"The general popularity of contemporary museum buildings began in the 1970s. The Centre Georges Pompidou in Paris demonstrated how a museum could open itself up to the city, how it could become a public forum and shed its cloak of pathos. The days in which museums simply preserved and presented works of art are long gone." "Museums in the 21st Century: Concepts, Projects, Buildings discusses the most important trends in modern architecture and, at the same time, documents increasingly intensive exchanges on an international level, portraying museum buildings and projects from 2000 to 2010 on four continents. A closer look at twenty-seven projects, either completed, planned or still under construction provides a broadly based overview of current museum architecture."--BOOK JACKET.

Over the course of 2011, Arnol

Operating at the intersection where new technology meets literature, this collection discovers the relationship among image, sound, and touch in the long nineteenth century. The chapters speak to the special mixed-media properties of literature, while exploring the important interconnections of science, technology, and art at the historical moment when media was being theorized, debated, and scrutinized. Each chapter focuses on a specific visual, acoustic, or haptic dimension of media, while also calling attention to the relationships among the three. Famous works such as Wordsworth's "I wandered lonely as a cloud" and Shelley's Frankenstein are discussed alongside a range of lesser-known literary, scientific, and pornographic writings. Topics include the development of a print culture for the visually impaired; the relationship between photography and narrative; the kaleidoscope and modern urban experience; Christmas gift books; poetry, painting and music as remediated forms; the interface among the piano, telegraph, and typewriter; Ernst Heinrich Weber's model of rationalized tactility; and how the shift from visual to auditory telegraphic instruments amplified anxieties about the place of women in nineteenth-century information networks. Full of surprising insights and connections, the collection offers new impetus for stimulating historical conversations and debates about nineteenth-century media, while also contributing fresh perspectives on new media and (re)mediation today.

b720MN19 is an exercise between record, meaning, and the use of colour, particularly the association between glass and colour. This book is the materialisation in paper of a b720's studio project: the transformation of an anonymous building into a living project as it changes with the passing hours through the colours of the glass slats that transform the interior and exterior in intense dialogue with eachother. The project also symbolises the justification of an aesthetical solution to the need for protection from the sun. The work arouses, through the pictures by Rafael Vargas, reflections on project and colour in ... the architectural and artistic world.] Dominique Boudet, French journalist and critic.

The most comprehensive monograph to date on the groundbreaking Swiss artist and international art star, Pipilotti Rist A pioneer of experimental video art, Pipilotti Rist is celebrated for her expansive installations that bridge the spaces between fine art and popular culture, the natural world and the technological sublime. Through vivid colors, audaciously sensuous imagery, and playful sexuality, Rist's art—which ranges from single-channel videos to multilayered environments—absorbs viewers in a hyperfeminine aesthetic interlaced with deeper themes of pain, innocence, and transformation.