Electronic Iran introduces the concept of the Iranian Internet, a framework that captures interlinked, transnational networks of virtual and offline spaces. Taking her cues from early Internet ethnographies that stress the importance of treating the Internet as both a site and product of cultural production, accounts in media studies that highlight the continuities between old and new media, and a range of works that have made critical interventions in the field of Iranian studies, Niki Akhavan traces key developments and confronts conventional wisdom about digital media in general, and contemporary Iranian culture and politics in particular. Akhavan focuses largely on the years between 1998 and 2012 to reveal a diverse and combative virtual landscape where both geographically and ideologically dispersed individuals and groups deployed Internet technologies to variously construct, defend, and challenge narratives of Iranian national identity, society, and politics. While it tempers celebratory claims that have dominated assessments of the Iranian Internet, Electronic Iran is ultimately optimistic in its outlook. As it exposes and assesses overlooked aspects of the Iranian Internet, the book sketches a more complete map of its dynamic landscape, and suggests that the transformative powers of digital media can only be developed and understood if attention is paid to both the specificities of new technologies as well as the local and transnational contexts in which they appear.

Alternative Iran offers a unique contribution to the field of contemporary art, investigating how Iranian artists engage with space and site amid the pressures of the art market and the state's regulatory regimes. Since the 1980s, political, economic, and intellectual forces have driven Iran's creative class toward increasingly original forms of artmaking not meant for official venues. Instead, these art forms appear in private homes with "trusted" audiences, derelict buildings, leftover urban zones, and remote natural sites. While many of these venues operate independently, others are fully sanctioned by the state. Drawing on interviews with over a hundred artists, gallerists, theater experts, musicians, and designers, Pamela Karimi throws into sharp relief the extraordinary art and performance activities that have received little attention outside Iran. Attending to nonconforming curatorial projects, independent guerrilla installations, escapist practices, and tacitly subversive performances, Karimi discloses the push-and-pull between the art community and the authorities, and discusses myriad instances of tentative coalition as opposed to outright partnership or uncompromising resistance. Illustrated with more than 120 full-color images, this book provides entry into unique artistic experiences without catering to voyeuristic curiosity around Iran's often-perceived "underground" culture.

Provides a detailed look at the events and policies surrounding the Iranian space endeavor. For those who see the trend of progress and movement of the Iranian space endeavor from the outside, it can be difficult to understand what goes on behind the scenes. However, for one who observes these events firsthand, they take on a very different meaning. In this book, the author brings new and different profiles of Iran’s space endeavor to light. Iran claims to be the ninth leading country in the world capable of manufacturing satellites and launching them, plans to land an astronaut on the Moon within a decade, and says its own president plans to be the first Iranian astronaut to travel into space. The author explains in this book that not all of these claims are quite as they seem. In addition to technical explanations, the book also includes historical, legal, social and cultural aspects of Iran’s space program as well. It is the author’s goal to create a tangible feeling of Iran’s space endeavor for the readers.

Successive Iranian leaders have struggled to navigate the fraught political-cultural space of media in the Islamic Republic–skirting the line between embracing Western communications technologies and rejecting them, between condemning social networking sites as foreign treachery and promoting themselves on Facebook. How does a regime that originally derived its hegemony from the ability to mass communicate its ideology protect its ideological dominance in a media environment defined by hybridity, hyper-connectivity, and near constant change? More broadly, what is the role of media in the construction and maintenance of power in Iran? This book addresses these questions by examining the institutions, policies, and discourses of two political regimes over the course of nearly eight decades. Drawing from over 3,000 primary source documents and digital artifacts in Persian and English, including formerly classified material hidden deep in the archives, this book offers a history of media in Iran across political regimes and media paradigms– from the public's first encounter with mass communication in the 1940s, to the dawn of digital media in the 1990s, to internet and mobile telephony today. At the same time, the book trains a keen eye on contemporary politics. With foundations in sociology and political science, Media and Power in Modern Iran offers trenchant insight into the present ruling establishment– a political regime born from what has become known as the "first televised revolution."

On 8 February 1971, Marxist revolutionaries attacked the gendarmerie outpost at the village of Siyahkal in Iran’s Gilan province. Barely two months later, the Iranian People’s Fada’i Guerrillas officially announced their existence and began a long, drawn-out urban guerrilla war against the Shah’s regime. In Call to Arms, Ali Rahnema provides a comprehensive history of the Fada’is, beginning by asking why so many of Iran’s best and brightest chose revolutionary Marxism in the face of absolutist rule. He traces how radicalised university students from different ideological backgrounds morphed into the Marxist Fada’is in 1971, and sheds light on their theory, practice and evolution. While the Fada’is failed to directly bring about the fall of the Shah, Rahnema shows they had a lasting impact on society and they ultimately saw their objective achieved.

The 1979 revolution fundamentally altered Iran’s political landscape as a generation of inexperienced clerics who did not hail from the ranks of the upper class—and were not tainted by association with the old regime—came to power. The actions and intentions of these truculent new leaders and their lay allies caused major international concern. Meanwhile, Iran’s domestic and foreign policy and its nuclear program have loomed large in daily news coverage. Despite global consternation, however, our knowledge about Iran’s political elite remains skeletal. Nearly four decades after the clergy became the state elite par excellence, there has been no empirical study of the recruitment, composition, and circulation of the Iranian ruling members after 1979. Postrevolutionary Iran: A Political Handbook provides the most comprehensive collection of data on political life in postrevolutionary Iran, including coverage of 36 national elections, more than 400 legal and outlawed political organizations, and family ties among the elite. It provides biographical sketches of more than 2,300 political personalities ranging from cabinet ministers and parliament deputies to clerical, judicial, and military leaders, much of this information previously unavailable in English. Providing a cartography of the complex structure of power in postrevolutionary Iran, this volume offers a window not only into the immediate years before and after the Iranian Revolution but also into what has happened during the last four turbulent decades. This volume and the data it contains will be invaluable to policymakers, researchers, and scholars of the Middle East alike.

During the 1940s and 1950s, Islamic reformism flourished in Iran. This book examines how Iranian Islamic groups came to rethink traditional accounts of religion and nurture a politicized version of Islam. The author shows how similar social and political circumstances, but different family and educational backgrounds gave rise to socialist, democratic/scientific and fundamentalist/militant reinterpretations of Islam. What was common among these groups was a tendency towards politicizing the religion. A significant contribution to discussions of contemporary political thought in Iran, this book will be of interest to researchers and academics of Islamic political though and Iranian politics and history.