creative workshops and poetry jam-sessions with a poetry club in San Francisco, USA, also including an actress who performed at a stage in Wiesbaden, Germany. In 'Secret Affairs', a homage to his friends in the world of art, he'll honour them with his 'Songs of Passion', who accompanied him on this thrill of an emotional roller coaster ride. Fascinated by Agi, a 40 year old woman with an erotic potential, just as the dark innocence of a Florida teen, besides the exotic birds from the web's world wide garden. He agreed with his muse, Athena: love is universal, no power on earth could ever lock it out, or let its magic flow dry up, and no way to stop the powers of its dynamic flow. 27 drawings, in the artist's unique style, expand on the poetry. With 'Ten Passion Songs': love is death, is death love? the poet reflects on his experience of an aftermath's drama of star crossed lovers, his despair of a great love's loss, and his dark thoughts about his life that had come to a sudden end. Yet, again with the help of his encouraging poetry friends, he found his way back to a positive life again. In 'electronic round dance', his befriended poetesses will dance with him having assured that the poet had found his way back to the joys of a positive life again.