After examining the principles and individuals underlying the early advancement of physics, Heilbron discusses the scientific development of electricity as its roots in the theories and discoveries of pioneer physicists

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.

Each volume of the Dictionary of World Biography contains 250 entries on the lives of the individuals who shaped their times and left their mark on world history. This is not a who's who. Instead, each entry provides an in-depth essay on the life and career of the individual concerned. Essays commence with a quick reference section that provides basic facts on the individual's life and achievements. The extended biography places the life and works of the individual within an historical context, and the summary at the end of each essay provides a synopsis of the individual's place in history. All entries conclude with a fully annotated bibliography.

This long-standing series provides the guild of religion scholars a venue for publishing aimed primarily at colleagues. It includes scholarly monographs, revised dissertations, Festschriften, conference papers, and translations of ancient and medieval documents. Works cover the sub-disciplines of biblical studies, history of Christianity, history of religion, theology, and ethics. Festschriften for Karl Barth, Donald W. Dayton, James Luther Mays, Margaret R. Miles, and Walter Wink are among the seventy-five volumes that have been published. Contributors include: C. K. Barrett, Francois Bovon, Paul S. Chung, Marie-Helene Davies, Frederick Herzog, Ben F. Meyer, Pamela Ann Moeller, Rudolf Pesch, D. Z. Phillips, Rudolf Schnackenburgm Eduard Schweizer, John Vissers

At the beginning of the 18th century there was no science of physics as we recognise it today; by the early years of the nineteenth century, there was. The articles in this volume are concerned with the process by which this came about. They focus, in particular, on the rise of experimental physics and the interactions between experiment, theory and mathematics in the study of electricity and, to a lesser extent, magnetism and physical optics during this period. Along the way, they provide a significant reassessment of Isaac Newton’s influence on the science of his successors. A further recurring theme is the process by which ideas were disseminated within the expanding scientific community of the day, and the manner of their reception, often in a form somewhat different from that envisaged by their first inventors, as Professor Home argues took place in the case of Franklin. The social and intellectual context of the ’scientist’, indeed, is the specific subject of several essays, dealing not only with England and France, but also offering new insights into the position of science in 18th-century Russia. Au début du 18e s., la science physique telle que nous l’entendons de nos jours, n’existait pas; dès les premières années du 19e s., cela n’était plus le cas. Les articles contenus dans ce volume s’intéressent au procédé qui a provoqué ce changement. Ils s’attachent plus particulièrement à la montée de la physique expérimentale et à l’interaction entre expérience, théorie et mathématiques en ce qui concerne l’étude de l’électricité et, dans une moindre mesure, celle du magnétisme et de l’optique physique durant cette période. Ce faisant, les études fournissent une ré-évaluation significative de l’influence d’Isaac Newton sur la science de ses successeurs. Un autre thème est celui du processus par lequel les idées étaient disséminées à l’époque au sein d’une communauté scientifique en pleine expans

Since the 1880s, electrical energies started circulating in European theaters, generated from fossil fuels in urban power plants. A mysterious force, which was still traded as romantic life force by some and for others had already come to stand in for progress, entered performance venues. Engineering knowledge, control techniques and supply chains changed fundamentally how theater was made and thought of. The mechanical image machine from Renaissance and Baroque times was transformed into a thermodynamic engine. Modern theater turned out to be electrified theater. – Retracing what happened backstage before the Avantgarde took to the front stage, this book proposes to write the genealogy of theaters modernity as a cultural history of theater technology.