The Translation judges for the National Book Awards--Richard Miller, Alastair Reid, Eliot Weinberger--cited Clayton Eshleman and Jose Rubia Barcia's translation of Cesar Vallejo's The Complete Posthumous Poetry as follows: "This, the first National Book Award to be given to a translation of modern poetry, is a recognition of Clayton Eshleman's seventeen-year apprenticeship to perhaps the most difficult poetry in the Spanish language. Eshleman and his present collaborator, Jose Rubia Barcia, have not only rendered these complex poems into brilliant and living English, but have also established a definitive Spanish test based on Vallejo's densely rewritten manuscripts. In recreating this modern master in English, they have also made a considerable addition to poetry in our language."

A Frequency Dictionary of Spanish has been fully revised and updated, including over 500 new entries, making it an invaluable resource for students of Spanish. Based on a new web-based corpus containing more than 2 billion words collected from 21 Spanish-speaking countries, the second edition of A Frequency Dictionary of Spanish provides the most expansive and up-to-date guidelines on Spanish vocabulary. Each entry is accompanied with an illustrative example and full English translation. The Dictionary provides a rich resource for language teaching and curriculum design, while a separate CD version provides the full text in a tab-delimited format ideally suited for use by corpus and computational linguistics. With entries arranged both by frequency and alphabetically, A Frequency Dictionary of Spanish enables students of all levels to get the most out of their study of vocabulary in an engaging and efficient way.

Memory and mourning in Colombia. This book provides the first in-depth examination of a representative range of contemporary Colombian cultural engagements with the conflicts known simply as La Violencia that began in Colombia in the late 1940s. These include Gustavo Alvarez Gardeazábal's now classic revision of the 'novela de la Violencia', the autobiographical cycle of acclaimed author Fernando Vallejo, versions of the testimonio by Alfredo Molano and internationally renowned novelist Laura Restrepo, as well as cinematic works by Carlos Mayolo and Luis Ospina. These cultural icons, many of whom are remarkably understudied, show how the heterogeneity of social and cultural processes condensed in La Violencia demands a deconstruction of 'violence' in Colombian culture. This argument is developed in dialogue with European and Latin American cultural theory and contributes to theoretical debates surrounding issues of memory and mourning developed in other Latin American contexts. The narratives explored in this book provide alternatives to abstract historicism and show us how to imagine ways out of deeply rooted cycles of violence. Yet their insistence on haunting and spectres signals the problems besetting the task of mourning in Colombia, positing history rather than psychology as a remainder that troubles efforts to forge collective memories and enact social reconciliation. RORY O'BRYEN lectures in Latin American literature and culture at the University of Cambridge.

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An in-depth look at Christian theology through Hispanic eyes. It weaves the doctrinal formulations of the early church on creation, the Trinity, and Christology into contemporary theological reflection on the Hispanic struggle for liberation. This volume offers a major theological statement from a respected theologian and author. Richly insightful and unique, Manana is one of the few major theological works from a Protestant representative of the Hispanic tradition. Justo L. Gonzalez offers theological reflections based upon unique insights born of his minority status as a Hispanic American.

This is the first compilation of primary sources that document the history and tradition of liberal thought in Argentina throughout the nineteenth and first half of the twentieth century. With only two exceptions, none of the works have ever been translated into English until now. Liberal ideas were very important in Argentina from the time of independence. The Argentine constitution (1853-60), in force for a long time, was based on liberal principles taken from both the North American and the European tradition. The general structure of the collection is chronological, taking the reader through an analysis of different periods of liberal thought in Argentina: from liberalism as opposed to dictatorial rule, to liberalism as the framework of the National Constitution (1852-60). Importance is given to the development of liberalism in government and opposition (1857-1910) and to the last period (1912-40), the twilight of liberalism. Chapter 1 addresses the dictatorship of Juan Manuel de Rosas (1837-50), during which time a set of liberal ideas was formed that would subsequently have a decisive influence on the second period, the formation of the National Constitution (1852-60). Chapters 3 and 4 consist of writings that chronicle the surge of liberalism in Argentina, first, during the period between 1857 and 1879, and, later, between 1880 and 1910. These chapters reflect the great political, economic, and social debates that exemplify the variety and richness of the body of liberal ideas during this time. The writings in the final chapter review the gradual decline of liberalism. They rescue from obscurity those voices and writings that upheld and defended liberal ideals in several aspects, namely, those ideals concerning electoral and constitutional reforms and the resistance of the advance of different expressions of totalitarian dictatorship during the twentieth century.

The nations of Latin America came into being without a strong sense of national purpose and identity. In The Invention of Argentina, Nicholas Shumway offers a cultural history of one nation's efforts to determine its nature, its destiny, and its place among the nations of the world. His analysis is crucial to understanding not only Argentina's development but also current events in the Argentine Republic.