Obras, ideas, sucesos dentro de la historia cultural en América Latina, este libro se centra en el momento de institucionalización de la crítica literaria en el subcontinente (en los 80), pero atendiendo tanto los orígenes de su tradiciones como el contexto anterior inmediato (de los 60 y los 70), en el que se vivieron diversas discusiones sobre el devenir histórico social. Así, múltiples debates sobre lo que debía ser el intelectual, la naturaleza de la idea de América Latina, la noción de libertad, la dicotomía largamente discutida de lo universal y lo local, lo cosmopolita y lo autóctono, el arte puro y el “impuro”, son aspectos abordados aquí, a manera de ensayo, de ir tejiendo vías para la interpretación de nuestro pasado literario y su correlativo crítico.

A partir de tres categorías críticas, heterogeneidad, transculturación y lo calibanesco, se plantea un momento dentro de la tradición de la crítica literaria y cultural en América Latina. Se traza una genealogía y se establecen las revistas y proyectos intelectuales como lugares de enunciación del discurso crítico latinoamericano, anclado a la modernidad.

A master class from the exhilarating writer Julio Cortázar “I want you to know that I’m not a critic or theorist, which means that in my work I look for solutions as problems arise.” So begins the first of eight classes that the great Argentine writer Julio Cortázar delivered at UC Berkeley in 1980. These “classes” are as much reflections on Cortázar’s own writing career as they are about literature and the historical moment in which he lived. Covering such topics as “the writer’s path” (“while my aesthetic world view made me admire writers like Borges, I was able to open my eyes to the language of street slang, lunfardo…”) and “the fantastic” (“unbeknownst to me, the fantastic had become as acceptable, as possible and real, as the fact of eating soup at eight o’clock in the evening”), Literature Class provides the warm and personal experience of sitting in a room with the great author. As Joaquin Marco stated in El Cultural, “exploring this course is to dive into Cortázar designing his own creations.… Essential for anyone reading or studying Cortázar, cronopio or not!”

A chilling novel about the nightmare of a corrupt and brutal dictatorship. The star of Roberto Bolano's hair-raising novel Distant Star is Alberto Ruiz-Tagle, an air force pilot who exploits the 1973 coup to launch his own version of the New Chilean Poetry, a multimedia enterprise involving sky-writing, poetry, torture, and photo exhibitions. For our unnamed narrator, who first encounters this "star" in a college poetry workshop, Ruiz-Tagle becomes the silent hand behind every evil act in the darkness of Pinochet's regime. The narrator, unable to stop himself, tries to track Ruiz-Tagle down, and sees signs of his activity over and over again. A corrosive, mocking humor sparkles within Bolano's darkest visions of Chile under Pinochet. In Bolano's world there's a big graveyard and there's a big graveyard laugh. (He once described his novel By Night in Chile as "a tale of terror, a situation comedy, and a combination pastoral-gothic novel.") Many Chilean authors have written about the "bloody events of the early Pinochet years, the abductions and murders," Richard Eder commented in the The New York Times: "None has done it in so dark and glittering a fashion as Roberto Bolano."

Ursula K. Le Guin chose to translate this novel which was on the New York Times Summer Reading list and winner of the Prix Imaginales, Más Allá, Poblet and Sigfrido Radaelli awards. This is the first of Argentinean writer Angélica Gorodischer's award-winning books to be translated into English. In eleven chapters, Kalpa Imperial's multiple storytellers relate the story of a fabled nameless empire which has risen and fallen innumerable times. Fairy tales, oral histories and political commentaries are all woven tapestry-style into Kalpa Imperial: beggars become emperors, democracies become dictatorships, and history becomes legends and stories. But this is much more than a simple political allegory or fable. It is also a celebration of the power of storytelling. Gorodischer and translator Ursula K. Le Guin are a well-matched, sly and delightful team of magician-storytellers. Rarely have author and translator been such an effortless pairing. Kalpa Imperial is a powerful introduction to the writing of Angélica Gorodischer, a novel which will enthrall readers already familiar with the worlds of Le Guin.

A young mother learns to survive among the snakes, sleaze, and slums of Buenos Aires.