In New York City during the winter of 1922 and the spring of 1923, Mair Jose Benardete recorded the texts of the thirty-nine traditional ballads published in this volume. His collection, the beginning of Judeo-Spanish ballad research in America, was assembled when the oral tradition was still rich and vigorous among immigrants to New York from the Sephardic settlements of the Eastern Mediterranean and North Africa. Among the ballads are a number of rare text types, some never again recorded in the Sephardic communities of the United States, In addition, many of the texts provide new insights into the origins of the thematic traditions they represent. Samuel G. Armistead and Joseph H. Silverman have edited the ballads collected by Benardete, offering an English abstract and exhaustive bibliography for each ballad. In addition to placing each ballad within the context of its Sephardic variants, the bibliographies refer to the most important collections in the modern Castilian, Portuguese, Catalan, and Hispano-American traditions, to earlier (fifteenth- to seventeenth-century) evidence, and to any known analogs in other European traditions. The volume also includes a general bibliography, a thematic classification of the ballads, several indexes, and a glossary of exotic lexical elements. In an introduction, professors Armistead and Silverman present a documented survey of Judeo-Spanish ballad scholarship with particular attention to fieldwork in teh United States and elsewhere. Benardete himself attributed the decline of ballad singing among the Sephardim to a growing preference for phonographic recordings over traditional family singers. The need for further field-work increases as "Sephardic folkspeech and folklore retreat before the irresistible onslaught of the English language and modern American mass-media culture" (from the Introduction). This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.

Sonic Ruins of Modernity shows how social, cultural and cognitive phenomena interact in the making and distribution of folksongs beyond their time. Through Judeo-Spanish (or Ladino) folksongs, the author illustrates a methodology for the interplay of individual memories, artistic initiatives, political and media policies, which ultimately shape “tradition” for the past century. He fleshes out in a series of case studies how folksongs can be conceived, performed and circulated in the post-tradition era – constituting each song as a “sonic ruin,” as an imagined place. At the same time, the book overall provides a unique perspective on the history of the Judeo-Spanish folksong.

This book examines a group of multicultural Jewish poets to address the issue of multilingualism within a context of minor languages and literatures, nationalism, and diaspora. It introduces three writers working in minor or threatened languages who challenge the usual consensus of Jewish literature: Algerian Sadia Lévy, Israeli Margalit Matitiahu, and Argentine Juan Gelman. Each of them—Lévy in French and Hebrew, Matitiahu in Hebrew and Ladino, and Gelman in Spanish and Ladino—expresses a hybrid or composite Sephardic identity through a strategic choice of competing languages and intertexts. Monique R. Balbuena's close literary readings of their works, which are mostly unknown in the United States, are strongly grounded in their social and historical context. Her focus on contemporary rather than classic Ladino poetry and her argument for the inclusion of Sephardic production in the canon of Jewish literature make Homeless Tongues a timely and unusual intervention.

A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.

This multicultural reference work on Jewish folklore, legends, customs, and other elements of folklife is the first of its kind.

Keith Whinnom, Professor of Spanish and Deputy Vice-Chancellor in the University of Exeter, died on March 6, 1986. He was one of the leading hispanists of his generation, and a world authority on the literature of the reign of the Catholic Monarchs (and, in a quite different area, on pidgin and creole languages). The contributors to this memorial volume are all specialists in the literature of Keith Whinnom’s chosen period, and all had close links with him, through personal friendship, research collaboration, and correspondence. They include his most admired teacher, two young scholars whom he helped at the outset of their careers, and representatives of the academic generations in between; they come from Britain, Spain, the United States, Argentina and France. Most of the articles deal with the favorite Whinnom subjects of cancionero poetry, sentimental romance, and Celestina, and there are others on historiography, humanistic prose, chivalric romance, sermons, drama, and the interaction of history and literature. A bibliography of Keith Whinnom’s scholarly writings is included.

The Miriam Tradition works from the premise that religious values form in and through movement, with ritual and dance developing patterns for enacting those values. Cia Sautter considers the case of Sephardic Jewish women who, following in the tradition of Miriam the prophet, performed dance and music for Jewish celebrations and special occasions. She uses rabbinic and feminist understandings of the Torah to argue that these women, called tanyaderas, "taught" Jewish values by leading appropriate behavior for major life events. Sautter considers the religious values that are in music and dance performed by tanyaderas and examines them in conjunction with written and visual records and evidence from dance and music traditions. Explaining the symbolic gestures and motions encoded in dances, Sautter shows how rituals display deeply held values that are best expressed through the body. The book argues that the activities of women in other religions might also be examined for their embodiment and display of important values, bringing forgotten groups of women back into the historical record as important community leaders