Edited with Introduction and Notes by W. A. Camps

Propertius, though his works are small in volume, is one of the foremost poets of the Augustan age, and his writing has a certain appeal to modern tastes (witness the admiration of Ezra Pound). Book I is especially suitable for the reader wanting a representative selection of Propertius' poetry. It stands on its own, having appeared in the first place as a separate collection; it reflects a distinct phase of the poet's activity (and of his emotional development); and it is the book which made his reputation. This edition is designed for the pocket of the university student, but it should find a wider audience among classicists of all ages. The introduction provides the necessary historical and critical background and relates Book I to the rest of the elegies; the notes are helpful and to the point; and the text has a reasonable minimum of apparatus. There are no modern editions of this size and scope.

Propertius re-invents Latin love-elegy in his third collection. Nearly a decade into the Augustan principate, the early counter-cultural impulse of Propertius' first collections was losing its relevance. Challenged by the publication of Horace's Odes, and by the imminent arrival of Virgil's Aeneid, in 23 BCE Propertius produced a radical collection of elegy which critically interrogates elegy's own origins as a genre, and which directly faces off Horatian lyric and Virgilian epic, as part of an ambitious claim to Augustan pre-eminence. But this is no moment of cultural submission. In Book 3, elegy's key themes of love, fidelity, and political independence are rebuilt from the beginning as part of a subtle critique of emerging Augustan mores. This book presents a series of readings of fourteen individual elegies from Propertius Book 3, including nostalgic love poems, an elegiac hymn to Bacchus, and a lament for Marcellus, the recently-dead nephew of Augustus.

The Roman elegiac poet Propertius was one such author. This final published collection, issued in 16 BCE, has been traditionally read as an abandonment by Propertius of his earlier flippant love poems for a more mature engagement with Roman public life or else a comical send-up of imperial policies as embodied in Rome's public buildings. The Elegiac Cityscape explores Propertius' Rome and the various ways his poetry about the city illuminates the dynamic relationship between one individual and his environment. The relationship between poet and city is complicated at every turn by the presence in the background of the emperor Augustus, whose sustained artistic patronage of Roman monuments brought about the most pervasive transformation that the city had yet seen. Combining the approaches of archaeology and literary criticism, Tara S. Welch examines how Propertius' poems on Roman places scrutinize the monumentalization of various ideological positions in Rome, as they poke and prod Rome's monuments to see what further meanings they might admit. The result is a poetic book rife with different perspectives on the eternal city, perspectives that often call into question any sleepy or complacent adherence to Rome's traditional values. Book jacket.