Versión en inglés incluida. Se da a conocer el conjunto de creencias y conocimientos ancestrales de los pueblos indígenas amazónicos.

Meet Lieutenant Flint: hard-edged and muscle-bound, radiating machismo—a bull of a soldier. In the opposite corner stands Captain Turner: with his pencil mustache and tailored shirts, he’s a Trick Soldier—smart, crisply-dressed, and always at attention. They’re fire and ice, oil and water... Sean Penn and Michael J. Fox in Casualties of War. Ten years ago and a thousand miles away, they attended boot camp together. They didn’t get along then . . . and they don’t get along now. Reunited in the Haitian jungles, in the midst of a fierce rebel uprising, they confront the most dangerous enemy of all—each other. It’s time for heroes to rise and cowards to fall, and in the case of Lieutenant Flint and Captain Turner, bravery runs deep. When brute strength confronts military honor, the true measure of a man is not in his fists, but in his heart. A First Sergeant with the 20th United States Marine Corps Reserve, Hubbard knew exactly what it meant to be a Marine. As he wrote in 1935: “Most of the fiction written about [Marines] is of an intensely dramatic type, all do-or-die and Semper Fidelis.” But the reality, he said, was far different. “I’ve known the Corps from Quantico to Peiping, from the South Pacific to the West Indies, and I’ve never seen any flag-waving. The most refreshing part of the U.S.M.C. is that they get their orders ... and do the job and that’s that.” It’s that kind of unique and pointed insight that he brings to stories like Trick Soldier. Also includes the military adventures He Walked to War, in which Marine Sergeant E.Z. Go appears to take it easy, but always gets the job done ... even if it’s hard as nails or dangerous as hell—in the end E.Z. does it; and Machine Gun 21,000, the story of a soldier who loses a gun and faces a court martial, but finds a way to save the day.

Esta obra se compone de 1 001 adivinanzas. Están distribuidas en tres apartados; en el primero, se presenta una recopilación de 841 de ellas, las cuales han hecho pasar momentos gratos a pequeños y grandes durante generaciones; en el segundo, 100 más inventadas por el autor; y, por último, 60 creadas por alumnos de cuarto grado, sección "B" de la Esc. Prim. "Héroes del 13 de Julio" de Guaymas, Sonora, durante un taller llevado a cabo en el ciclo escolar 2008-2009.

This lavishly illustrated, bilingual art book presents drawings by Ramón Casas in the Charles Deering McCormick Library of Special Collections at the Northwestern University Library and oil paintings by Casas from private collections and the Art Institute of Chicago. Charles Deering and Ramón Casas follows the development and dramatic dissolution of a three-way friendship that connected the Spanish painter Ramón Casas (1866–1932); the Chicago industrialist Charles Deering (1852–1927), who was a collector and admirer of Casas’s work as well as a patron of Northwestern University; and the Spanish artist Miguel Utrillo (1862–1934), Casas’s lifelong friend and the father of the French painter Maurice Utrillo. Casas introduced Deering to Sitges, a beach town near Barcelona, Spain, where the latter created a palatial estate with a museum to house his art collection. Miguel Utrillo served as director of the museum. The text explores the treasures housed at Maricel and what happened among the three men that led Casas to abandon Utrillo and Deering to depart Spain, taking his art collection with him.