Sometime in the second century, an early Christian text began to circulate called the Acts of Paul and Thecla . Since then, the tale of the apostle Paul, along with his strong heroine co-worker named Thecla, has received much attention as an independent source of information about earliest Christianity for what it might tell us about the role of women in ministry and the relationship women may have had to Paul in his missionary activities. In this volume, Jeremy W. Barrier provides a critical introduction and commentary on the Acts of Paul and Thecla, to serve as a user-friendly starting point for anyone interested in entering into the many discussions and academic writings surrounding the Acts of Paul and Thecla . Apart from a critical text with English translation, followed by textual notes and general comments, the author also offers an extensive introduction to the text.

This book explores, for the first time, the influence of Anacreon and the Anacreontic tradition on Horace's Odes and Epodes. It focuses first on the original fragments of Anacreon and their reception in Horace, paying attention to the central themes of wine, love, and satire. In a second part, the possibility of conscious Horatian reception of the earliest Carmina Anacreontea (and the broader Anacreontic tradition) as distinct from the original is discussed and shown to be highly probable. This imitation of imitation can be labelled, in Gérard Genette's words, as "literature in the third degree". As a significant predecessor of Horace, Anacreon can be described as no less than the central pivot between Archilochus and Hipponax, on the one hand, and Alcaeus and Sappho, on the other. He represents the tie between Horace's iambic and lyric personae and is thus a much more encompassing predecessor than any one of the other four above-mentioned counterparts.

Volume II. Part II. Iambic Poetry. Archilochus (sixth century B.C.), famous composer of elegies, hymns, etc. -- more than 200 fragments, some substantial. (We include the remarkable 'Archilochus Monument' and the work done on the text by Edmonds). Semonides of Amorgos -- more than 40 fragments (one is a poem of 118 lines); Hermippus, Scythinus.

This companion addresses a topic of continuing contemporary relevance, both cultural and literary. Offers both a wide-ranging exploration of the classical novel of antiquity and a wealth of close literary analysis Brings together the most up-to-date international scholarship on the ancient novel, including fresh new academic voices Includes focused chapters on individual classical authors, such as Petronius, Xenophon and Apuleius, as well as a wide-ranging thematic analysis Addresses perplexing questions concerning authorial expression and readership of the ancient novel form Provides an accomplished introduction to a genre with a rising profile