Este libro es parte de la colección e-Libro en BiblioBoard.

¿Es posible hablar de insurrecciones 2.0?, ¿de nuevas formas de acuerpamiento social?, ¿de nuevas formas de protesta y organización colectiva? ¿Qué desafíos plantea la ola de insurrecciones que han irrumpido en la escena del siglo XXI? Este libro busca repensar las preguntas que nos hacemos en torno a las culturas políticas de los jóvenes y su acción colectiva. También reflexiona sobre la idea de sujeto y sus formas de expresión. Un sujeto que busca deslindarse de los determinismos, que sale a campo abierto, en plena tempestad sin certezas. Un sujeto que se arriesga no para decretar, sino para comprender, para asir lo inasible “garantizando su estatuto de inasible”, como quería Levinas. La autora habla acerca, de, sobre y especialmente con quienes han construido una inmensa red de conversaciones colectivas, de acciones, de estéticas y de lenguajes. Estos movimientos sociales surgidos en la red y trasladados a la calle, han logrado interrumpir el monólogo de los poderes propietarios.

One of the greatest living Latin American poets compiles and introduces an essential anthology.

Walkscapes deals with strolling as an architecture of landscape. Walking as an autonomous form of art, a primary act in the symbolic transformation of the territory, an aesthetic instrument of knowledge and a physical transformation of the 'negotiated' space, which is converted into an urban intervention. From primitive nomadism to Dada and Surrealism, from the Lettrist to the Situationist International, and from Minimalism to Land Art, this book narrates the perception of landscape through a history of the traversed city.

With the Republic of Slovenia declaring its independence from Yugoslavia in 1991 Slovenia became an honourable member of the world of late capitalism, and in 2004 a member of the European Union. It would take too long to explain in detail why Slovenia became a successful member of the empire of late capitalism, but what can be said of architecture is that several young architects such as Spela Videcnik and Rok Oman of Ofis arhitekti became familiar with the blurring of the distinctions between art, fashion, high and low culture, design and politics, individualisation, and consumption. Not only Ofis, but other young architects oriented themselves to the West and decided early on in their careers to study architecture in post-Fordist countries like Great Britain, the USA, Holland and Finland, thus making the leap from a Communist welfare state into a late-capitalist state -with the help of their international aesthetics- easier and more promising for Slovenia. From that moment on, a new generation of architects paved the way for Slovenia to move into world capitalism. The work by Ofis compiled in this issue of 2G represents a good example of this new generation of architects from Eastern Europe.