Alex Winner es un joven soñador de aventuras y a pesar de su corta edad, se embarcará en una fascinante e increíble aventura junto a su padre, y otros compañeros de camino, dejándose llevar por unos sueños premonitorios, y poniendo rumbo a México. Allí descubrirá cosas que jamás pensaba encontrar tan pronto, como el amor verdadero, el valor de la amistad, el trabajo en equipo y una buena dosis de historia sobre los antepasados Aztecas y los conquistadores españoles. Un sinfín de aventuras que compartirá junto a todos aquellos lectores que deseen disfrutar de esta apasionante historia.

Step up to success with Buen viaje! Buen viaje! is a comprehensive three-level program that encourages meaningful, practical communication by immersing your students in the language and culture of the Spanish-speaking world. The text and its integrated technology resources help you meet the needs of every student in your diverse classroom. Buen viaje! Level 1 has 14 manageable chapters. Chapters 13 and 14 are repeated as Chapters 1 and 2 in Level 2 for flexible pacing. Topics provide students with the skills they need to communicate when shopping, talking about home, family, and friends, participating in activities, and traveling.

"Richly illustrated with works of both high culture and commercial kitsch - many of them never before reproduced - South of the Border revisits an era when Mexico captured the North American imagination." "Between the final years of the Mexican Revolution of 1910-17 and the immediate aftermath of World War II, dozens of U.S. painters and photographers flocked to Mexico, among them Edward Weston, Paul Strand, Marsden Hartley, Helen Levitt, Josef Albers, and Robert Motherwell. South of the Border reconsiders the work of these and other American artists, along with representative works of their Mexican contemporaries and examples of the vast quantities of commercial art - illustrated books and magazines, travel posters and postcards - and Mexican folk and tourist art that contributed to Americans' image of their neighbor to the south." "Artists visiting or living in Mexico, Oles writes, were enthralled with the country's climate, pre-Columbian heritage, and folk culture. Especially during the Great Depression, not only artists but the general American public as well saw in Mexico an appealing alternative to the pressures of industrial society. Some artists, including Winold Reiss, Thomas Handforth, and Doris Rosenthal, won acclaim for their depictions of a seemingly timeless rural life in Mexican villages. Others, among them Pablo O'Higgins, Elizabeth Catlett, and Robert Mallary, fired their work with politics, bringing the movement for social reform directly to the people through large murals and popular graphics." "In a bilingual text - English and Spanish - that accompanies more than 180 illustrations, Oles describes these and many other U.S. artists drawn to Mexico, placing their work in its original political and cultural context. An accompanying essay by Karen Cordero Reiman reexamines the history of Mexican art from 1910 through 1950, providing a fresh interpretation of a period long obscured by nationalist discourse and the domination of muralism." "Published in cooperation with the Yale University Art Gallery, South of the Border includes capsule biographies and selected bibliographies for many of the artists discussed in the text."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Mayan daykeeper Hunbatz Men reveals the multi-calendar system of the Maya that guided the lives of his ancestors and how it can guide us today • The first book to reveal the secrets of the Mayan Pleiades calendar: the Tzek’eb • Explains how the Maya used their astronomical knowledge to guide their lives on Earth The Mayan Calendar has taken on special prominence with the imminent arrival of 2012, a date that many claim is the end of that calendar. However, as Mayan elder and daykeeper Hunbatz Men shows, the cosmological understanding of his ancestors was so sophisticated that they had not one, but many calendars, each based on the cycles of different systems in the cosmos. In this book he reveals for the first time the Tzek’eb, or Pleiades, Calendar of 26,000 years, which charts the revolution of our solar system around Alcyone, the central star of the Pleiades system. He also discusses the K’uuk’ulcan Calendar of the 4 seasons of the solar year and the wheel of the K’altunes Calendar, which is composed of 13 cycles of 20 years each that form a calendar of 260 years. In traditional Mayan culture the computation of time was not determined by simple economic or social motives. The calendars served the higher purpose of synchronizing the lives of human beings and their societies to the great cosmic pulsation, to the rhythm of the annual seasons, and to the other cycles that dictate changes upon Earth. Mayan understanding of the cosmic cycles was so exact that this knowledge could be used to influence all stages of life--from planning when to conceive (parents could choose not only the sex of their child but its vocation and future destiny) to plotting out the course of the entire society. Pyramids played a crucial role in applying this wisdom because, as Hunbatz Men shows, they were able to produce and transform energy in accordance with the cosmic cycles charted by the calendars. This book reveals for the first time the wisdom of the multi-calendar Mayan system and how it can help guide our modern world.